“I Cannot Harm Thee Now”: The Ethic of Satire in Anna Barbauld\u27s Mock-Heroic Poetry

Anna Barbauld\u27s satiric verse has been omitted from studies of satire, including studies of specific satiric modes such as the mock heroic. Drawing upon her knowledge of both scientific ideology and the satiric tradition, Barbauld uses the mock-heroic mode in “A Fragment of an Epic Poem,” “Washing-Day,” and “The Caterpillar” to interrogate the process of satiric differentiation, whereby the satirist distances himself or herself from the satiric object. As she does so, she constructs an ethic of satire that questions the configuration of the mode as a weapon. Barbauld employs the mock-heroic mode not to “wound,” but to emphasize the bonds that connect the “great” and the “small,” the mock-heroic satirist and the satiric object. Meanwhile, she identifies the appropriate object of satire not as those considered weak or inferior, but as those who misuse social and political power. Ultimately, Barbauld\u27s work suggests the significance of women poets’ contributions to satire, which has traditionally been identified as a “masculine” mode

"A Riotous Spray of Words": Rethinking the Medieval Theory of Satire

This article offers a reconsideration of the theory of satire found in medieval exegesis. While acknowledging the importance of recent scholarship on the subject, such as the studies by Paul Miller and Udo Kindermann, it also seeks to develop the findings of this criticism further. Particular attention is paid to commentaries that offer more unusual remarks on classical satire. It is argued that these observations constitute a second tendency in the medieval response to satire, which identifies more scurrilous and disruptive potential in the genre