334 research outputs found

    Home - So Different, So Appealing

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    Home - So Different, So Appealing is the catalogue of the eponymous exhibition organised by the UCLA Chicano Studies Research Center; the Los Angeles County Museum of Art; and the Museum of Fine Arts, Houston; as a part of Pacific Standard Time: LA/LA, a programme focused on Latin American and Latino art in relation to Los Angeles. Prepared by curators of the three respective institutions, Chon A. Noriega, Mari Carmen Ramírez, and Pilar Tompkins Rivas, the exhibition and its accompanying cata..

    Analyse kinematischer variablen und ihre Auswirkung auf Leistung von Skispringern bei der Schisprung Weltmeisterschaft in Planica im jähre 1994

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    The objective of this study has been to establish on a sample of the best ski jumpers (n=28) participating in the World Championship in ski flights at Planica in 1994 (K=180 m) by means of a 3-D kinematic analysis the relation between the selected kinematic parameters of the jump of a ski jumper and his performance from the aspect of the flight length. By means of correlation analysis and univariate factor analysis of variance, some statistically significant relations of the kinematic variables to the length of the jump (p<.05) were established. The most important predictor of a successful jump was the angle of elevation in the middle part of the jump (r = -.78). The results have also shown that in order to achieve a high performance level from the aspect of the length a ski jumper must maximize the resultant of the speed of movement of the body’s centre of gravity in the first part of the flight; maximize the horizontal component of the speed of movement of the body’s centre of gravity during the entire flight and in particular in the first part of the flight; decrease the angle between the longitudinal and horizontal axis of the body, above all in the middle part of flight; decrease the angle between the longitudinal axis of the body and the skis in all phases of the flight; optimize the angle between the longitudinal axis of the upperpart of the body and the skis in the take-off phase and minimize it in the middle part of the flight, where this requirement is combined with the requirement for the minimization of the angle between the skis and the horizontal.Zielsetzung war auf den Mustersatz der besten Schispringer (n=28), Teilnehmer an den Schisprungweltmeisterschaft in Planica im Jahre 1994 (K=180m), aufgrund der kinematischen 3-D-Analyse das Verhältnis zwischen den betreffenden Sprungparametern einzelner Schispringer und betreffender Sprungweitleistung festzustellen. Durch Korrelations- und Einfaktorenanalyse der Variablen wurden statistisch bedeutende Beziehungen zwischen kinetischen Variablen und Sprungweite (p<0,05) ermittelt. Der bedeutendste Prädiktor eines erfolgreichen Schisprunges war der Elevationswinke! im mittleren Sprungteil (r=0,78). Die Ergebnisse zeigten auch, dass wenn ein Schispringer eine hohe Sprungerfolgsrate und Sprungweite erreichen will, soll er die Bewegungsresultante vom Körperschwerpunkt, aus im ersten Sprungteil maximieren; horizontale Komponente der Schnellbewegung vom K6rperschwerpunkt während des Sprunges maximieren; den Winkel zwischen der Körperlänge und Horizontalachse, besonders im mittleren Sprungteil senken; den Winkel zwischen der Körperlänge und Schier in allen Sprungteilen senken; den Winkel zwischen der Oberteil-Körperachse und Schier beim Absprung optimieren und ihn gleichzeitig im mittleren Sprungteil minimieren, weil er mit dem zu minimierenden Winkel zwischen den Schiern und der Horizontalachse zusammenfallt

    Expressive timing facilitates the neural processing of phrase boundaries in music: evidence from event-related potentials

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    The organization of sound into meaningful units is fundamental to the processing of auditory information such as speech and music. In expressive music performance, structural units or phrases may become particularly distinguishable through subtle timing variations highlighting musical phrase boundaries. As such, expressive timing may support the successful parsing of otherwise continuous musical material. By means of the event-related potential technique (ERP), we investigated whether expressive timing modulates the neural processing of musical phrases. Musicians and laymen listened to short atonal scale-like melodies that were presented either isochronously (deadpan) or with expressive timing cues emphasizing the melodies' two-phrase structure. Melodies were presented in an active and a passive condition. Expressive timing facilitated the processing of phrase boundaries as indicated by decreased N2b amplitude and enhanced P3a amplitude for target phrase boundaries and larger P2 amplitude for non-target boundaries. When timing cues were lacking, task demands increased especially for laymen as reflected by reduced P3a amplitude. In line, the N2b occurred earlier for musicians in both conditions indicating general faster target detection compared to laymen. Importantly, the elicitation of a P3a-like response to phrase boundaries marked by a pitch leap during passive exposure suggests that expressive timing information is automatically encoded and may lead to an involuntary allocation of attention towards significant events within a melody. We conclude that subtle timing variations in music performance prepare the listener for musical key events by directing and guiding attention towards their occurrences. That is, expressive timing facilitates the structuring and parsing of continuous musical material even when the auditory input is unattended. © 2013 Istok et al.Peer reviewe
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