Making and Unmaking a Hero: Aung San Suu Kyi in the News Media

At the start of this project stood the supposition that news media frame issues and actors in ways which convey and underscore particular aspects thereof, and which lead media consumers to think about these issues and actors, and their potential implications and ramifications, in particular ways, including in cases of genocide and mass atrocity. Further, this happens through a gendered lens which ‘others’ women actors. A recent case in which a woman’s public image has undergone significant change and received considerable media coverage throughout is that of Aung San Suu Kyi, de factor head of state of Myanmar, and unexpectedly silent on the ongoing Rohingya crisis. This project set out to illuminate how Aung San Suu Kyi is portrayed in internationally read news media, specifically the New York Times, Washington Post, The Guardian, The Atlantic, and Al Jazeera, between 2015 and 2018. Using a theoretical framework of framing theory, the gendered mediation thesis, and critical perspectives on victims, bystanders, perpetrators, and ‘hero’ figures in the context of genocide and mass atrocity, a framing analysis using the four groups as its organizing structure was conducted. It was found that Aung San Suu Kyi is predominantly cast as a passive bystander who is morally complicit to the persecution and has significant though not unlimited authority in Myanmar, but is discussed in the context of all four groups. She is portrayed in a gendered manner to some extent, as her elevation and demise are amplified by gendered descriptions, often drawing from feminine stereotypes and expectations, and relations to men. Predominantly, the media reconciles opposing images of her arguing either that Aung San Suu Kyi was never a hero to begin with without calling the concept of ‘hero’ into question, or by critiquing this concept

§ 3677 des Strafgesetzbuches und die §§ 10, 11 des Nahrungsmittel-Gesetzes vom 14. Mai 1879

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Tabak

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Obsessions : a short story anthology

Obsessions. A Short Story Anthology collects the short stories awarded in a creative writing competition for non-native students of English philology from Poland and Sweden. It containg eleven stories, representing a varied choice of topics, forms and subjects inspired by the competition theme. The afterword summarises the jury’s verdict and offers more detailed impressions on all the awarded stories, while the theoretical article discusses the up-to-date scholarship on the genre of the short story, locating the anthologised text in the generic framework. The qualitative analyses are supported by stylometric methods applied to a comprehensive corpus of texts