De llibertat, autoritat i in/dependències (a la vida i l'obra de Maria-Mercè Marçal)

This article pays attention to two moments in the life and work (inseparably united) of Maria-Mercè Marçal. The first refers to a search of small objects presided by the moon. Taking this search as a motif, the freedom which the poet confers to the nocturnal light ¿mythical and magical symbol of femaleness- and, therefore, to that which symbolises the heavenly body, is revealed. The second moment revolves around the reflection of Marçal on the ¿female authority¿, a concept which this author, inspired by the philosophical community of Diotima, distinguishes from power. Throughout history, Maria-Mercè Marçal remarked, many women have gained strength from the free atribution of authority to other women, to their texts, to their experiences

María Zambrano y la enigmática 'Tempesta' de Giorgione

Dice María Zambrano: «La noche estrellada puede ser muy hermosa, con una sola estrella»; y añade: «no le importa a la estrella si alguien la está mirando o no, como no le importa al río, al agua, al fuego, si uno se va a quemar o si se está acercando, eso es cosa de uno m

Presents al nostre temps

Aquest dossier es titula "Jeanne Hersch" i, això no obstant, començaré referint-me a un diccionari i a Hannah Arendt (1906-1975). Prego un temps de benevolència per al següent desplegament de dades que, en aparença, no vénen a tomb. L'any 1979 es publicava a Madrid la sisena edició d'una obra monumental, el Diccionario de Filosofía de José Ferrater Mora (1912-1991). Aquesta edició fou reimpresa, si més no, set cops en vida del seu autor. La setena reimpressió és de 1990,1 i és la que em serveix per a allò que vull comentar aquí

María Zambrano, El exilio como patria. Edición, introducción y notas de Juan Fernando Ortega Muñoz, Barcelona, Anthropos, 2014

Juan Fernando Ortega Muñoz, Encuentro al atardecer. Mis relaciones con María Zambrano, Vélez-Málaga, Ayuntamiento de Vélez-Málaga, 2012

De llibertat, autoritat, in/dependències (a la vida i l'obra de Maria-Mercè Marçal)

This article pays attention to two moments in the life and work (inseparably united) of Maria Mercè Marçal. The first refers to a search of small objects presided by the moon. Taking this search as a motif, the freedom which the poet confers to the nocturnal light –mythical and magical symbol of femaleness– and, therefore, to that which symbolises the heavenly body, is revealed. The second moment revolves around the reflection of Marçal on the “female authority”. A concept which this author, inspired by the filosofical community Diotima, distinguishes from power. Throughout history, Maria-Mercè Marçal remarked, many women have gained strength from the free atribution of authority to other women, to their texts, to their experiences