1,073 research outputs found

    How Design Plays Strategic Roles in Internet Service Innovation: Lessons from Korean Companies

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    In order to survive in the highly competitive internet business, companies have to provide differentiated services that can satisfy the rapidly changing usersโ€™ tastes and needs. Designers have been increasingly committed to achieving user satisfaction by generating and visualizing innovative solutions in new internet service development. The roles of internet service design have expanded from a narrow focus on aesthetics into a more strategic aspect. This paper investigates the methods of managing design in order to enhance companiesโ€™ competitiveness in internet business. The main research processes are to: (1) explore the current state of internet service design in Korea through in-depth interviews with professional designers and survey questionnaires to 30 digital design agencies and 60 clients; (2) compare how design is managed between in-house design groups and digital design agencies though the case studies of five Korean companies; and (3) develop a taxonomy characterizing four roles of designers in conjunction with the levels of their strategic contributions to internet service innovation: visualist, solution provider, concept generator, and service initiator. In addition, we demonstrate the growing contributions of the strategic use of design for innovating internet services, building robust brand equity, and increasing business performance. Keywords: Design Management; Internet Business; Internet Service Design; Digital Design; Digital Design Agency; In-House Design Group, Case Study</p

    User Generated Diversity. Some reflections on how to improve the quality of amateur productions

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    The potential of user created content to make a meaningful contribution to media diversity is subject to debates. Central to these debates is the argument of the quality of amateur productions. This article will take a close look at this argument, and make some suggestions on how to improve the quality and utility of amateur productions with regard to the democratic functions of media.user created content, diversity, quality, strategies

    Recommendation for Mongolia

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    ํ•™์œ„๋…ผ๋ฌธ (์„์‚ฌ)-- ์„œ์šธ๋Œ€ํ•™๊ต ๋Œ€ํ•™์› : ๋ฒ•๊ณผ๋Œ€ํ•™ ๋ฒ•ํ•™๊ณผ, 2019. 2. ๋ฐ•์ค€์„.์ดˆ๋ก ์„œ๋น„์Šค์ œ๊ณต์ž์˜ ์ €์ž‘๊ถŒ ๊ด€๋ จ ์ฑ…์ž„์— ๊ด€ํ•œ ๋น„๊ต๋ฒ•์  ์—ฐ๊ตฌ: ๋ชฝ๊ณจ์„ ์œ„ํ•œ ์ œ์•ˆ์„ ์œ„ํ•˜์—ฌ ์šฐ๋ฆฌ๋Š” ์ง€๊ธˆ ์ธํ„ฐ๋„ท ์—†์ด๋Š” ์–ด๋ ค์›€์„ ๊ฒช๋Š” ๋…ํŠนํ•œ ํ™˜๊ฒฝ์— ์‚ด๊ณ  ์žˆ๋‹ค. ์ธํ„ฐ๋„ท์€ ์šฐ๋ฆฌ์—๊ฒŒ ๋ฌธํ•™ ์ฐฝ์ž‘ ๋ฐ ๋ฐฐํฌ, ์ง€์‹ ์ „๋‹ฌ ๋“ฑ ๋‹ค๋ฅธ ๋งŽ์€ ํ™œ๋™์— ๊ฐœ์ธ์ ์œผ๋กœ ์ฐธ์—ฌํ•  ์ˆ˜ ์žˆ๋Š” ๊ธฐํšŒ๋ฅผ ์ œ๊ณตํ•œ๋‹ค. ์ธํ„ฐ๋„ท ๊ฐœ๋ฐœ ์ดˆ๊ธฐ ๋•Œ๋Š” ์ฃผ์š” ์Ÿ์ ์€ ๋งŽ์€ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ์ ‘๊ทผ์„ฑ์„ ์ตœ๋Œ€ํ•œ ํ—ˆ์šฉํ•˜๋Š”๋ฐ ๊ด€ํ•œ ๊ฒƒ์ด์—ˆ์ง€๋งŒ ์š”์ฆ˜์€ ๋ณด๋‹ค ์•ˆ์ „ํ•œ ํ™˜๊ฒฝ์„ ๊ตฌ์ถ•ํ•˜๊ณ  ์ €์ž‘๊ถŒ ์†Œ์œ ์ž, ์ธํ„ฐ๋„ท ์‚ฌ์šฉ์ž ๋ฐ ์ธํ„ฐ๋„ท ์„œ๋น„์Šค ๊ณต๊ธ‰์ž์ธ ์„ธ๊ฐ€์ง€ ๋‹ค๋ฅธ ์ด์ต์„ ํ‰๋“ฑํ•˜๊ฒŒ ๋ณดํ˜ธํ•˜๋Š” ๊ฒƒ์„ ๊ฐ•ํ™”ํ•˜๊ณ  ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ์—์„œ, ์ธํ„ฐ๋„ท์˜ ๋ถ€์ •์  ์‚ฌ์šฉ์œผ๋กœ ์ธํ•ด ๋ฐœ์ƒํ•˜๊ณ  ์žˆ๋Š” ๋ช…์˜ˆ ํ›ผ์†, ๋ชจ์š•, ๊ฐœ์ธ ์ •๋ณด์˜ ๋ถˆ๋ฒ• ์‚ฌ์šฉ, ์ €์ž‘๊ถŒ์นจํ•ด ๋“ฑ์˜ ์—ฌ๋Ÿฌ ์‚ฌ์ด๋ฒ„ ๋ฒ”์ฃ„ ์ค‘์— ์‚ฌ์ด๋ฒ„ ํ™˜๊ฒฝ์—์„œ์˜ ์ €์ž‘๊ถŒ์นจํ•ด ๋ฌธ์ œ๋ฅผ ๊ฐ•์กฐํ•˜๊ณ , ์ด์šฉ์ž์ƒ์‚ฐ์ฝ˜ํ…์ธ ์™€ ๊ด€๋ จํ•˜์—ฌ ์„œ๋น„์Šค์ œ๊ณต์ž์˜ ์ฑ…์ž„ ๋˜๋Š” ์ฑ…์ž„ ๋ฉด์ œ์— ๋Œ€ํ•œ ๋ฒ•์  ๊ทœ์ œ๋ฅผ ์ฃผ์ œ๋กœ ์‚ผ์•˜๋‹ค. ์„œ๋น„์Šค์ œ๊ณต์ž์˜ ์ฑ…์ž„ ๋˜๋Š” ์˜๋ฌด์— ๊ด€ํ•ด ์ €์ž‘๊ถŒ๋ฒ•์ƒ ์ƒ๊ฒจ๋‚œ ์ตœ๊ทผ ๋ณ€ํ™”๋ฅผ ๋ฐ˜์˜ํ•˜๊ธฐ ์œ„ํ•ด ์—ฌ๋Ÿฌ ๊ตญ๊ฐ€๋“ค์—์„œ ๊ฐ์ž์˜ ์ €์ž‘๊ถŒ๋ฒ• ๊ฐœ์ •์•ˆ์ด ๋…ผ์˜๋˜๊ณ  ์žˆ๋‹ค. ๋˜ํ•œ ์„œ๋น„์Šค์ œ๊ณต์ž์˜ ์ฑ…์ž„๋ฉด์ œ์— ๋Œ€ํ•œ ๊ทœ์ œ์˜ ์—ฌ๋Ÿฌ ๊ฐ€์ง€ ๊ฐœ๋…์ด ์žˆ์œผ๋ฉฐ ๋งŽ์€ ํ•™์ˆ ๋…ผ๋ฌธ๊ณผ ๊ธฐ์‚ฌ์—์„œ ์‚ฌ์ด๋ฒ„๊ณต๊ฐ„์—์„œ์˜ ์ €์ž‘๊ถŒ ์นจํ•ด์™€ ๊ด€๋ จํ•˜์—ฌ ์‚ฌ์ด๋ฒ„ ์‹ ๊ณ ์ ‘์ˆ˜, ์ €์ž‘๊ถŒ ์นจํ•ด ์ €์ž‘๋ฌผ ๋ฐ ์ •๋ณด ์‚ญ์ œ์˜ ๊ทœ์ •์˜ ํšจ๊ณผ๋ฅผ ํ‰๊ฐ€ํ–ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ด ๋ฌธ์ œ์— ๋Œ€ํ•œ ๊ณตํ†ต๋œ ์ž…์žฅ์€ ์—†์œผ๋ฉฐ ๋ฒ•์  ํ™˜๊ฒฝ์—์„œ ์ €์ž‘๊ถŒ ๋ณด์œ ์ž, ์ธํ„ฐ๋„ท ์‚ฌ์šฉ์ž ๋ฐ ์ธํ„ฐ๋„ท ์„œ๋น„์Šค ๊ณต๊ธ‰์ž์˜ ์ด์ต์„ ๊ท ํ˜• ์žก๋Š”๋ฐ ์—ฌ์ „ํžˆ ์–ด๋ ค์›€์„ ๊ฒช๊ณ  ์žˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์‚ฌ์ด๋ฒ„๊ณต๊ฐ„์—์„œ์˜ ์ €์ž‘๊ถŒ ์นจํ•ด์— ๊ด€๋ จ๋œ ๊ตญ์ œ๋ฒ• ๋ฐ ๊ทœ์ œ ๊ฒฝํ—˜์˜ ์กฐ์‚ฌ๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ๋ชฝ๊ณจ์€ (1) ํ˜„ํ–‰ ์ €์ž‘๊ถŒ๋ฒ•์„ ๊ฐœ์ •ํ•˜๊ณ  ์ธํ„ฐ๋„ท ์„œ๋น„์Šค ๊ณต๊ธ‰์ž์— ๋Œ€ํ•œ ๊ทœ์ œ๋ฅผ ๋„์ž…ํ• ์ง€ ์—ฌ๋ถ€, (2) ๋ฏธ๊ตญ๊ณผ ํ•œ๊ตญ์˜ ๊ฒฝํ—˜์„ ํ†ตํ•ด ์˜จ๋ผ์ธ ์ €์ž‘๊ถŒ ์นจํ•ด์— ๊ด€ํ•œ ๋‹ค๋ฅธ ๊ตญ๊ฐ€์˜ ๊ฒฝํ—˜์„ ์–ด๋–ป๊ฒŒ ๋ฐฐ์šฐ๊ณ  ๋ฐ˜์˜ ํ•  ์ˆ˜ ์žˆ๋Š”์ง€, (3) ์ง€๊ธˆ์˜ ์ €์ž‘๊ถŒ ์‹œ์Šคํ…œ์— ์–ด๋Š ์ •๋„๊นŒ์ง€ ํ•ฉ๋ฒ•์  ์ด์‹์„ ํ•  ์ˆ˜ ์žˆ๋Š”์ง€ ํƒ๊ตฌํ•˜๊ธฐ ์œ„ํ•œ ๊ฒƒ์ด๋‹ค. ์ธํ„ฐ๋„ท์€ ๋” ์ด์ƒ ์˜ํ†  ๊ฒฝ๊ณ„์— ๋ฌถ์—ฌ ์žˆ์ง€ ์•Š๊ธฐ ๋•Œ๋ฌธ์— ์ €์ž‘๊ถŒ ์นจํ•ด ๋ฌธ์ œ๋Š” ๋ชจ๋“  ๊ตญ๊ฐ€์— ์ ์šฉ๋˜๋ฏ€๋กœ ์ด ๋ฌธ์ œ์— ๋Œ€ํ•ด ๋‹ค๋ฅธ ๊ตญ๊ฐ€์— ๋Œ€ํ•œ ๋‹ค์–‘ํ•œ ์ ‘๊ทผ๋ฒ•์„ ์กฐ์‚ฌ ๋˜๋Š” ์—ฐ๊ตฌํ•˜๋ฉด์„œ ๋น„๊ตํ•˜๋Š” ๊ฒƒ์ด ๋งค์šฐ ์ค‘์š”ํ•˜๋‹ค. ๋ณธ ์—ฐ๊ตฌ์˜ ์ด๋Ÿฌํ•œ ๋ชฉ์ ์„ ์œ„ํ•ด, ์ด ๋…ผ๋ฌธ์—์„œ๋Š” ๊ฐ€์žฅ ๋Œ€ํ‘œ์ ์ธ ๊ตญ๊ฐ€์ธ ๋ฏธ๊ตญ, ๊ทธ๋ฆฌ๊ณ  ๋ฏธ๊ตญ๊ณผ ์œ ๋Ÿฝ์˜ ์ ‘๊ทผ๋ฒ•์„ ์ผ๋ถ€์”ฉ ์ฑ„์šฉํ•œ ํ•œ๊ตญ์˜ ๊ฐ ๊ฒฝํ—˜์— ๋Œ€ํ•œ ๊ณ ์ฐฐ์„, ์ฃผ๋กœ ์„œ๋น„์Šค์ œ๊ณต์ž์˜ ์ฑ…์ž„์ œํ•œ ๋ฐ ๊ทธ๋Ÿฐ ์ œํ•œ์˜ ์ „์ œ์š”๊ฑด์œผ๋กœ์„œ ๋ฒ•์ ์˜๋ฌด๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ์ง„ํ–‰ํ•˜์˜€๋‹ค. ์ด ์—ฐ๊ตฌ์˜ 3 ์žฅ์—์„œ๋Š” ๊ฐ ๊ตญ๊ฐ€์˜ ์ธํ„ฐ๋„ท ์„œ๋น„์Šค ์ œ๊ณต ์—…์ฒด์™€ ๊ด€๋ จ๋œ ๋ฒ•์  ์†Œ์†ก ๋ฐ ๋ฒ•์›์—์„œ ํŒ๊ฒฐ์ด ๋‚œ ์†Œ์†ก ์‚ฌ๊ฑด์„ ์กฐ์‚ฌํ•˜์˜€๋‹ค. ์ธํ„ฐ๋„ท ์„œ๋น„์Šค์ œ๊ณต์ž์˜ ์ฑ…์ž„์˜ ๋Œ€ํ•œ ๋ฌธ์ œ๋Š” ๊ทธ๋“ค์˜ ํ™œ๋™๊ณผ ์ œ๊ณตํ•˜๋Š” ์„œ๋น„์Šค๋ฅผ ํ†ตํ•ด ์ง์ ‘ ๋˜๋Š” ๊ฐ„์ ‘์ ์œผ๋กœ ์ €์ž‘๊ถŒ ๋ณด์œ ์ž์˜ ๋…์ ์  ๊ถŒ๋ฆฌ๋ฅผ ์นจํ•ดํ•˜๋Š” ์ฝ˜ํ…์ธ ๋ฅผ ํ†ตํ•ด ์ƒ์„ฑ๋œ๋‹ค. ๋”ฐ๋ผ์„œ ์‚ฌ์šฉ์ž์ƒ์‚ฐ์ฝ˜ํ…์ธ ์˜ ์ง์ ‘๊ณผ ๊ฐ„์ ‘์  ๋ฒ•์  ์ฑ…์ž„์˜ ์„ฑ๊ฒฉ์„ ์—ฐ๊ตฌํ•˜๋Š” ๊ฒƒ์ด ์ค‘์š”ํ•˜๋‹ค. ์ด์™€ ๊ด€๋ จ ํ•˜์—ฌ ์—ฐ๊ตฌ์˜ ์ฒซ ๋ฒˆ์งธ ์žฅ์—์„œ ์ž‘์„ฑ๋œ ์ด์šฉ์ž๊ฐ€ ๋งŒ๋“  ์ฝ˜ํ…์ธ ์˜ ๋ฒ•์  ๊ฐœ๋…, ๋‘ ๋ฒˆ์งธ ์žฅ์—์„œ ์ง์ ‘๊ณผ ๊ฐ„์ ‘์  ์ฑ…์ž„์˜ ๋Œ€ํ•œ ๊ฐœ๋…์„ ๊ฐ„๋‹จํ•˜๊ฒŒ ์‚ดํŽด ๋ดค๋‹ค. ์ด ์—ฐ๊ตฌ์˜ 5 ์žฅ์€ ํ˜„์žฌ ๋ชฝ๊ณจ์˜ ๋ฒ•์  ๊ทœ์ œ ์ฒด๊ณ„๋ฅผ ํ•ด์„ํ•˜๊ณ  ํ˜„์žฌ ๊ทœ์ œ ์ฒด์ œ์˜ ๋ช‡ ๊ฐ€์ง€ ๋‹จ์ ์„ ์ œ์‹œํ•˜์˜€๋‹ค. ๊ฒฐ๋ก ์ ์œผ๋กœ ์ด ๋…ผ๋ฌธ์€ ์ง€๊ธˆ ๊นŒ์ง€ ๋ชฝ๊ณจ์—์„œ ์˜จ๋ผ์ธ ์ €์ž‘๊ถŒ ์นจํ•ด์— ๋Œ€ํ•œ ์ธํ„ฐ๋„ท ์ค‘๊ฐœ์ž์˜ 2์ฐจ์  ์ฑ…์ž„์— ๊ด€ํ•œ ๋ฌธ์ œ๋ฅผ ์ œ๊ธฐํ•˜๋Š” ์‚ฌ๋ก€์— ์ง๋ฉดํ•˜์ง€๋Š” ์•Š์•˜์ง€๋งŒ, ๊ฐ€๊นŒ์šด ๋ฏธ๋ž˜์— ๋ชฝ๊ณจ ์ •๋ถ€๊ฐ€ ์ฑ…์ž„์ œํ•œ ๋ฒ•์ œ๋ฅผ ์ฑ„ํƒ ํ•  ํ•„์š”์„ฑ์ด ๋†’๋‹ค๊ณ  ๊ฒฐ๋ก  ์ง€์—ˆ๋‹ค. ๋˜ํ•œ, ์ €์ž‘๊ถŒ ์นจํ•ด์— ๋Œ€ํ•œ ์ €์ž‘๊ถŒ๋ถ€์—ฌ์ž์˜ ์š”์ฒญ์— ๋”ฐ๋ผ ์ €์ž‘๊ถŒ ์นจํ•ด ์ฝ˜ํ…์ธ ๋ฅผ ์‚ญ์ œํ•˜๋Š” ๊ฒƒ๊ณผ ๊ด€๋ จ๋œ ํˆฌ๋ช…ํ•˜๊ณ  ํšจ๊ณผ์ ์ธ ๋ฒ•์  ์กฐ์น˜๋ฅผ ๋งˆ๋ จํ•˜๋Š” ๊ฒƒ์„ ์ ๊ทน์ ์œผ๋กœ ๊ณ ๋ คํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค๊ณ  ๋ณธ๋‹ค. ์ฃผ์š”์–ด: ์ด์šฉ์ž ์ƒ์‚ฐ ์ฝ˜ํ…์ธ , ๊ฐ„์ ‘ ์ฑ…์ž„, ์‚ฌ์ด๋ฒ„ ๊ณต๊ฐ„ ์ €์ž‘๊ถŒ ์นจํ•ด, ์ธํ„ฐ๋„ท ์„œ๋น„์Šค ์ œ๊ณต ์—…์ฒด, ์ €์ž‘๊ถŒ ์ œํ•œ, ์ง€์  ์žฌ์‚ฐ๊ถŒ ํ•™๋ฒˆ: 2016-22111Abstract A Comparative Study on Intermediary Liabilities for Copyright Infringement: Recommendation for Mongolia Itgeltugs Altansukh College of Law The Graduate School of Seoul National University This is such an extraordinary period in the history of humankind, giving nearly all people a self-thought that I would no longer live without Internet. It is undeniable to say that Internet gives us a bundle of chances and opportunities to engage directly in the creation of works and dissemination of knowledge. At the same time, it has become a home for variety of illegal and misappropriate conducts in a way that our previous generations could not even imagine. While at first it was the main concern how to proliferate the Internet as reachable as possible to many people, nowadays the main concerns towards Internet are how we could make Internet a safer environment for all of us, and how to strike a fair balance among legal interests of copyright holders, internet users and online intermediaries. Having noted that there are many other aspects affected by the misuse of Internet, including online defamation, misuse of personal information, cybercrimes, etc., this thesis highlights the issue of copyright infringement in the digital world, and aims to study the legal regime of intermediary liabilities for copyright infringement. More narrowly, many countries have considered amending their copyright law as to include recent developments made to the copyright world with respect to online intermediaries liabilities and responsibilities for copyright infringement. In addition, there have been varying viewpoints as to the usefulness of the adoption of statutory immunity for intermediary liabilities, and many literature studies have evaluated the effectiveness of notice and takedown procedures in relation to the conducts of online copyright infringement. Yet, there is no harmonization over these issues and many countries still face hurdles in the solution on finding a fair balance between the competing rights of copyright owners, intermediaries and individuals. With respect to this global trend, this thesis aims at studying (1) whether Mongolia needs to revise its current copyright law and adopt the limitation to online intermediaries liabilities(2) how it can learn and reflect other countries experiences regarding online copyright infringement, namely from the U.S. and South Korean experiencesand (3) to what extent legal transplantation could be made to the current copyright system. What is more, as Internet is more like borderless and online copyright infringement does not leave any country outside the flow, it is crucial to study different approaches of different countries addressing same particular issue. For the purpose of this thesis, it will offer an insight to the experience of the United States as a main representative country, and of the Republic of Korea, as a country with a mixed legal environment reflecting both the United States and European approaches, by mainly focusing on the legal framework of limitation of intermediary liabilities and statutory obligations as prerequisite condition to the limitation. Chapter 3 of the thesis provides a study of each countrys legal framework and case studies in relation to the online intermediaries respectively. The issue of intermediary liability arises because either of their own activities or the users contents appeared on their platforms that prejudice the copyright holders exclusive rights. Hence, it is worth to study the user-generated content from a copyright perspective and the legal characteristics of allegation of secondary liability. For this reason, Chapter 1 of the thesis will touch upon the concept of user-generated content from a copyright perspective and the Chapter 2 of the thesis will discuss the legal concept of secondary liability in brief. Chapter 5 of the thesis studies and analyzes the current copyright system of Mongolia and reveal some shortcomings regarding the current regulation as measure against online copyright infringement. All in all, this thesis concludes that even though Mongolia has not yet faced with any challenging cases that arise a question of secondary liability of an internet intermediary for online copyright infringement, there is high prospect of the necessity of adopting a safe harbor regime in the near future. Furthermore, along with the safe harbor regime, a clear and effective legal framework for the notice and takedown of unauthorized works is highly sought for consideration. Keyword: user-generated content, secondary liability, online copyright infringement, internet intermediary, copyright limitations and exceptions, intellectual property Student Number: 2016-22111TABLE OF CONTENTS INTRODUCTION 1 GENERAL ASPECTS OF USER-GENERATED CONTENT 1.1. The Notion of User-Generated Content 1.1.1. The Definition of a User and the User-Generated Content 1.1.2. Types of User-Generated Content in the Copyright Context 1.2. Users Right 1.3. The Current State of User-Generated Content in the Legal Context 1.4. Conclusion to the Chapter 2 GENERAL ASPECTS OF INTERMEDIARY LIABILITIES 2.1. Copyright Infringement 2.1.1. Direct and Indirect Infringement 2.1.2. Indirect Infringement in the United States i) Vicarious Infringement ii) Contributory Infringement iii) Inducement Theory 2.1.3. Indirect Infringement in China 2.2. Internet Intermediary 2.3. Secondary Liability of Internet Intermediaries 3 A COMPARATIVE STUDY ON INTERMEDIARY LIABILITIES 3.1. The Legal Framework of Intermediary Liabilities in the United States 3.1.1. The Necessity to Adopt the Digital Millennium Copyright Act (DMCA) 3.1.2. Regulations of the DMCA 3.1.3. Eligibility Requirements for Safe Harbor Protection 3.1.4. UGC Service Providers Safe Harbor under 512(c) 3.1.5. Notable Cases i) Viacom Intl, Inc. v. YouTube, Inc. ii) Capitol Records, LLC v. Vimeo, LLC iii) Lenz v. Universal Music Corp. iv) BMG Rights Management LLC v. Cox Communications, Inc. 3.1.6. Conclusion to the U.S. Part 3.2. The Legal Framework of Intermediary Liabilities in Korea 3.2.1. Statutory Regulations regarding Intermediary Liabilities for Copyright Infringement 3.2.2. Online Service Providers Liability under the Korean Copyright Act 3.2.3. Government and Public Institutions in charge of Online Copyright Infringement 3.2.4. Notable Cases regarding the Online Service Providers Liability 3.2.5. Conclusion to the Korean Part 4 THE LEGAL FRAMEWORK OF ONLINE COPYRIGHT PROTECTION IN MONGOLIA 4.1. Legal System of Mongolia and Copyright Protection 4.1.1. The Mongolian Legal System 4.1.2. Intellectual Property Protection in Mongolia 4.1.3. Law of Mongolia on Copyright and Related Rights 4.1.4. Current Status of Enforcement of Copyright Protection 4.2. Regulations regarding Internet Service Providers 4.2.1. Under the Law on Copyright and Related Rights 4.2.2. General Terms and Conditions of Digital Content Service Regulation 4.3. Secondary Liability Concept in Mongolia 4.3.1. Under Civil Law 4.3.2. Under Criminal Law 4.4. Conclusion to the Chapter 5 RESEARCH RESULT, RECOMMENDATION AND CONCLUSION 5.1. Research Result 5.1.1. Necessity of Devising a Regime of Intermediary Liability in the Mongolian Copyright System i. The Regime of Intermediary Liability in Mongolia on an International Scale of Global Trend ii. Risk of Legal Action Against ISPs for a Third Partys Direct Copyright Infringement 5.1.2. Advantages over Disadvantages of Adopting a Conditional Immunity Regime for ISPs 5.2. Recommendations 5.2.1. Adoption of Vertical Approach 5.2.2. Abolishment of Digital Copyright Regulation 5.2.3. Adoption of a Clear and Transparent Notice and Takedown Scheme 5.2.4. Other Possible Aspects to Consider from the U.S. and South Korean Experiences 5.3. Conclusion BIBLIOGRAPHY ABSTRACT IN KOREANMaste

    Practice links [Issue 63, June 2015]

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    Practice Links is a free e-publication for practitioners working in Irish social services, voluntary and nongovernmental sectors. Practice Links was created to enable practitioners to keep up-to-date with new publications, electronic resources and conference opportunities

    Colonial Remains in Indonesian Fashion Blogipelago

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    This article aims to expose the colonial remains in Indonesian fashion blogipelago. It analyzes five Indonesian fashion bloggers: Anaz Siantarโ€™s Brown Platform, Claradevi Handriatmajaโ€™s Luce Dale, as well as Olivia Lazuardyโ€™s, Ayla Dimitriโ€™s and Sonia Erykaโ€™s eponymous blogs. Since fashion blog exists in the interconnected cyberspace, this article is conducted under the scope of Transnational American Studies, approached with postcolonial theory. It then uses descriptive qualitative method in interpreting data gained from the aforementioned data, as well as the secondary ones. The finding comprises that the colonial remains are thus vividly apparent through the use of fashion blog formula by writing in English, wearing seasonal fashion, and shooting street photography abroad. This set of formulae helps Indonesian fashion bloggers to win the audience over. Therefore, the colonial remains in Indonesian fashion blogipelago are equally internalized both by the bloggers and the audience

    Online Terms and Conditions Agreements: Bound by the Web

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    The New Thought Police: Inside the Leftโ€™s Assault on Free Speech and Free Minds (book review)

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    Attacks on political correctness have grown both plentiful and rather tiresome. Such tomes occasionally score valid ideological points, but one grows weary of the bitter repetitiveness of it all. The New Thought Police might seem to offer a little novelty to the litany. Bruce is undeniably bright, impassioned, and edgy. Her book, however, is decidedly a mixed bag. The best parts center on her controversial role as a feminist spokeswoman during the O.J. Simpson murder trial. Bruce cogently emphasized that the case was a tragic paradigm of domestic violence rather than a racist conspiracy against a black cultural icon. Bruceโ€™s anger is both the strength and the failing of The New Thought Police. Her indignation propels the bookโ€™s intensity, but goads her into mudslinging that sounds all too familiar. The writing, moreover, ranges from the witty and incisive to the annoying jejune. All in all, The New Thought Police resembles a keen from a wounded heart rather than a serious analysis of legal and cultural issues

    CONTRACTUAL GOVERNANCE OF ONLINE COMMUNITIES โ€“ (PROPERTY) RIGHTS DISPUTES IN VIRTUAL WORLDS

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    Considering lawโ€™s difficult ride on the coattails of societal and technological progress, this thesis discusses property rights disputes in virtual worlds, the origin and foundation of (property) rights in characters, objects and items (virtual assets), and the possibility of contractual governance. Investing considerable time, effort and money to create, develop and accumulate virtual assets to gain prestige or competitive advantage, or simply to have more fun playing, users often build strong emotional connections to their characters and place a high value on accumulated operator, third user and user-generated content. But the userโ€™s experience of virtual assets as property, contrasts starkly with most in-world property models where first property rights belong to the operator, subsequent rights are delineated by contract, and emerging property rights are transferred to the operator or waived by the user. Noting the โ€˜technologically inaccurate portrayal of softwareโ€™ in legislation, jurisprudence and legal debate, that ignores its โ€˜physical properties of mass and volumeโ€™, and the influence of client/server system architecture on the allocation of personal property rights, this thesis shows that physical and intellectual rights cannot resolve the newly emerging property rights disputes in virtual worlds. Instead of making another helpless attempt to justify a new virtual property right that still cannot overcome an enforceable transfer/waiver of (future) (property) rights clause in the contract, this author questions common concepts of property and proposes a new quasi-property right. Originated in the contractual obligation of the operator to grant the user a right to use, to exclude other users from and to transfer virtual assets, the rules of conduct included in the multiple-separate user contract complete its quasi-absolute effect. This quasi-property right does not only complement the quasi-tort, quasi-criminal and quasi-constitutional system already established by the (virtual social) contract but supports the identification of the contract (terms) as new default legal rules for VWs and similar online communities
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