77 research outputs found

    Frequency-warped autoregressive modeling and filtering

    Get PDF
    This thesis consists of an introduction and nine articles. The articles are related to the application of frequency-warping techniques to audio signal processing, and in particular, predictive coding of wideband audio signals. The introduction reviews the literature and summarizes the results of the articles. Frequency-warping, or simply warping techniques are based on a modification of a conventional signal processing system so that the inherent frequency representation in the system is changed. It is demonstrated that this may be done for basically all traditional signal processing algorithms. In audio applications it is beneficial to modify the system so that the new frequency representation is close to that of human hearing. One of the articles is a tutorial paper on the use of warping techniques in audio applications. Majority of the articles studies warped linear prediction, WLP, and its use in wideband audio coding. It is proposed that warped linear prediction would be particularly attractive method for low-delay wideband audio coding. Warping techniques are also applied to various modifications of classical linear predictive coding techniques. This was made possible partly by the introduction of a class of new implementation techniques for recursive filters in one of the articles. The proposed implementation algorithm for recursive filters having delay-free loops is a generic technique. This inspired to write an article which introduces a generalized warped linear predictive coding scheme. One example of the generalized approach is a linear predictive algorithm using almost logarithmic frequency representation.reviewe

    Model-based analysis of noisy musical recordings with application to audio restoration

    Get PDF
    This thesis proposes digital signal processing algorithms for noise reduction and enhancement of audio signals. Approximately half of the work concerns signal modeling techniques for suppression of localized disturbances in audio signals, such as impulsive noise and low-frequency pulses. In this regard, novel algorithms and modifications to previous propositions are introduced with the aim of achieving a better balance between computational complexity and qualitative performance, in comparison with other schemes presented in the literature. The main contributions related to this set of articles are: an efficient algorithm for suppression of low-frequency pulses in audio signals; a scheme for impulsive noise detection that uses frequency-warped linear prediction; and two methods for reconstruction of audio signals within long gaps of missing samples. The remaining part of the work discusses applications of sound source modeling (SSM) techniques to audio restoration. It comprises application examples, such as a method for bandwidth extension of guitar tones, and discusses the challenge of model calibration based on noisy recorded sources. Regarding this matter, a frequency-selective spectral analysis technique called frequency-zooming ARMA (FZ-ARMA) modeling is proposed as an effective way to estimate the frequency and decay time of resonance modes associated with the partials of a given tone, despite the presence of corrupting noise in the observable signal.reviewe

    Generalized linear-in-parameter models : theory and audio signal processing applications

    Get PDF
    This thesis presents a mathematically oriented perspective to some basic concepts of digital signal processing. A general framework for the development of alternative signal and system representations is attained by defining a generalized linear-in-parameter model (GLM) configuration. The GLM provides a direct view into the origins of many familiar methods in signal processing, implying a variety of generalizations, and it serves as a natural introduction to rational orthonormal model structures. In particular, the conventional division between finite impulse response (FIR) and infinite impulse response (IIR) filtering methods is reconsidered. The latter part of the thesis consists of audio oriented case studies, including loudspeaker equalization, musical instrument body modeling, and room response modeling. The proposed collection of IIR filter design techniques is submitted to challenging modeling tasks. The most important practical contribution of this thesis is the introduction of a procedure for the optimization of rational orthonormal filter structures, called the BU-method. More generally, the BU-method and its variants, including the (complex) warped extension, the (C)WBU-method, can be consider as entirely new IIR filter design strategies.reviewe

    Trennung und Schätzung der Anzahl von Audiosignalquellen mit Zeit- und Frequenzüberlappung

    Get PDF
    Everyday audio recordings involve mixture signals: music contains a mixture of instruments; in a meeting or conference, there is a mixture of human voices. For these mixtures, automatically separating or estimating the number of sources is a challenging task. A common assumption when processing mixtures in the time-frequency domain is that sources are not fully overlapped. However, in this work we consider some cases where the overlap is severe — for instance, when instruments play the same note (unison) or when many people speak concurrently ("cocktail party") — highlighting the need for new representations and more powerful models. To address the problems of source separation and count estimation, we use conventional signal processing techniques as well as deep neural networks (DNN). We first address the source separation problem for unison instrument mixtures, studying the distinct spectro-temporal modulations caused by vibrato. To exploit these modulations, we developed a method based on time warping, informed by an estimate of the fundamental frequency. For cases where such estimates are not available, we present an unsupervised model, inspired by the way humans group time-varying sources (common fate). This contribution comes with a novel representation that improves separation for overlapped and modulated sources on unison mixtures but also improves vocal and accompaniment separation when used as an input for a DNN model. Then, we focus on estimating the number of sources in a mixture, which is important for real-world scenarios. Our work on count estimation was motivated by a study on how humans can address this task, which lead us to conduct listening experiments, confirming that humans are only able to estimate the number of up to four sources correctly. To answer the question of whether machines can perform similarly, we present a DNN architecture, trained to estimate the number of concurrent speakers. Our results show improvements compared to other methods, and the model even outperformed humans on the same task. In both the source separation and source count estimation tasks, the key contribution of this thesis is the concept of “modulation”, which is important to computationally mimic human performance. Our proposed Common Fate Transform is an adequate representation to disentangle overlapping signals for separation, and an inspection of our DNN count estimation model revealed that it proceeds to find modulation-like intermediate features.Im Alltag sind wir von gemischten Signalen umgeben: Musik besteht aus einer Mischung von Instrumenten; in einem Meeting oder auf einer Konferenz sind wir einer Mischung menschlicher Stimmen ausgesetzt. Für diese Mischungen ist die automatische Quellentrennung oder die Bestimmung der Anzahl an Quellen eine anspruchsvolle Aufgabe. Eine häufige Annahme bei der Verarbeitung von gemischten Signalen im Zeit-Frequenzbereich ist, dass die Quellen sich nicht vollständig überlappen. In dieser Arbeit betrachten wir jedoch einige Fälle, in denen die Überlappung immens ist zum Beispiel, wenn Instrumente den gleichen Ton spielen (unisono) oder wenn viele Menschen gleichzeitig sprechen (Cocktailparty) —, so dass neue Signal-Repräsentationen und leistungsfähigere Modelle notwendig sind. Um die zwei genannten Probleme zu bewältigen, verwenden wir sowohl konventionelle Signalverbeitungsmethoden als auch tiefgehende neuronale Netze (DNN). Wir gehen zunächst auf das Problem der Quellentrennung für Unisono-Instrumentenmischungen ein und untersuchen die speziellen, durch Vibrato ausgelösten, zeitlich-spektralen Modulationen. Um diese Modulationen auszunutzen entwickelten wir eine Methode, die auf Zeitverzerrung basiert und eine Schätzung der Grundfrequenz als zusätzliche Information nutzt. Für Fälle, in denen diese Schätzungen nicht verfügbar sind, stellen wir ein unüberwachtes Modell vor, das inspiriert ist von der Art und Weise, wie Menschen zeitveränderliche Quellen gruppieren (Common Fate). Dieser Beitrag enthält eine neuartige Repräsentation, die die Separierbarkeit für überlappte und modulierte Quellen in Unisono-Mischungen erhöht, aber auch die Trennung in Gesang und Begleitung verbessert, wenn sie in einem DNN-Modell verwendet wird. Im Weiteren beschäftigen wir uns mit der Schätzung der Anzahl von Quellen in einer Mischung, was für reale Szenarien wichtig ist. Unsere Arbeit an der Schätzung der Anzahl war motiviert durch eine Studie, die zeigt, wie wir Menschen diese Aufgabe angehen. Dies hat uns dazu veranlasst, eigene Hörexperimente durchzuführen, die bestätigten, dass Menschen nur in der Lage sind, die Anzahl von bis zu vier Quellen korrekt abzuschätzen. Um nun die Frage zu beantworten, ob Maschinen dies ähnlich gut können, stellen wir eine DNN-Architektur vor, die erlernt hat, die Anzahl der gleichzeitig sprechenden Sprecher zu ermitteln. Die Ergebnisse zeigen Verbesserungen im Vergleich zu anderen Methoden, aber vor allem auch im Vergleich zu menschlichen Hörern. Sowohl bei der Quellentrennung als auch bei der Schätzung der Anzahl an Quellen ist ein Kernbeitrag dieser Arbeit das Konzept der “Modulation”, welches wichtig ist, um die Strategien von Menschen mittels Computern nachzuahmen. Unsere vorgeschlagene Common Fate Transformation ist eine adäquate Darstellung, um die Überlappung von Signalen für die Trennung zugänglich zu machen und eine Inspektion unseres DNN-Zählmodells ergab schließlich, dass sich auch hier modulationsähnliche Merkmale finden lassen

    Linear predictive modelling of speech : constraints and line spectrum pair decomposition

    Get PDF
    In an exploration of the spectral modelling of speech, this thesis presents theory and applications of constrained linear predictive (LP) models. Spectral models are essential in many applications of speech technology, such as speech coding, synthesis and recognition. At present, the prevailing approach in speech spectral modelling is linear prediction. In speech coding, spectral models obtained by LP are typically quantised using a polynomial transform called the Line Spectrum Pair (LSP) decomposition. An inherent drawback of conventional LP is its inability to include speech specific a priori information in the modelling process. This thesis, in contrast, presents different constraints applied to LP models, which are then shown to have relevant properties with respect to root loci of the model in its all-pole form. Namely, we show that LSP polynomials correspond to time domain constraints that force the roots of the model to the unit circle. Furthermore, this result is used in the development of advanced spectral models of speech that are represented by stable all-pole filters. Moreover, the theoretical results also include a generic framework for constrained linear predictive models in matrix notation. For these models, we derive sufficient criteria for stability of their all-pole form. Such models can be used to include a priori information in the generation of any application specific, linear predictive model. As a side result, we present a matrix decomposition rule for Toeplitz and Hankel matrices.reviewe

    New linear predictive methods for digital speech processing

    Get PDF
    Speech processing is needed whenever speech is to be compressed, synthesised or recognised by the means of electrical equipment. Different types of phones, multimedia equipment and interfaces to various electronic devices, all require digital speech processing. As an example, a GSM phone applies speech processing in its RPE-LTP encoder/decoder (ETSI, 1997). In this coder, 20 ms of speech is first analysed in the short-term prediction (STP) part, and second in the long-term prediction (LTP) part. Finally, speech compression is achieved in the RPE encoding part, where only 1/3 of the encoded samples are selected to be transmitted. This thesis presents modifications for one of the most widely applied techniques in digital speech processing, namely linear prediction (LP). During recent decades linear prediction has played an important role in telecommunications and other areas related to speech compression and recognition. In linear prediction sample s(n) is predicted from its p previous samples by forming a linear combination of the p previous samples and by minimising the prediction error. This procedure in the time domain corresponds to modelling the spectral envelope of the speech spectrum in the frequency domain. The accuracy of the spectral envelope to the speech spectrum is strongly dependent on the order of the resulting all-pole filter. This, in turn, is usually related to the number of parameters required to define the model, and hence to be transmitted. Our study presents new predictive methods, which are modified from conventional linear prediction by taking the previous samples for linear combination differently. This algorithmic development aims at new all-pole techniques, which could present speech spectra with fewer parameters.reviewe
    corecore