Briefs

Lee Bollinger speaks at a national workshop on television and violent behavior; Yale Kamisar publishes essays in the volume Police Interrogation and Confessions: Essays in Law and Policy; Professor Joseph Sax appointed Philip A. Hart Distinguished Professorship of Law; notes on the Law Quadrangle\u27s shape and architecture; Donald H. Regan recieves 1982 Franklin J. Machette Prize from the American Philosophical Association; Law School gets three new chairs, Professors James J. White, Jerold H. Israel, and John H. Jackson; List of visiting facult

Fabricate

Bringing together pioneers in design and making within architecture, construction, engineering, manufacturing, materials technology and computation, Fabricate is a triennial international conference, now in its third year (ICD, University of Stuttgart, April 2017). Each year it produces a supporting publication, to date the only one of its kind specialising in Digital Fabrication. The 2017 edition features 32 illustrated articles on built projects and works in progress from academia and practice, including contributions from leading practices such as Foster + Partners, Zaha Hadid Architects, Arup, and Ron Arad, and from world-renowned institutions including ICD Stuttgart, Harvard, Yale, MIT, Princeton University, The Bartlett School of Architecture (UCL) and the Architectural Association

DESIGNING THE REALIZABLE UTOPIA

MAD is a Beijing-based architectural design studio. In their work, they are examining and developing a unique concept of futurism through current theoretical practice in architectural design, landscape design, and urban planning. In 2006, MAD was awarded the Architectural League Young Architects Forum Award. In the same year, MAD was shown at the ‘MAD in China’ exhibition in Venice during the Architecture Bienniale, and the ‘MAD Under Construction’ exhibition at the Tokyo Gallery in Beijing. MAD’s conceptual proposal, Super Star – A mobile China Town was exhibited in the Uneternal City of the 11th Architecture Biennale in Venice. Ma Yansong received his Master of Architecture from the Yale University School of Architecture in 2002. Prior to founding MAD in 2004, Mr. Ma worked as a project designer with Zaha Hadid Architects and Eisenman Architects. He also taught architecture at the Central Academy of Fine Arts in Beijing. In 2008, one of his built works, Hongluo Clubhouse, was nominated as one of the 100 designs by the London Design Museum. He was also nominated as one of the 20 most influential young architects today by ICON

Perspecta e la produzione mediatica dell'architettura postmoderna americana

The journal that would have the most lasting impact in establishing a coherent movement of Postmodern American architecture was a student-edited journal named «Perspecta», no. 9/10, published by the Yale School of Architecture and edited by Robert A.M. Stern. Stern, accomplished architect and former Dean of the School of Architecture at Yale University, assembled a cadre of author-architects to contribute to the journal, a group who would go on to shape the U.S. architectural scene for the next 20 years. His editorial objective was to present new emerging ‘talent,’ which consisted of young architects who defined a new American movement in architecture. Three significant contributors of this particular «Perspecta» issue were ‘undiscovered’ Robert Venturi, Charles Moore, and, most interestingly, Romaldo Giurgola, who was an Italian architect and academic but had immigrated to the U.S. after receiving the Italian Fulbright scholarships. Looking back at this moment, it is intriguing to discover what defined the work featured in these magazines as ‘American,’ especially since one of its central figures, Giurgola, established his reputation as an educator teaching architectural history and theory subjects based on Italian precedents and treatises at the University of Pennsylvania and Columbia University.Il numero di «Perspecta» che ha avuto l’impatto più duraturo nel dare corso a un movimento legato all’architettura americana postmoderna fu il numero 9/10, pubblicato dagli studenti della Yale School of Architecture e diretto dal giovane Robert A.M. Stern. Stern, architetto ed ex preside della Scuola di Architettura dell’Università di Yale, diresse la rivista con un gruppo di redattori-architetti che, nei vent’anni successivi, definì la scena architettonica negli Stati Uniti. Il suo obiettivo editoriale fu quello di proporre nuovi “talenti”, giovani architetti che definirono un nuovo movimento architettonico. Tre importanti collaboratori di «Perspecta» furono Robert Venturi, Charles Moore e, il più interessante, Romaldo Giurgola, architetto e accademico italiano che si trasferì negli Stati Uniti dopo aver ricevuto una borsa di studio italiana la “Fulbright”. Ripensando a quell’esperienza, è interessante capire cosa definì come “americano” il lavoro di questa rivista, soprattutto perché una delle sue figure centrali, Giurgola, costruì la sua reputazione come docente di storia e di teoria dell’architettura presso la University of Pennsylvania e la Columbia.

A Conversation on Labour & Practice

Automated approaches to design, fabrication, and construction present disruptive and potentially transformative challenges to the conventional practice of architecture, as computational workflows recalibrate traditional roles and responsibilities in the production of buildings. How does computational design change how labor is defined and enacted in architectural and construction practice? What are the ethical implications and questions that arise in this context, particularly as we consider the implications of uncompensated or under-compensated labor of those doing computational work? This keynote event brings together three architects and thinkers to critically explore the intersections between computation, labor, and practice. Peggy Deamer is Professor Emerita of Yale University’s School of Architecture, principal in the firm of Deamer, Studio, and a founding member of the Architecture Lobby, a group advocating for the value of architectural design and labor. Billie Faircloth is a Partner at KieranTimberlake, where she leads a transdisciplinary group leveraging research, design, and problem-solving processes across fields including environmental management, chemical physics, materials science, and architecture. Mollie Claypool is an architecture theorist and activist at AUAR and UCL Bartlett. Her work broadly focuses on issues of social justice highlighted by increasing automation in architecture and design production, such as the future of work, housing, platforms, localised manufacturing, and circular economies

Digital Architecture as Crime Control

This paper explains how theories of realspace architecture inform the prevention of computer crime. Despite the prevalence of the metaphor, architects in realspace and cyberspace have not talked to one another. There is a dearth of literature about digital architecture and crime altogether, and the realspace architectural literature on crime prevention is often far too soft for many software engineers. This paper will suggest the broad brushstrokes of potential design solutions to cybercrime, and in the course of so doing, will pose severe criticisms of the White House\u27s recent proposals on cybersecurity. The paper begins by introducing four concepts of realspace crime prevention through architecture. Design should: (1) create opportunities for natural surveillance, meaning its visibility and susceptibility to monitoring by residents, neighbors, and bystanders; (2) instill a sense of territoriality so that residents develop proprietary attitudes and outsiders feel deterred from entering a private space; (3) build communities and avoid social isolation; and (4) protect targets of crime. There are digital analogues to each goal. Natural-surveillance principles suggest new virtues of open-source platforms, such as Linux, and territoriality outlines a strong case for moving away from digital anonymity towards psuedonymity. The goal of building communities will similarly expose some new advantages for the original, and now eroding, end-to-end design of the Internet. An understanding of architecture and target prevention will illuminate why firewalls at end points will more effectively guarantee security than will attempts to bundle security into the architecture of the Net. And, in total, these architectural lessons will help us chart an alternative course to the federal government\u27s tepid approach to computer crime. By leaving the bulk of crime prevention to market forces, the government will encourage private barricades to develop - the equivalent of digital gated communities - with terrible consequences for the Net in general and interconnectivity in particular

A Question of Empowerment: Information Technology and Civic Engagement in New Haven, Connecticut

Extravagant claims have been made for the capacity of IT (information technology) to empower citizens and to enhance the capacity of civic organizations. This study of IT use by organizations and agencies in New Haven, Connecticut, 1998-2004, tests these claims, finding that the use of IT by nonprofits is selective, tending to serve agencies patronized by community elites rather than populations in need. In addition, the study finds that single interest groups are far more effective in using IT than more diverse civic and neighborhood groups.This publication is Hauser Center Working Paper No. 30. The Hauser Center Working Paper Series was launched during the summer of 2000. The Series enables the Hauser Center to share with a broad audience important works-in-progress written by Hauser Center scholars and researchers

National Register Nomination: the French House, 1287 Hope Street Bristol, Rhode Island 02809

This document serves as a National Register Nomination for the French House located at 1287 Hope Street in Bristol, Rhode Island. The French House is nominated under Criterion B for its association with Col. George T. French Esq., and Criterion C for its contribution to the Stick style of architecture in Bristol, Rhode Island. Built in 1881, the French House is a Vernacular Stick style cottage and gains its local significance under Criterion B for its relationship and association with Col. George T. French Esq., French was a lawyer, politician, patriot, and former Brown University student who dedicated his life to being a local influence on the Town of Bristol and the State of Rhode Island. French contributed to the development of the State of Rhode Island through his professional career of being a member on the Rhode Island Bar (1875-1885), a member of the House of Representatives, and a member of the Rhode Island General Assembly (1883-1885). French’s life was dedicated to the people of Bristol and the State of Rhode Island while serving on the General Assembly under Governor Augustus O. Bourne (1883-1885). French’s involvement in the policymaking and planning of the Bourne Amendment, which was added to Rhode Island’s Constitution, declared the removal of the real estate requirement for voting in state elections imposed in 1843 against naturalized citizens. This allowed citizens that did not own property to have the right to vote. This significant amendment highlighted French’s professional career as a politician because it altered the lives of countless naturalized citizens who previously were not entitled the right to vote in any state elections. This set the precedent for the future of democracy in the United States of America. In addition to being a politician and lawyer, French was a respected representative of the community. Bristol, Rhode Island is famed for having the oldest 4th of July Celebration in the United States of America. Since 1776, Bristol has been celebrating the Declaration of Independence, and for the 200th Bristol 4th of July Celebration in 1880 Samuel P. Colt acted as the chair of the planning committee. Since 1785, Patriot Speakers or the Speaker of the Day is chosen to speak to the entire community to launch the community celebration of the 4th of July. This position is reserved for respected and influential figures in the community. In 1882, the chosen 97th Patriotic Speaker was none other than Col. George T. French. This honor was indicative of French’s popularity and familiarity in the Bristol community. More recent Patriotic Speakers include nationally recognizable political figures such as Claiborne Pell, the namesake for the Claiborne Pell Bridge (Newport Bridge), and Ira C. Magazine, President William Clinton’s Senior Advisor Policymaker. The French House is nominated under Criterion C for its significance as a representation of Late Victorian Architecture in Bristol. Built in 1881, by local builder William Hall of Warren, Rhode Island, the French House is a Victorian cottage built in the Stick style as illustrated by its asymmetrical form, multiple paned window sash, spacious verandah decorated with simple diagonal brackets, steeply pitched gable roofs with intersecting cross gables, king posts and struts, and corbeled chimneys. The French House although does not have any applied high-style stick-work, yet characterizes an interpretation of ornamentation through its overall architectural elements, and massing. The Stick style, even at a vernacular level, is not prevalent in Bristol, making the French House one of the few, if not the only Stick style residential architecture in the town. The French House has retained most of its historic integrity and despite its neglected state, the house represents a style of architecture that scarcity deems it worthy of recognition and preservation

Internationally Award-Winning Architects to Speak at RWU on Oct. 25

Community invited to hear architects Tod Williams and Billie Tsien share the philosophy, experience and vision of their practice

Landscape History and Theory: from Subject Matter to Analytic Tool

This essay explores how landscape history can engage methodologically with the adjacent disciplines of art history and visual/cultural studies. Central to the methodological problem is the mapping of the beholder � spatially, temporally and phenomenologically. In this mapping process, landscape history is transformed from subject matter to analytical tool. As a result, landscape history no longer simply imports and applies ideas from other disciplines but develops its own methodologies to engage and influence them. Landscape history, like art history, thereby takes on a creative cultural presence. Through that process, landscape architecture and garden design regain the cultural power now carried by the arts and museum studies, and has an effect on the innovative capabilities of contemporary landscape design