Visually Guided Sound Source Separation using Cascaded Opponent Filter Network

The objective of this paper is to recover the original component signals from a mixture audio with the aid of visual cues of the sound sources. Such task is usually referred as visually guided sound source separation. The proposed Cascaded Opponent Filter (COF) framework consists of multiple stages, which recursively refine the source separation. A key element in COF is a novel opponent filter module that identifies and relocates residual components between sources. The system is guided by the appearance and motion of the source, and, for this purpose, we study different representations based on video frames, optical flows, dynamic images, and their combinations. Finally, we propose a Sound Source Location Masking (SSLM) technique, which, together with COF, produces a pixel level mask of the source location. The entire system is trained end-to-end using a large set of unlabelled videos. We compare COF with recent baselines and obtain the state-of-the-art performance in three challenging datasets (MUSIC, A-MUSIC, and A-NATURAL). Project page: https://ly-zhu.github.io/cof-net.Comment: main paper 14 pages, ref 3 pages, and supp 7 pages. Revised argument in section 3 and

Visually Guided Sound Source Separation Using Cascaded Opponent Filter Network

The objective of this paper is to recover the original component signals from a mixture audio with the aid of visual cues of the sound sources. Such task is usually referred as visually guided sound source separation. The proposed Cascaded Opponent Filter (COF) framework consists of multiple stages, which recursively refine the source separation. A key element in COF is a novel opponent filter module that identifies and relocates residual components between sources. The system is guided by the appearance and motion of the source, and, for this purpose, we study different representations based on video frames, optical flows, dynamic images, and their combinations. Finally, we propose a Sound Source Location Masking (SSLM) technique, which, together with COF, produces a pixel level mask of the source location. The entire system is trained in an end-to-end manner using a large set of unlabelled videos. We compare COF with recent baselines and obtain the state-of-the-art performance in three challenging datasets (MUSIC, A-MUSIC, and A-NATURAL).acceptedVersionPeer reviewe

V-SlowFast Network for Efficient Visual Sound Separation

The objective of this paper is to perform visual sound separation: i) we study visual sound separation on spectrograms of different temporal resolutions; ii) we propose a new light yet efficient three-stream framework V-SlowFast that operates on Visual frame, Slow spectrogram, and Fast spectrogram. The Slow spectrogram captures the coarse temporal resolution while the Fast spectrogram contains the fine-grained temporal resolution; iii) we introduce two contrastive objectives to encourage the network to learn discriminative visual features for separating sounds; iv) we propose an audio-visual global attention module for audio and visual feature fusion; v) the introduced V-SlowFast model outperforms previous state-of-the-art in single-frame based visual sound separation on small- and large-scale datasets: MUSIC-21, AVE, and VGG-Sound. We also propose a small V-SlowFast architecture variant, which achieves 74.2% reduction in the number of model parameters and 81.4% reduction in GMACs compared to the previous multi-stage models. Project page: https://ly-zhu.github.io/V-SlowFastacceptedVersionPeer reviewe

Separating Invisible Sounds Toward Universal Audiovisual Scene-Aware Sound Separation

The audio-visual sound separation field assumes visible sources in videos, but this excludes invisible sounds beyond the camera's view. Current methods struggle with such sounds lacking visible cues. This paper introduces a novel "Audio-Visual Scene-Aware Separation" (AVSA-Sep) framework. It includes a semantic parser for visible and invisible sounds and a separator for scene-informed separation. AVSA-Sep successfully separates both sound types, with joint training and cross-modal alignment enhancing effectiveness.Comment: Accepted at ICCV 2023 - AV4D, 4 figures, 3 table

Visually Guided Sound Source Separation and Localization using Self-Supervised Motion Representations

In this paper, we perform audio-visual sound source separation, i.e. to separate component audios from a mixture based on the videos of sound sources. Moreover, we aim to pinpoint the source location in the input video sequence. Recent works have shown impressive audio-visual separation results when using prior knowledge of the source type (e.g. human playing instrument) and pre-trained motion detectors (e.g. keypoints or optical flows). However, at the same time, the models are limited to a certain application domain. In this paper, we address these limitations and make the following contributions: i) we propose a two-stage architecture, called Appearance and Motion network (AM-net), where the stages specialise to appearance and motion cues, respectively. The entire system is trained in a self-supervised manner; ii) we introduce an Audio-Motion Embedding (AME) framework to explicitly represent the motions that related to sound; iii) we propose an audio-motion transformer architecture for audio and motion feature fusion; iv) we demonstrate state-of-the-art performance on two challenging datasets (MUSIC-21 and AVE) despite the fact that we do not use any pre-trained keypoint detectors or optical flow estimators. Project page: https://lyzhu.github.io/self-supervised-motion-representationsacceptedVersionPeer reviewe

Leveraging Category Information for Single-Frame Visual Sound Source Separation

Visual sound source separation aims at identifying sound components from a given sound mixture with the presence of visual cues. Prior works have demonstrated impressive results, but with the expense of large multi-stage architectures and complex data representations (e.g. optical flow trajectories). In contrast, we study simple yet efficient models for visual sound separation using only a single video frame. Furthermore, our models are able to exploit the information of the sound source category in the separation process. To this end, we propose two models where we assume that i) the category labels are available at the training time, or ii) we know if the training sample pairs are from the same or different category. The experiments with the MUSIC dataset show that our model obtains comparable or better performance compared to several recent baseline methods. The code is available at https://github.com/ly-zhu/Leveraging-Category-Information-for-Single-Frame-Visual-Sound-Source-Separation.acceptedVersionPeer reviewe

An Overview of Audio-Visual Source Separation Using Deep Learning

    In this article, the research presents a general overview of deep learning-based AVSS (audio-visual source separation) systems. AVSS has achieved exceptional results in a number of areas, including decreasing noise levels, boosting speech recognition, and improving audio quality. The advantages and disadvantages of each deep learning model are discussed throughout the research as it reviews various current experiments on AVSS. The TCD TIMIT dataset (which contains top-notch audio and video recordings created especially for speech recognition tasks) and the Voxceleb dataset (a sizable collection of brief audio-visual clips with human speech) are just a couple of the useful datasets summarized in the paper that can be used to test AVSS systems. In its basic form, this review aims to highlight the growing importance of AVSS in improving the quality of audio signals

LAVSS: Location-Guided Audio-Visual Spatial Audio Separation

Existing machine learning research has achieved promising results in monaural audio-visual separation (MAVS). However, most MAVS methods purely consider what the sound source is, not where it is located. This can be a problem in VR/AR scenarios, where listeners need to be able to distinguish between similar audio sources located in different directions. To address this limitation, we have generalized MAVS to spatial audio separation and proposed LAVSS: a location-guided audio-visual spatial audio separator. LAVSS is inspired by the correlation between spatial audio and visual location. We introduce the phase difference carried by binaural audio as spatial cues, and we utilize positional representations of sounding objects as additional modality guidance. We also leverage multi-level cross-modal attention to perform visual-positional collaboration with audio features. In addition, we adopt a pre-trained monaural separator to transfer knowledge from rich mono sounds to boost spatial audio separation. This exploits the correlation between monaural and binaural channels. Experiments on the FAIR-Play dataset demonstrate the superiority of the proposed LAVSS over existing benchmarks of audio-visual separation. Our project page: https://yyx666660.github.io/LAVSS/.Comment: Accepted by WACV202

An Overview of Deep-Learning-Based Audio-Visual Speech Enhancement and Separation

Speech enhancement and speech separation are two related tasks, whose purpose is to extract either one or more target speech signals, respectively, from a mixture of sounds generated by several sources. Traditionally, these tasks have been tackled using signal processing and machine learning techniques applied to the available acoustic signals. Since the visual aspect of speech is essentially unaffected by the acoustic environment, visual information from the target speakers, such as lip movements and facial expressions, has also been used for speech enhancement and speech separation systems. In order to efficiently fuse acoustic and visual information, researchers have exploited the flexibility of data-driven approaches, specifically deep learning, achieving strong performance. The ceaseless proposal of a large number of techniques to extract features and fuse multimodal information has highlighted the need for an overview that comprehensively describes and discusses audio-visual speech enhancement and separation based on deep learning. In this paper, we provide a systematic survey of this research topic, focusing on the main elements that characterise the systems in the literature: acoustic features; visual features; deep learning methods; fusion techniques; training targets and objective functions. In addition, we review deep-learning-based methods for speech reconstruction from silent videos and audio-visual sound source separation for non-speech signals, since these methods can be more or less directly applied to audio-visual speech enhancement and separation. Finally, we survey commonly employed audio-visual speech datasets, given their central role in the development of data-driven approaches, and evaluation methods, because they are generally used to compare different systems and determine their performance