Aquatic contamination of the Turvo Limpo river basin at the Minas Gerais state, Brazil

The aquatic contamination from the discharge of untreated or inadequately treated municipal sewage, as well as from husbandry, agriculture, and the disposal of municipal garbage, metallic scraps and civil architecture residues in the neighborhood of the Turvo Limpo River basin was evaluated. The water-courses examined were the São Bartolomeu Stream, Turvo Sujo River, and Turvo Limpo River, located in the Minas Gerais State, Brazil. Water samples were collected at the river-side in the dry season (July, August, and September 2005) and analyzed for evaluation of pollutant inputs. The pH, dissolved oxygen (DO), biochemical oxygen demand (BOD), total phosphate, total ammonia nitrogen (NH3 + NH4+), nitrate and metal concentrations (Al, Ca, Cr, Cu, Fe, Mg, Ni, Pb, and Zn) in water samples were determined. The concentrations of these metals in the suspended solids were also determined. The suspended solids showed high concentrations of Zn (15,350 mg kg-1) and Pb (3,590 mg kg-1), while the stream water was enhanced with Al (1,480 µg L-1). The pH and the concentrations of BOD, total phosphate and total ammonia nitrogen in the water-courses were far from those established by the Brazilian Environmental Standards for Class 2 water. In all examined sites there was an increase in the nitrate concentration compared with that of a spring (site 1). The nitrate concentrations were below those of the total ammonia nitrogen, indicating that the nitrogen in the water-courses was mainly originated from recent sewage discharges, since did not occurred larger mineralization with the formation of nitrate ions

Entre a poeira e o silêncio: sobre exposições e construções da memória no Museu do Ceará (1932-1997)

This article discusses some manners to construct the meanings of the past into Museu do Ceará's exhibitions between 1932 and 1997. Based on issues of Social History of Memory, the meanings of dust and silence are highlighted in a way that the past is configured in the space of the exhibitions. The artifacts are treated taking into account underlying values and expectations that guide, in certain circumstances, connections and separations between past and present