Redistribution in Aegean Palatial Societies. Introduction: Why Redistribution?

This collection of papers explores the role of redistribution in Minoan and Mycenaean economies

Redistribution in Aegean Palatial Societies. Redistributive Economies from a Theoretical and Cross-Cultural Perspective

In this article, we address the historical question of why Aegean Bronze Age economies are characterized as redistributive systems and whether it is appropriate to continue to describe them as such. We argue that characterizing the political economies of the Aegean as redistributive is inaccurate and misleading. Instead, we suggest it is more fruitful to describe how specific prehistoric social institutions were used to organize and allocate goods and services and thereby to study how political and economic systems interacted with one another. By examining how Aegean social institutions were constituted and changed over time, we will be in a position to use the prehistoric Aegean to develop and refine general models of political economy

The Monument as Ruin: Natality, Spectrality, and the History of the Image in the Tirana Independence Monument

This article examines the Tirana Independence Monument, first inaugurated in November of 2012 on the hundredth anniversary of Albanian independence from the Ottoman Empire. The monument, designed by Visar Obrija and Kai Roman Kiklas, swiftly fell into disrepair until it was recently renovated in November of 2015. The article analyzes the monument’s function in terms of its doubled existence as a sign of perpetual natality (the possibility of the rebirth of national consciousness) and as a ruin with a spectral pseudo-presence (as an object that continually reminds us of the disjunctures that divorce the present from its historicity). It considers the way the monument’s inauguration relates to the politics of monumentality in contemporary Albania, and argues that the monument’s gradual ruination between 2012 and 2015 can be read as a particular manifestation of the history of the image in late capitalist society.Keywords: spectrality, natality, monumentality, Albania, Tirana, independence, national identity, grid, public sculptur

Playing Games with Tito:Designing Hybrid Museum Experiences for Critical Play

This article brings together two distinct, but related perspectives on playful museum experiences: Critical play and hybrid design. The article explores the challenges involved in combining these two perspectives, through the design of two hybrid museum experiences that aimed to facilitate critical play with/in the collections of the Museum of Yugoslavia and the highly contested heritage they represent. Based on reflections from the design process as well as feedback from test users, we describe a series of challenges: Challenging the norms of visitor behaviour, challenging the role of the artefact, and challenging the curatorial authority. In conclusion, we outline some possible design strategies to address these challenges

The genetic history of the Southern Arc: a bridge between West Asia and Europe

By sequencing 727 ancient individuals from the Southern Arc (Anatolia and its neighbors in Southeastern Europe and West Asia) over 10,000 years, we contextualize its Chalcolithic period and Bronze Age (about 5000 to 1000 BCE), when extensive gene flow entangled it with the Eurasian steppe. Two streams of migration transmitted Caucasus and Anatolian/Levantine ancestry northward, and the Yamnaya pastoralists, formed on the steppe, then spread southward into the Balkans and across the Caucasus into Armenia, where they left numerous patrilineal descendants. Anatolia was transformed by intra–West Asian gene flow, with negligible impact of the later Yamnaya migrations. This contrasts with all other regions where Indo-European languages were spoken, suggesting that the homeland of the Indo-Anatolian language family was in West Asia, with only secondary dispersals of non-Anatolian Indo-Europeans from the steppe

Letter from Michael L. Galaty to Emmett L. Bennett Jr., August 14, 1999

Galaty sends Bennett's draft back with notes.Classic