[Review of] Irene Vilar, Impossible Motherhood: Testimony of an Abortion Addict

From its flesh-toned cover etched with red tallies marking the author\u27s fifteen aborted pregnancies, to its unflinching accounts of each procedure, Irene Vilar\u27s Impossible Motherhood: Testimony of an Abortion Addict forces readers to confront the issue of abortion. Though the topic is inevitably divisive, Vilar\u27s purpose, as stated from the prologue of her memoir, is clearly neither didactic nor partisan

word~river literary review (2011)

wordriver is a literary journal dedicated to the poetry, short fiction and creative nonfiction of adjuncts and part-time instructors teaching in our universities, colleges, and community colleges. Our premier issue was published in Spring 2009. We are always looking for work that demonstrates the creativity and craft of adjunct/part-time instructors in English and other disciplines. We reserve first publication rights and onetime anthology publication rights for all work published. We define adjunct instructors as anyone teaching part-time or full-time under a semester or yearly contract, nationwide and in any discipline. Graduate students teaching under part-time contracts during the summer or who have used up their teaching assistant time and are teaching with adjunct contracts for the remainder of their graduate program also are eligible.https://digitalscholarship.unlv.edu/word_river/1001/thumbnail.jp

Bound by Water : Inquiry, Trauma, and Genre in Vietnamese American Literature

This dissertation treats contemporary Vietnamese American literature as responses to common inquiries about history and identity stemming from U.S.-centric, myopic, and racialized narratives about the U.S.-Viet Nam War that serve to assuage lingering American guilt and eclipse Vietnamese American perspectives. These inquiries include "Where are you from?" and "What was the war like?" The works studied here represent various literary genres-- comic books, cookbooks, memoirs, and novels--that offer diverse, distinct forms for negotiating ambivalent Vietnamese American identities, namely through the expression of trauma. This dissertation focuses on how each genre allows articulations of trauma by bending time and space to rewrite dominant histories of the U.S.-Viet Nam War as "over" or "ended." As argued in the following chapters, contemporary multi-genre Vietnamese American literature stresses that the war is not over, as its traumas resurface and are inherited by the second generation; the texts discussed highlight the ebbs and flows of forming and broadening conceptions of fluid identities that are labeled and fixed (or at least attempted to) as "Vietnamese American." This dissertation, then, focuses on works that use their respective genres to negotiate identities in terms of long-standing racialized stereotypes of the model minority and, in contrast, the threatening perpetual foreigner; each chapter further examines issues of diversifying the representation of Vietnamese Americans in dialogue with the figures of the refugee, commodified culinary tour guides, multiracial children, as well as transgender and gender fluid individuals. In order, the chapters in this dissertation will focus on the following texts : GB Tran's graphic memoir VIETNAMERICA; four cookbooks by Luke Nguyen, Charles Phan, Nhut Huynh, and Ann Le; life narratives by Kien Nguyen and myself; and the genre-bending, queer narratives of Catfish and Mandala : A Two-Wheeled Voyage Through the Landscape and Memory of Vietnam by Andrew X. Pham and lê thi diem thúy's The Gangster We Are All Looking For. An investigation of how the literary form enhances the delivery of content that challenges U.S.- serving historical discourses and epistemologies of racial identity, this dissertation stands as an effort to expand not only the possibilities of response, but also the terrain of inquir