Why are Software Patents so Elusive? A Platonic Approach

Software patents are commonly criticised for being fuzzy, context-sensitive, and often granted for trivial inventions. More often than not, these shortcomings are said to be caused by the abstract nature of software - with little further analysis offered. Drawing on Plato’s Parmenides, this paper will argue (1) that the reason why software patents seem to be elusive is that patent law suggests to think about algorithms as paradigmatic examples and (2) that Plato’s distinction between two modes of predication and the role of competence in his account of knowledge are helpful not only for conceptualising knowledge of algorithms, but also for understanding the limits of software patent regimes

Kalkulierte Originalität: Legitimationsmythos und ökonomische Wirklichkeit geistigen Eigentums

When it comes to works of art, intellectual property rights (IPR) are often argued to be natural rights, for each work of art, so we are told, is the expression of the particular ingenuity of an individual artist. The account of creativity to which such arguments allude, however, is that of Romanticism, so that one may question whether these arguments hold valid for contemporary artistic practices. Thus, this chapter will construct a Hegelian justification for IPR that goes along with the Romantic concept of creative work and then assess this justification drawing on the analysis of the modern culture industry by Adorno and Horkheimer

Zur Kritik des Entzugs als politischer Praxis

Facing a decline of meta-narratives and the political subjects associated with them, substraction (‘Entzug’) has been proposed as a political strategy that seems more apt to present times. Drawing on Hegel’s ‘Philosophy of Right’ and Benjamin’s ‘Critique of Violence’, this paper argues that substraction too requires a meta-narrative and a political subject if it shall be a viable political strategy