65/Detektory MOSFET jako narzędzie do weryfikowania dawek terapeutycznych wiązek elektronów w radioterapii

CelZastosowanie detektorów MOSFET (Metal – Oxide Semiconductor Field Effect Transistor) do pomiaru dawki in vivo wiązek elektronów w radioterapii.Metody i materiałyWykonano pomiary fantomowe polegające na zbadaniu zależności wskazań detektorów MOSFET od: – wartości dawki wiązek elektronów, – temperatury otoczenia detektorów, – kierunku padania wiązki elektronów na detektor, – wielkości napromienianego pola.Zbadano także zmianę czułości detektorów w zależności od skumulowanej dawki. Detektory, ze względu na bardzo małe wymiary, umieszczano w odpowiednio zaprojektowanych nakładkach aluminiowych – w celu zapewnienia równowagi elektronowej podczas pomiaru dawki. Wskazania detektorów porównywano do wskazańkomory jonizacyjnej typu Markus, posiadającej świadectwowzorcowania. Pomiary wykonano z użyciem wiązek elektronów o energii 6, 9, 12, 15, 18,21 MeV.WynikiZbadane zależności i określone na ich podstawie współczynniki korekcyjne umożliwiają zmierzyć dawkę wiązki elektronów z dokładnością ±2.5%.WniosekDetektory MOSFET są dobrym narzędziemdo weryfikowania dawki wejściowej w radioterapii wiązkami elektronów

Optical Coherence Tomography (OCT) for examination of artworks

Chapter in the book: Bastidas D., Cano E. (eds) Advanced Characterization Techniques, Diagnostic Tools and Evaluation Methods in Heritage Science. Springer, Cham, 2018, pp 49-59 , doi: 10.1007/978-3-319-75316-4, Authors’version after embargo periodOptical coherence tomography is a fast, non-invasive technique of structural analysis utilising near-infrared radiation. Examples of using OCT, for obtaining cross-sectional images of objects of craftsmanship and an easel painting have been shown. Issues regarding the technique of execution and destruction phenomena were resolved non-invasively. In some cases, the secondary alterations can be identified and localised within the object’s structure which helps in authentication of the artwork

Surface and interface treatments on wooden artefacts: Potentialities and limits of a non-invasive multi-technique study

Wooden artefacts embrace wide-ranging types of objects, like paintings on panel, sculptures, musical instruments, and furniture. Generally, in the manufacturing process of an artwork, wood is firstly treated with organic and inorganic materials to make it nonporous and morphologically homogeneous, and, at last, the surface treatment consists of varnishes or coatings applied with the aims of conferring aesthetic properties and protecting wood from biological growth and external degradation agents, as well as mechanical damage. In this work, different wooden mock-ups were prepared by varying some parameters: concentration of filler and pigment, respectively, in the ground and paint layers, thickness of the protective varnish coat, and sequence of the layers. The mock-ups were subsequently exposed to time-varying artificial aging processes. The multi-analytical non-invasive approach involved spectroscopic (reflection FT-IR, Raman, and X-ray fluorescence), tomographic (optical coherence tomography) and colorimetric techniques. Data were interpreted using both univariate and multivariate methods. The aim was to evaluate potential and limits of each non-invasive technique into the study of different stratigraphies of wooden artworks. This approach was supported by microscopic observations of cross-sections obtained from selected mock-ups. The methodological approach proposed here would add valuable technical know-how and information about the non-invasive techniques applied to the study of wooden artworks

Surface and interface treatments on wooden artefacts: Potentialities and limits of a non-invasive multi-technique study

Wooden artefacts embrace wide-ranging types of objects, like paintings on panel, sculptures, musical instruments, and furniture. Generally, in the manufacturing process of an artwork, wood is firstly treated with organic and inorganic materials to make it nonporous and morphologically homogeneous, and, at last, the surface treatment consists of varnishes or coatings applied with the aims of conferring aesthetic properties and protecting wood from biological growth and external degradation agents, as well as mechanical damage. In this work, different wooden mock-ups were prepared by varying some parameters: concentration of filler and pigment, respectively, in the ground and paint layers, thickness of the protective varnish coat, and sequence of the layers. The mock-ups were subsequently exposed to time-varying artificial aging processes. The multi-analytical non-invasive approach involved spectroscopic (reflection FT-IR, Raman, and X-ray fluorescence), tomographic (optical coherence tomography) and colorimetric techniques. Data were interpreted using both univariate and multivariate methods. The aim was to evaluate potential and limits of each non-invasive technique into the study of different stratigraphies of wooden artworks. This approach was supported by microscopic observations of cross-sections obtained from selected mock-ups. The methodological approach proposed here would add valuable technical know-how and information about the non-invasive techniques applied to the study of wooden artworks

From IR to X-rays: approaches to go through the coating system of historical bowed string musical instruments

Some historical bowed string musical instruments produced in Italy from the 16th to 18th Centuries are considered until now peak-quality masterpieces of the violin-making art. Technical skills were mostly lost after the disappearance of the prominent workshops, and nowadays ancient methods and materials are charming secrets to be revealed by scientific techniques. This work discusses the results obtained by investigating the complex coating systems on bowed string instruments produced by four violin-makers, namely: Jacobus Stainer, Gasparo da Salò, Giovanni Paolo Maggini and Lorenzo Guadagnini. They were selected in order to represent convincingly - albeit not exhaustively - the variety of situations that can be encountered when multi-layered coatings on historical bowed string instruments are considered. The coating systems have been investigated though micro-invasive and non-invasive procedures [1], employing UV-imaging, portable X-ray fluorescence, optical microscopy, scanning electron microscopy coupled with energy dispersive X-ray spectrometry and Fourier transform infrared microscopy. In addition, two tomographic techniques (synchrotron radiation micro-computed tomography and optical coherence tomography) have been used to image the finishing layers spread on the wood substrate [2,3]. Chemical investigations and images on cross-sections have been compared with the morphological view obtained by tomography, with particular attention to the ability of the tomographic insight to distinguish and measure the various overlying layers, and to highlight the presence of dispersed particles