Girl meets girl: sexual sitings in lesbian romantic comedies

Hollywood romantic comedies are, by and large, an ideologically conservative genre. Based around gender stereotypes and the idealised pursuit, however disguised, of heteropatriarchal monogamy, Hollywood romantic comedies offer countless variations of heteronormative ‘intimacy’. How, then, does the shift from ‘boy meets girl’ to ‘girl meets girl’ in lesbian romantic comedies—a genre that emerged in 1994 with the release of films like Bar Girls and Go Fish—effect the representation of intimacy? This chapter focuses on Better than Chocolate to investigate how lesbian intimacies, and lesbian sex in particular, occupy space. Where are lesbian intimacies sited and what, if any, negotiations of space are triggered through the embodiment of those intimacies? Ultimately, this chapter argues that through an unusually explicit emphasis on sex, Better than Chocolate draws attention to the limited public mobility of lesbian intimacies through a consistent siting of lesbian sex as a site of spatial negotiation

Magnetic North : Canadian Experimental Video

A major anthology published on the occasion of the video programme “Magnetic North” (2000), a cross-border collaboration curated by Lion for the Walker Art Centre (Minneapolis) and Video Pool Inc. (Winnipeg). The video programme included 40 tapes (produced between 1971 and 2000) by 47 artists, which were presented in a series of screenings that addressed the following themes: the body inscribed by time, disease or experience; the possibilities of the medium; the performance of self/identity; the spectacularity/banality of everyday life; conflict expressed in the flesh; explorations of self-disclosure, voyeurism and surveillance. The anthology contains an introductory text by Lion, critical essays by four authors, an historical essay by P. Gale, 14 short texts (by artists and writers from Canada and the U.S.) and two transcribed dialogues. The following issues and concerns are considered in response to the production and dissemination of experimental video in Canada: the role of artist-run centres; videos’ relation to the museum; issues of body, voice and narrative; relationships between fiction/reality and language/the body; food and the everyday; First Nations experimental film/video; the indigenous aesthetics; and video production in Quebec. Includes programme listing. Listing of Canadian artist-run centres and distributors that focus on video. Biographical notes on artists and authors. Circa 110 bibl. ref