Screened history: nostalgia as defensive formation

This article reconsiders the much-lauded transformative potential of nostalgia and proposes that an adequately psychological engagement with nostalgia is necessary if the critical capacities of this phenomenon are to be adequately assessed. To do this, the article identifies parallels between the concept of nostalgia and a series of psychoanalytic concepts (the imaginary, fetishism, fantasy, affect, screen-memories, and retroaction). Such a comparative analysis allows both for a critique of sociological notions of nostalgia and a series of speculations on how nostalgia as a defensive formation may aid rather than overcome types of structured forgetting. The use of psychoanalytic concepts enables us to grasp how nostalgia may operate: 1) in the economy of the ego, 2) in the mode of the fetish, 3) in the service of fantasy, 4) as an affect concealing anxiety, 5) as screen-memory, and 6) as means of reifying the past or present rather than attending to relations of causation obtaining between past, present, and future. One should thus investigate each of these possible defensive functions within any given instance of nostalgia before proclaiming its transformative potential

It’s About the Journey: Lewis on Heroes and Personality in Out of the Silent Planet

In his novels, Lewis’s heroes come from humble beginnings and are shaped by circumstances until Lewis is satisfied with them; that is, until they reach their full potential. This draws on his belief that humans only attain true personality by surrendering their personalities to God, who then shapes them into true sons: “The more we get what we now call ‘ourselves’ out of the way and let Him take us over, the more truly ourselves we become.

Transcript of Bernie’s Final Tuna Run

This story is an excerpt from a longer interview that was collected as part of the Launching through the Surf: The Dory Fleet of Pacific City project. In this story, Bill Hook recounts the experience of spreading his stepfather’s ashes on the tuna grounds

A novel image reconstruction method applied to deep Hubble Space Telescope Images

We have developed a method for the linear reconstruction of an image from undersampled, dithered data, which has been used to create the distributed, combined Hubble Deep Field images -- the deepest optical images yet taken of the universe. The algorithm, known as Variable-Pixel Linear Reconstruction (or informally as "drizzling"), preserves photometry and resolution, can weight input images according to the statistical significance of each pixel, and removes the effects of geometric distortion both on image shape and photometry. In this paper, the algorithm and its implementation are described, and measurements of the photometric accuracy and image fidelity are presented. In addition, we describe the use of drizzling to combine dithered images in the presence of cosmic rays.Comment: Invited paper, to appear in Applications of Digital Image Processing XX, ed. A. Tescher, Proc. S.P.I.E. vol. 3164, in press; 6 pages, 4 included figures, SPIE LaTex style file include

Apartheid's lost attachments (2): melancholic loss and symbolic identification

This paper, the second of two focussed on the libidinal attachments of white children to black domestic workers in narratives contributed to the Apartheid Archive Project (AAP), considers the applicability of the concept of social melancholia in the case of such “inter-racial” attachments. The paper questions both the psychoanalytic accuracy, and the psychic and political legitimacy of such an explanation (i.e. the prospect of an “inter-racial” melancholic attachment of white subjects to black care-takers). By contrast to the political notion of ungrievable melancholic losses popularized by Judith Butler’s work, this paper develops a theory of compensatory symbolic identifications. Such a theory explains the apparent refusal of identification which white subjects exhibit towards black caretakers and it throws into perspective an important conceptual distinction regards loss. On the one hand there is the psychotic mechanism of melancholic attachment, which expresses absolute fidelity to a lost object, even to the point of self-destructive suffering. On the other, there is the neurotic mechanism of compensatory identification, in which the original object is jettisoned and a substitution found, such that a broader horizon of symbolic and ideological identification is enabled