171 research outputs found
Help to Keep Going as Long as They Need Me: A Report on Seniors Raising Children
This report presents the data from CIR's 2005 survey of 182 Senior Caregivers of DCFS wards, examining the challenges confronting these grandparents and other senior adults as they are increasingly called upon to raise their kin. The findings of this report will assist policy makers and community-based organizations to provide better services, better advocate for their needs of these populations and create better policies and legislating
Another Dime in the [Digital] Jukebox: What the Music Modernization Act Means for Artists in the Age of Streaming
Teaching the New Majority : Addressing Race and Racism through Culturally Responsive Teaching
Studies have shown that culturally responsive teaching and its praxis appear very differently in various K-8 classrooms, while addressing race and racism are often absent from the classroom. However, these studies also support that pedagogical theories and practice such as these address the needs of students of color. Therefore, through a critical race theory lens, I explored teachers’ life history, how this influenced their classroom practice, and how they addressed race and racism in their professional lives. Narrative inquiry methods were used to uncover answers to addressing race and racism in the classroom through three teachers’ culturally responsive instruction. The results indicated that even if a teacher is culturally responsive, they may not be addressing race and racism, and teachers have different comfort levels with addressing race and racism in the classroom. I then provide ways for teacher educators to create and support pedagogy and experiences to enhance this kind of learning for preservice and inservice teachers
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Texas Guinan
Texas Guinan’s lasting fame derives from her reign as New York City’s Prohibition-era “queen of the nightclubs,” who greeted patrons with the famous cry, “Hello, sucker!” This is the persona displayed in Incendiary Blonde (1945), the flashy Hollywood biopic about Guinan starring Betty Hutton, and by Guinan playing herself in a few early Talkies, including the now-lost Queen of the Night Clubs (1929). But Guinan, born in Waco, Texas, obviously the source of her nickname, first achieved national prominence in the ostensibly masculine domain of the silent film Western, where she was promoted as the “female William S. Hart.” “Texas Guinan to Typify West” promised an early ad campaign for a series of her films, and, playing a tough “gun woman” rather than a timid schoolmarm in need of rescue, Guinan tailored her defiantly unglamorous image as a rowdy cowgirl who tames men as easily as horses. Moreover, her success as a performer allowed her to assume off-screen control of her career, first as the department head of the unit producing her films at Bull’s Eye/Reelcraft in 1919, and most significantly in 1921 by forming Texas Guinan Productions, her own independent company, to make The Code of the West (1921) and Texas of the Mounted (1921), her final silent films before her successful reinvention as a night club hostess. Some evidence suggests that the company may have produced additional films. According to her biographer Louise Berliner, Guinan was an innovative and energetic producer, choosing to cast each film rather than employ a stock company, helping to inaugurate states-rights distribution of her films, and supervising the publicity campaigns (including staging live skits before screenings) for her new company
FORCE TIME MEASURES OF BEGINNING AND SKILLED SKATEBOARDERS PERFORMING AN OLLIE
It was reported (US today) that in 2001 more American youth participated in skateboarding than baseball. The growing popularity of the urban skating in recent years has been a factor in the transformation of the sport and the tricks that are performed. In the early days of skateboarding aerials and various vertical manoeuvres made up the majority of the tricks performed. With the increase in urban skating, Ollie based tricks have become an integral part of many competitions. An Ollie is a manoeuvre in which the skater jumps up in the air and as a result of torques applied to the skateboard the skateboard rises up in the air under the feet of the skater. Although a large number of people participate in skateboarding there is little research outlining the mechanics of basic skateboarding tricks
A Study of the Effects of the Return of World War II Veterans on Collegiate Football in the Southern Conference.
Physical EducationMaster of Arts (M.A.
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Methods for the Watch the Spot Trial. A Pragmatic Trial of More- versus Less-Intensive Strategies for Active Surveillance of Small Pulmonary Nodules.
Small pulmonary nodules are most often managed by surveillance imaging with computed tomography (CT) of the chest, but the optimal frequency and duration of surveillance are unknown. The Watch the Spot Trial is a multicenter, pragmatic, comparative-effectiveness trial with cluster randomization by hospital or health system that compares more- versus less-intensive strategies for active surveillance of small pulmonary nodules. The study plans to enroll approximately 35,200 patients with a small pulmonary nodule that is newly detected on chest CT imaging, either incidentally or by screening. Study protocols for more- and less-intensive surveillance were adapted from published guidelines. The primary outcome is the percentage of cancerous nodules that progress beyond American Joint Committee on Cancer seventh edition stage T1a. Secondary outcomes include patient-reported anxiety and emotional distress, nodule-related health care use, radiation exposure, and adherence with the assigned surveillance protocol. Distinctive aspects of the trial include: 1) the pragmatic integration of study procedures into existing clinical workflow; 2) the use of cluster randomization by hospital or health system; 3) the implementation and evaluation of a system-level intervention for protocol-based care; 4) the use of highly efficient, technology-enabled methods to identify and (passively) enroll participants; 5) reliance on data collected as part of routine clinical care, including data from electronic health records and state cancer registries; 6) linkage with state cancer registries for complete ascertainment of the primary study outcome; and 7) intensive engagement with a diverse group of patient and nonpatient stakeholders in the design and execution of the study
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Empowerment/sexism: Figuring female sexual agency in contemporary advertising
This article argues that there has been a significant shift in advertising representations of women in recent years, such that rather than being presented as passive objects of the male gaze, young women in adverts are now frequently depicted as active, independent and sexually powerful. This analysis examines contemporary constructions of female sexual agency in advertisements examining three recognizable `figures': the young, heterosexually desiring `midriff', the vengeful woman set on punishing her partner or ex-partner for his transgressions, and the `hot lesbian', almost always entwined with her beautiful Other or double. Using recent examples of adverts, the article asks how this apparent `agency' and `empowerment' should be understood.
Drawing on accounts of the incorporation or recuperation of feminist ideas in advertising, the article takes a critical approach to these representations, examining their exclusions, their constructions of gender relations and heteronormativity, and the way power is figured within them. A feminist poststructuralist approach is used to interrogate the way in which `sexual agency' becomes a form of regulation in these adverts that requires the re-moulding of feminine subjectivity to fit the current postfeminist, neoliberal moment in which young women should not only be beautiful but sexy, sexually knowledgeable/practised and always `up for it'.
The article makes an original contribution to debates about representations of gender in advertising, to poststructuralist analyses about the contemporary operation of power, and to writing about female `sexual agency' by suggesting that `voice' or `agency' may not be the solution to the `missing discourse of female desire' but may in fact be a technology of discipline and regulation
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