598 research outputs found

    Comparing the production of a formula with the development of L2 competence

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    This pilot study investigates the production of a formula with the development of L2 competence over proficiency levels of a spoken learner corpus. The results show that the formula in beginner production data is likely being recalled holistically from learners’ phonological memory rather than generated online, identifiable by virtue of its fluent production in absence of any other surface structure evidence of the formula’s syntactic properties. As learners’ L2 competence increases, the formula becomes sensitive to modifications which show structural conformity at each proficiency level. The transparency between the formula’s modification and learners’ corresponding L2 surface structure realisations suggest that it is the independent development of L2 competence which integrates the formula into compositional language, and ultimately drives the SLA process forward

    The grammar of immersion: a social semiotic study of nonfiction cinematic virtual reality

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    Cinematic virtual reality (CVR) is an audio-visual form viewed in a virtual reality headset. Its novelty lies in the way it immerses its audience in highly realistic 360° visual representations. Being camera-based, CVR facilitates many of the practices of conventional filmmaking but fundamentally alters them through its lack of a rectangular frame. As such, CVR has garnered scholarly attention as a ‘frameless’ storytelling medium yet to develop its own language. The form has gained traction with producers of nonfiction who recognize CVR’s capacity to transport audiences to remote social worlds, leading to claims that equate CVR’s immersion with a social and emotional response to its filmed subjects. A strand of CVR scholarship has emerged, grounding nonfiction CVR theoretically and critiquing such deterministic claims. Broadly speaking, these parallel strands of inquiry point to a common concern with CVR’s semiotics; as the meaning potential of the 360° format, and the social aspects of its use in documenting reality. Currently however, there appears to be a lack of systematic analyses that foreground CVR’s semiotics. This study addresses this gap by using social semiotic methods to complement these threads of inquiry, subsuming them into a holistic account of CVR’s semantics. Utilizing systemic functional methods, multimodal discourse analyses were performed on nonfiction CVR texts addressing core research objectives. The first objective is the systematic description of CVR as a semiotic technology, and the configuring of discourse through its novel 360° modality. The CVR spectator is described for their role in the real-time construction of low-level meanings. Higher-level concepts further characterize CVR texts as technologically enabled, virtual sites of social discourse. The second research objective concerns clarifying the implications of CVR for nonfiction practitioners. Nonfiction discourse is conceptualized as the negotiation of semiotic autonomy, independence, and control, between viewing spectator, filmed subject, and CVR author respectively. The third objective concerns the development of an analytical approach tailored specifically for CVR. Extant systems from image, text, film, and action analyses are reflexively applied, appraised, and adapted for use in the study of CVR and new frames are presented to cater for the 360° modality. The findings show CVR to be an inherently logical, contextualizing form, where the spectator has a degree of sense-making autonomy in the construction of representational and social meanings. This semantic autonomy is found to camouflage the deeper textual constructions in what appear as ‘reality experiences’. The repercussions for the CVR producer are the indeterminacy of meanings which are ‘at risk’ in particular ways when conventional framing methods cannot be utilized, and when the spectator is given reflexive agency to make meaningful connections across the 360° image. Systemic functional analytical methods prove flexible enough to be applied to the texts, and open enough for the study to present additional systems and frames for a more fulsome approach to the analysis of CVR

    ‘Jaysus, keep talking like that and you’ll fit right in’- an investigation of oral Irish English in contemporary Irish fiction

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    This project is an interdisciplinary and comparative investigation of the reproduction of linguistic features of Irish English (IrE) present in contemporary IrE fiction. To do this, a corpus of over 1 million words comprising 16 works of fiction published in the Republic of Ireland by 8 authors was compiled: the Corpus of Contemporary Fictionalized Irish English (CoFIrE). The goal of this thesis, therefore, is to determine 1) which are the most frequently reproduced features of IrE orality in contemporary IrE fiction, 1a) how realistic is their fictional portrayal when contrasted against real spoken uses, 2) what does the use of the most frequently reproduced features in the corpus encode with regard to speaker identity, and 3) in what manner may modern Irishness be encoded through the reproduction of pragmatic items in fiction. Utilizing a variety of interdisciplinary methodologies, including Corpus Stylistics, Corpus Linguistics, Sociolinguistic, and Pragmatic techniques, the thesis identifies signature linguistic features that are thought to be representative of IrE in the corpus via quantitative and qualitative, comparative corpus analysis. To evaluate the level of realism inherent in the fictional rendition, the findings are contrasted against the Limerick Corpus of Irish English and the BNC2014. A second corpus comprising books by one of the CoFIrE authors, i.e. Paul Howard, was also compiled. Thus, the Ross O’Carroll-Kelly Corpus (CoROCK) was created given this series’ reputation for being a chronicler of modern Ireland and because of the high frequency of IrE orality reproduction these books were found to contribute to CoFIrE. Two case studies on non-standard, non-traditionally IrE high frequency intensifiers are conducted on CoROCK to better answer the research questions regarding the potential indexation of modern Irishness through speech reproduction in fiction. Finally, by evaluating the type of speaker identity these features may index when used in contemporary fiction, this thesis determines the type of modern Irishness that appears to be encoded through fictional speech representations.N

    24th Nordic Conference on Computational Linguistics (NoDaLiDa)

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