ПРЕДМЕТ І МЕТОДОЛОГІЧНА ОРІЄНТАЦІЯ ЕСТЕТИКИ СТАНІСЛАВА ОССОВСЬКОГО. (The subject and methodological orientation of Stanislav Ossowski's aesthetics.)

Статтю присвячено аналізові основних аспектів естетичної концепції С. Оссовського. Основну увагу автор звертає визначенню предмета і методологічної орієнтації концепції польського естетика, його розумінню поняття мистецтво, розрізненню автотелічного і гетеротелічного мистецтва, значення його позаестетичних функцій. (The article is devoted to the analysis of the main aspects of Stanislav Ossowski's aesthetical theory. Author pays attention to the definition of subject and methodological orientation of aesthetics. It's also analysed the concept of art, distinction of the autotelic and heterotelic art, value of its non-aesthetical functions. S. Ossowski presents not systematic, but analytical philosophical tradition. He critisizes the metaphisical and speculative aesthetics and prefers to use the empirical methods of investigation. That's why the author states the evolution to the sociology of art in Ossowski's works. Ossowski can be presented as suppoter of wide comprehesion os aesthetical subject. He protests against reduction of aesthetical subject to philosophy of art. In his opinion the aesthetics is interesting in two things: beautiful and art. The important aspect of present article concerns the reflections about essence of beautiful and aesthetical experience. In this context it's also analyzed the problems of aesthetical creation. In Ossowski's opinion the concept of art is not identical to some particular form of artistic creation. This concept concerns the awareness of specific values and formation of artist as socially important man. S. Ossowski states that such concepts as art, artist, creation are new products of our culture. In the primitive societies the art was not defined as separate sphere. It manifested in different spheres of human life. The artistic creation is seen as the mostfree form of cultural life. But the position of art is strongly defined by social functions which have non-aesthetical character. Ossowski's conception of aesthetics cocnerns the sociology of art and pays attention to the art and its heterotelic functions.

Tom Stoppard on art, Charlie Hebdo - and why it's a bad time to be a voter

An exclusive and wide-ranging interview with Tom Stoppard on the occasion of his new play, The Hard Problem

Purpose (Chapter Two of My Best Advice: Proven Rules for Effective Leadership)

Think about how you spent the past day, week, or even month. Why did you spend it that way? Why did you invest your time the way you did? Did you go to work? Why do you go to work every day? Did you go to your daughter\u27s recital or your son\u27s play? Why? Did you get some exercise? Did you take your partner to lunch? Did you go to the neighborhood barbecue? Why? On the surface, our answers to these questions may be simple: I go to work to make money so I can pay my bills and support a certain lifestyle for my family. I go to my kids\u27 events to support them. I love my partner. I enjoy spending time with my neighbors. There may be deeper drivers for each of these decisions as well

Visitors' Interpretive Strategies at Wolverhampton Art Gallery

Making Meaning in Art Museums is one of two research projects on the theme of art museums and interpretive communities. The first was published as Making Meaning 1:Visitors' Interpretive Strategies at Wolverhampton Art Gallery (RCMG 2001). Making Meaning in Art Museums 2 is the second of two research projects on the theme of art museums and interpretive communities. The Long Gallery at the Nottingham Castle Museum and Art Gallery was selected as the research site for this second study. Both studies have explored the ways in which visitors talked about their experience of a visit to the art museum-both what they said about the paintings and the whole of the visit.The research questions on which this project is based are: What interpretive strategies and repertories are deployed by art museum visitors? Can distinct interpretive communities be identified? What are the implications for the communication policies within art museums? This research is an ethnographic study, using qualitative methods.This research project was funded through a grant from the Arts and Humanities Research Boar

On Such a Full Sea of Novels: An Interview with Chang-rae Lee

An interview with author Chang-rae Lee

What is Meant and what is Understood? The Role of Written Assessment Feedback in the Fine Art Subject Area

Report written as part of a research project (The Pedagogy of Fine Art) exploring contemporary pedagogy and attitudes to teaching within the fine art subject area

Influence of Intermedia in Development of Malaysian Art Scene

Media art has evolved over time. Artists are developing intermedia in their art. It begins in 1950s NYC. The idea of Intermedia has since extended globally. Malaysia's media development is influenced by western Intermedia. Malaysian artists are intermedia experts. This research aims to determine why Malaysian artists use Intermedia and to classify its disciplines. This research was place in studio or online, depending on current conditions. Pandemic, artist demand. This research used library, catalogue, and web sources for data. The data will be analyzed to classify the artists' Intermedia use. Intermedia has diversified into numerous disciplines, and it's still growing. Keywords: Intermedia, Malaysian Art, New media eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by E-International Publishing House, Ltd., UK. This is an open-access article under the CC  BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of AMER (Association of Malaysian Environment-Behavior Researchers), ABRA (Association of Behavioral Researchers on Asians), and cE-Bs (Centre for Environment-Behavior Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI9.394

Spartan Daily, March 22, 2001

Volume 116, Issue 40https://scholarworks.sjsu.edu/spartandaily/9676/thumbnail.jp