Modeling Visual Rhetoric and Semantics in Multimedia

Recent advances in machine learning have enabled computer vision algorithms to model complicated visual phenomena with accuracies unthinkable a mere decade ago. Their high-performance on a plethora of vision-related tasks has enabled computer vision researchers to begin to move beyond traditional visual recognition problems to tasks requiring higher-level image understanding. However, most computer vision research still focuses on describing what images, text, or other media literally portrays. In contrast, in this dissertation we focus on learning how and why such content is portrayed. Rather than viewing media for its content, we recast the problem as understanding visual communication and visual rhetoric. For example, the same content may be portrayed in different ways in order to present the story the author wishes to convey. We thus seek to model not only the content of the media, but its authorial intent and latent messaging. Understanding how and why visual content is portrayed a certain way requires understanding higher level abstract semantic concepts which are themselves latent within visual media. By latent, we mean the concept is not readily visually accessible within a single image (e.g. right vs left political bias), in contrast to explicit visual semantic concepts such as objects. Specifically, we study the problems of modeling photographic style (how professional photographers portray their subjects), understanding visual persuasion in image advertisements, modeling political bias in multimedia (image and text) news articles, and learning cross-modal semantic representations. While most past research in vision and natural language processing studies the case where visual content and paired text are highly aligned (as in the case of image captions), we target the case where each modality conveys complementary information to tell a larger story. We particularly focus on the problem of learning cross-modal representations from multimedia exhibiting weak alignment between the image and text modalities. A variety of techniques are presented which improve modeling of multimedia rhetoric in real-world data and enable more robust artificially intelligent systems

Big Data Analysis: A New Scheme for the Information Retrieving Based on the Content of Multimedia Documents

Big Data analysis is one of the hot topics now days for knowledge discovery in databases process. It’s considered as significant field of knowledge management. Roughly, the ¾ of organizations have been adopted some form of analytics today. The most posed question in big data analysis is how to manage and operate in it? In this study, we explain the concept of the proposed information system architecture for retrieving information. This system scheme operates basing on the content of the document.  Digitized visual media: images and videos captured from real time video surveillance system require high storage capacity. This work describes the steps of indexation and content modeling for retrieving and managing information in multimedia documents databases. Keywords: big data analysis, multimedia documents, indexing, modeling, classification, content representation

That obscure object of desire: multimedia metadata on the Web, part 1

This article discusses the state of the art in metadata for audio-visual media in large semantic networks, such as the Semantic Web. Our discussion is predominantly motivated by the two most widely known approaches towards machine-processable and semantic-based content description, namely the Semantic Web activity of the W3C and ISO's efforts in the direction of complex media content modeling, in particular the Multimedia Content Description Interface (MPEG-7). We explain that the conceptual ideas and technologies discussed in both approaches are essential for the next step in multim

Affect Recognition in Ads with Application to Computational Advertising

Advertisements (ads) often include strongly emotional content to leave a lasting impression on the viewer. This work (i) compiles an affective ad dataset capable of evoking coherent emotions across users, as determined from the affective opinions of five experts and 14 annotators; (ii) explores the efficacy of convolutional neural network (CNN) features for encoding emotions, and observes that CNN features outperform low-level audio-visual emotion descriptors upon extensive experimentation; and (iii) demonstrates how enhanced affect prediction facilitates computational advertising, and leads to better viewing experience while watching an online video stream embedded with ads based on a study involving 17 users. We model ad emotions based on subjective human opinions as well as objective multimodal features, and show how effectively modeling ad emotions can positively impact a real-life application.Comment: Accepted at the ACM International Conference on Multimedia (ACM MM) 201

That obscure object of desire: multimedia metadata on the Web, part 2

This article discusses the state of the art in metadata for audio-visual media in large semantic networks, such as the Semantic Web. Our discussion is predominantly motivated by the two most widely known approaches towards machine-processable and semantic-based content description, namely the Semantic Web activity of the W3C and ISO's efforts in the direction of complex media content modeling, in particular the Multimedia Content Description Interface (MPEG-7). We explain that the conceptual ideas and technologies discussed in both approaches are essential for the next step in multimedia development. Unfortunately, there are still many practical obstacles that block their widespread use for providing multimedia metadata on the Web. Based on a scenario to explain our vision of a media-aware Semantic Web, we derive in Part I a number of problems regarding the semantic content description of media units. We then discuss the multimedia production chain, in particular emphasizing the role of progressive metadata production. As a result we distill a set of media-based metadata production requirements and show how current media production environments fail to address these. We then introduce those parts of the W3C and ISO standardization works that are relevant to our discussion. In Part II of this article, we analyze their abilities to define structures for describing media semantics, discuss syntactic and semantic problems, ontological problems for media semantics, and the problems of applying the theoretical concepts to real world problems. Part II concludes with implications of the findings for future action with respect to the actions the community should take

A probabilistic topic approach for context-aware visual attention modeling

Proceedings of: 2016 14th International Workshop on Content-Based Multimedia Indexing (CBMI)The modeling of visual attention has gained much interest during the last few years since it allows to efficiently drive complex visual processes to particular areas of images or video frames. Although the literature concerning bottom-up saliency models is vast, we still lack of generic approaches modeling top-down task and context-driven visual attention. Indeed, many top-down models simply modulate the weights associated to low-level descriptors to learn more accurate representations of visual attention than those ones of the generic fusion schemes in bottom-up techniques. In this paper we propose a hierarchical generic probabilistic framework that decomposes the complex process of context-driven visual attention into a mixture of latent subtasks, each of them being in turn modeled as a combination of specific distributions of low-level descriptors. The inclusion of this intermediate level bridges the gap between low-level features and visual attention and enables more comprehensive representations of the later. Our experiments on a dataset in which videos are organized by genre demonstrate that, by learning specific distributions for each video category, we can notably enhance the system performance

Interactive Search and Exploration in Online Discussion Forums Using Multimodal Embeddings

In this paper we present a novel interactive multimodal learning system, which facilitates search and exploration in large networks of social multimedia users. It allows the analyst to identify and select users of interest, and to find similar users in an interactive learning setting. Our approach is based on novel multimodal representations of users, words and concepts, which we simultaneously learn by deploying a general-purpose neural embedding model. We show these representations to be useful not only for categorizing users, but also for automatically generating user and community profiles. Inspired by traditional summarization approaches, we create the profiles by selecting diverse and representative content from all available modalities, i.e. the text, image and user modality. The usefulness of the approach is evaluated using artificial actors, which simulate user behavior in a relevance feedback scenario. Multiple experiments were conducted in order to evaluate the quality of our multimodal representations, to compare different embedding strategies, and to determine the importance of different modalities. We demonstrate the capabilities of the proposed approach on two different multimedia collections originating from the violent online extremism forum Stormfront and the microblogging platform Twitter, which are particularly interesting due to the high semantic level of the discussions they feature