77,979 research outputs found

    On Such a Full Sea of Novels: An Interview with Chang-rae Lee

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    An interview with author Chang-rae Lee

    Noam Chomsky on Where Artificial Intelligence Went Wrong

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    The Cord Weekly (July 27, 2005)

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    Introduction to Data Ethics

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    An Introduction to data ethics, focusing on questions of privacy and personal identity in the economic world as it is defined by big data technologies, artificial intelligence, and algorithmic capitalism. Originally published in The Business Ethics Workshop, 3rd Edition, by Boston Acacdemic Publishing / FlatWorld Knowledge

    Jekyll and Hyde: men's constructions of feminism and feminists

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    Research and commentary on men's responses to feminism has demonstrated the range of ways in which men have mobilised both against and for feminist principles. This paper argues that further analyses of men's responses require a sophisticated theory of discourse acknowledging the fragmented and contradictory nature of representation. A corpus of men's talk on feminism and feminists was studied to identify the pervasive patterns in men's accounting and regularities in rhetorical organisation. Material from two samples of men was included: a sample of white middle-class 17-18 year old school students and a sample of 60 interviews with a more diverse sample of older men aged 20 to 64. Two interpretative repertoires of feminism and feminists were identified. These set up a 'Jekyll and Hyde' binary and positioned feminism along with feminists very differently as reasonable versus extreme and monstrous. Both repertoires tended to be deployed together and the paper explores the ideological and interactional consequences of typical deployments along with the identity work accomplished by the men as they positioned themselves in relation to these

    The Cord Weekly (November 9, 1994)

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    Punitive Damages

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    The Cord Weekly (October 5, 2005)

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    Staged Action: Six Plays From the American Workers\u27 Theatre

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    [Excerpt] This collection is an attempt to restore and revitalize interest in a largely forgotten American theatrical genre, the workers\u27 theatre movement. Workers\u27 theatre is a term that is used broadly to define theatre from the working class or theatre about working-class people. Here it refers to a unique and specific movement in the American theatre of the 1920s and 1930s to employ the stage to address issues concerning the worker and the workers\u27 movement. A simple definition was given by Hollace Ransdell of the Affiliated Schools for Workers in 1936: a workers\u27 theatre play deals truthfully with the lives and problems of the masses of the people, directly or suggestively, in a way that workers can understand and appreciate . These plays need not be written by workers themselves, and, in fact, many were written by figures sympathetic to the labor movement. The plays themselves are a series of fascinating, moving, occasionally frustrating dramas that often passionately explore the possibilities of the workers\u27 movement. Even during the Great Depression, these plays never displayed the pessimistic images of the future as reflected in the contemporary fiction of Steinbeck and Dos Passos. Instead, the plays of the American workers\u27 theatre clung tightly to stirring, Utopian visions, as was hoped for in the early writings that formed a basis for the movement
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