Transdisciplinary approach to archaeological investigations in a Semantic Web perspective

In recent years, the transdisciplinarity of archaeological studies has greatly increased because of the mature interactions between archaeologists and scientists from different disciplines (called "archaeometers"). A number of diverse scientific disciplines collaborate to get an objective account of the archaeological records. A large amount of digital data support the whole process, and there is a great value in keeping the coherence of information and knowledge, as contributed by each intervening discipline. During the years, a number of representation models have been developed to account for the recording of the archaeological process in data bases. Lately, some semantic models, compliant with the CRMarchaeo reference model, have been developed to account for linking the institutional forms with the formal knowledge concerning the archaeological excavations and the related findings. On the contrary, the archaeometric processes have not been addressed yet in the Semantic Web community and only an upper reference model, called CRMsci, accounts for the representation of the scientific investigations in general. This paper presents a modular computational ontology for the interlinked representation of all the facts related to the archaeological and archaeometric analyses and interpretations, also connected to the recording catalogues. The computational ontology is compliant with CIDOC-CRM reference models CRMarchaeo and CRMsci and introduces a number of novel classes and properties to merge the two worlds in a joint representation. The ontology is in use in "Beyond Archaeology", a methodological project for the establishing of a transdisciplinary approach to archaeology and archaeometry, interlinked through a semantic model of processes and objects

A multi-scalar investigation of the colouring materials used in textile wrappings of Egyptian votive animal mummies

Commonly exhibited in museum galleries, animal mummies have been the focus of interest of both visitors and researchers alike. The study of these animal remains not only provides new insights into embalming techniques, but also brings a unique perspective on religious, social and economic practices. Twenty animal mummies are discussed in this study, including cats, ibises, crocodiles, calves and birds of prey from the collections of the British Museum (London, UK) and the Museo Egizio (Turin, Italy). The external textile wrappings encasing the mummified body of the animals were investigated with the main aim of identifying the colourants used. In fact, these are mostly patterned using undyed and coloured (mostly red, brown and black) linen strips. Broadband multispectral imaging (MSI) was initially carried out to obtain preliminary information at the macro-scale on the distribution and chemical nature of the colouring agents. Fibre optic reflectance spectroscopy (FORS) was then used to survey several coloured areas of the textile wrappings. Safflower (Carthamus tinctorius) and red ochre were identified non-invasively. Representative samples were then taken and observed using optical microscopy (OM) and scanning electron microscopy (SEM), in order to obtain information at the micro-scale on the distribution of the colouring agents on the fibres, as well as the presence of other materials, including those from environmental contamination. Energy dispersive X-ray spectrometry (EDX) revealed the elemental composition of particles and clear areas of the fibres, whereas high performance liquid chromatography tandem mass spectrometry (HPLC\u2013MS/MS) provided the identification of the organic dyes at a molecular level. The use of hydrolysable and condensed tannins, in combination with iron as a mordant, was found to be used in the very dark shades, which generally corresponded to the textiles with the worst state of preservation. Nevertheless, other aspects, such as fibre processing and bleaching, fungal attack and presence of coating materials appeared to play a role in the evaluation of the conservation state of these textiles. The characterisation of the dyes and the additional inorganic materials contributed to elucidating the production technology of the colours used for animal mummification, and provided insights into ancient dyeing methods

Age determination and authentication of ceramics: advancements in the thermoluminescence dating laboratory in Torino (Italy)

13Classified as an absolute dating method, thermoluminescence (TL) is a well-established radiation-based technique for the age determination and authentication of ceramic materials. Specifically, this method allows the determination of the time elapsed since kiln firing (or later fire events) by evaluating the luminescent emission of ceramics under heating at high temperatures. This paper provides a comprehensive presentation of the TL laboratory developed over the last decade at the Physics Department of the University of Torino. The laboratory was set up in collaboration with TecnArt S.r.l. and is also currently operating within the cultural heritage network of the National Institute of Nuclear Physics (INFN-CHNet). More than 10 years of experience in the field has resulted in improvements in procedures, with the development of customised alpha- and beta-irradiation systems and the optimisation of sampling approaches and chemical pre-treatment. Thanks to TecnArt S.r.l., the laboratory has been employed for dating and authenticating hundreds of archaeological sites and artworks, some of which are discussed in this work and compared, when possible, with radiocarbon dating.openopenGuidorzi, Laura; Fantino, Fulvio; Durisi, Elisabetta; Ferrero, Marco; Re, Alessandro; Vigorelli, Luisa; Visca, Lorenzo; Gulmini, Monica; Dughera, Giovanni; Giraudo, Giuseppe; Angelici, Debora; Panero, Elisa; Lo Giudice, AlessandroGuidorzi, Laura; Fantino, Fulvio; Durisi, Elisabetta; Ferrero, Marco; Re, Alessandro; Vigorelli, Luisa; Visca, Lorenzo; Gulmini, Monica; Dughera, Giovanni; Giraudo, Giuseppe; Angelici, Debora; Panero, Elisa; Lo Giudice, Alessandr

Aiding the conservation of two wooden Buddhist sculptures with 3D imaging and spectroscopic techniques

The conservation of Buddhist sculptures that were transferred to Europe at some point during their lifetime raises numerous questions: while these objects historically served a religious, devotional purpose, many of them currently belong to museums or private collections, where they are detached from their original context and often adapted to western taste. A scientific study was carried out to address questions from Museo d'Arte Orientale of Turin curators in terms of whether these artifacts might be forgeries or replicas, and how they may have transformed over time. Several analytical techniques were used for materials identification and to study the production technique, ultimately aiming to discriminate the original materials from those added within later interventions