6,342 research outputs found

    A view of colonial life in South Australia: An osteological investigation of the health status among 19th-century migrant settlers

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    Studies of human skeletal remains contribute to understanding the extent to which conditions prevailing in various past communities were detrimental to health. Few of these studies have evaluated the situation in which the first European colonists of South Australia lived. Colonial Australian skeletal collections are scarce, especially for research purposes. This makes the 19th-century skeletal remains of individuals, excavated from St Mary’s Cemetery, South Australia, a rare and valuable collection. The overarching aim of this thesis was to investigate the general and oral health of this specific group of 19th-century settlers, through the examination of their skeletons and dentitions. Four research papers in this thesis address this overarching aim. The first two papers determine the general skeletal health of the settlers, with a focus on pathological manifestations on bones associated with metabolic deficiencies and the demands of establishing an industrial society. Paper 3 investigated whether Large Volume Micro- Computed Tomography (LV Micro-CT) could be used as a single technique for the analysis of the in situ dentoalveolar complex of individuals from St Mary’s. This led to a detailed investigation of the dentitions of the St Mary’s sample, in paper 4, with the aims of determining the oral health status of these individuals, and understanding how oral conditions may have influenced their general health. The skeletal remains of 65 individuals (20 adults and 45 subadults) from St Mary’s sample were available for the four component investigations using non-destructive techniques - macroscopic, radiographic and micro-CT methods. Signs of nutritional deficiencies (vitamin C and iron) were identified in Paper 1. The findings of paper 2 showed joint diseases and traumatic fractures were seen and that gastrointestinal and pulmonary conditions were the leading causes of death in subadults and adults respectively. Paper 3 found that the LV Micro-CT technique was the only method able to generate images that allowed the full range of detailed measurements across all the oral health categories studied. A combination of macroscopic and radiographic techniques covered a number of these categories, but was more time-consuming, and did not provide the same level of accuracy or include all measurements. Results for paper 4 confirmed that extensive carious lesions, antemortem tooth loss and evidence of periodontal disease were present in the St Mary’s sample. Developmental defects of enamel (EH) and areas of interglobular dentine (IGD) were identified. Many individuals with dental defects also had skeletal signs of co-morbidities. St Mary’s individuals had a similar percentage of carious lesions as the British sample, which was more than other historic Australian samples, but less than a contemporary New Zealand sample. The 19th-century migrants to the colony of South Australia were faced with multiple challenges such as adapting to local environmental conditions as well as participating in the development of settlements, infrastructure and new industries. Evidence of joint diseases, traumatic injuries and health insults, seen as pathological changes and/ or abnormalities on the bone and/or teeth, confirmed that the settlers' health had been affected. The number of burials in the ‘free ground’ area between the 1840s -1870s was greater than the number in the leased plots, reflecting the economic problems of the colony during these early years. Validation of the reliability and accuracy of the LV Micro-CT system for the analysis of the dentoalveolar complex, in situ within archaeological human skull samples, provided a microanalytical approach for the in-depth investigations of the St Mary’s dentition. Extensive carious lesions, antemortem tooth loss and periodontal disease seen in this group would have affected their general health status. The presence of developmental defects (EH and IGD) indicated that many of the settlers had suffered health insults in childhood to young adulthood. Contemporaneous Australian, New Zealand and British samples had comparable findings suggesting that little improvement had occurred in their oral health since arriving in South Australia. In conclusion, the findings of this investigation largely fulfilled the initial aims. Our understanding of the extent to which conditions prevailing in the new colony were detrimental to human health has increased, as has our knowledge of why pathological manifestations and/or abnormalities were seen on the bones and teeth of individuals from the St Mary’s sample. A multiple-method approach, to derive enhanced information has been shown to be effective, whilst establishing a new methodology (LV Micro-CT) for the analysis of dentition in situ in human archaeological skulls. Further, this investigation has digitally preserved data relating to this historical group of individuals for future comparisons.Thesis (Ph.D.) -- University of Adelaide, School of Biomedicine, 202

    Learn, Teach, Heal: Articulations of Indigeneity and Spirituality in Indigenous Tourism in British Columbia, Canada

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    ‘Learn, Teach, Heal’ encapsulates what seems to be occurring in Indigenous Tourism on Vancouver Island and the Haida Gwaii in British Columbia, Canada. Operating as a ‘Tourist-researcher’ in 2017 and 2018, I was there at a time when Indigenous Tourism was booming, partly facilitated by the political movement of Truth & Reconciliation. Tourism is often seen as a shallow, commercial and artificial activity, yet such a view risks speaking over the various reasons why hosts choose to engage in the industry. This dissertation offers a case study based on tours, performances and interviews with six people. The research foregrounds the voices and experiences of: Andy Everson, Tana Thomas, Roy Henry Vickers, Tsimka Martin, K’odi Nelson and Alix Goetzinger. In listening to how they present their work, I study how indigeneity and spirituality were being articulated in ways that relate to processes of decolonisation. Whilst they were all engaged in tourism for their own different reasons, a common theme that emerged was the goal to use tourism to learn, teach and heal, both for themselves and for their guests. Learning how to be guides and performers, their languages, traditional practices, histories and politics, they were able to explore with tourists aspects of their indigeneity and spirituality, illustrate diversity of peoples and practices, and teach about their values and hopes for the future. Healing is gained through having a space to learn and to teach, and to restore pride to the communities by taking control of the narratives. It is my contention that Indigenous Tourism is offering these six people sites of ‘becoming’ and ‘reclaiming’ in a way that puts decolonisation into practice

    The Ephemeral City : Songs for the Ghost Quarters

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    The towers of the Stockholm skyline twine with radio transmissions, flying out over the city, drifting down through the streets and sinking into the underground telephone system below. Stockholm has buildings that have been there for centuries, but is also full of modern and contemporary architectures, all jostling for their place in parallel collective memory. In taking the city up as a subject, this artistic PhD project in music expands allegories to these architectural instruments into the world of the mechanical and the electrical. By taking up and transforming the materials of the cityscape, this project spins ephemeral cities more subtle than the colossal forces transforming the cityscape. The aim is to empower urban dwellers with another kind of ownership of their city.The materials in the project are drawn around themes of urban memory and transformation, psychogeography and the ghosts of the imagined city. There are three questions the artistic works of this project reflect on and address. The first is about the ability of city-dwellers to regain or create some sense of place, history or belonging through the power of their imaginations. The second reflects on the possibility for imagined alternatives to re-empower a sense of place for the people who encounter them. The third seeks out the points where stories, memories, or alternative futures are collective, at what point are they wholly individual, and how the interplay between them plays out in listening.There is an improvisatory practice in how we relate to urban environments: an ever-transforming inter-play between the animate and inanimate. Each individual draws phantoms of memory and imagination onto the cityscape, and this yields subtle ways people can be empowered in their surroundings. The artistic works of this project are made to illuminate those subtleties, centering around a group of compositions, improvisations, artistic collaborations and sound installations in music and sound, utilizing modular synthesizers, field recordings, pipe organs, multi-channel settings; PureData and SuperCollider programs, string ensembles with hurdy-gurdy and nyckelharpa or violin, and sound installations. This choice of instruments is as an allegory to the architecture of Stockholm. The final result is a collection of music and sound works, made to illuminate the imagined city. Taken as a whole, the works of the project create an imaginary city–The Ephemeral City–in order to argue that this evocation of ephemeral space is a way to empower urban dwellers through force of imagination, immune to the vast forces tearing through the fabric of Stockholm life by virtue of the ghostly, transitory and mercurial, as compelling to the inner eye as brick and mortar to the outer life

    Attaining climate justice through the adaptation of urban form to climate change: flood risks in Toronto

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    Empirical evidence points out that entrenched cost-benefit rationales behind urban form adaptations to climate change unequally exacerbate vulnerabilities and hazard exposures, engendering risk inequalities and triggering climate injustice. Specifically, adaptive interventions for managing climate change-induced floods, whether through green and blue infrastructure (GBI), land use planning, or urban design, prioritize the protection of high-value urban assets while excluding vulnerable groups. To redress climate injustice, some have called for the consideration of the three pillars of justice: distributive justice, i.e., the just spatial distribution of adaptation responses; procedural justice, i.e., the equality of decision-making processes; and recognitional justice, i.e., the legitimization of marginalized groups. To assess the extent of these pillars’ integration in the scholarship (theoretically and empirically), this dissertation conducted a systematic review of 136 peer-reviewed papers on urban climate justice vis-à-vis adaptation. The findings reveal a lack of theoretical and empirical connections between the three-pillared justice framework and climate adaptive interventions in urban form. The dissertation’s theoretical framework overcomes these omissions by using different theories/concepts in the literature as nexuses connecting climate justice pillars with urban form. It capitalizes on interconnections distributive justice has with differential vulnerabilities, flood exposures, and the adaptive capacity of urban form to identify areas that unequally experience flood risks and need to be prioritized in adaptation. It, furthermore, combined the three-pillared justice framework with epistemic justice and local experiential knowledge concept to explore how flood-adaptive GBI planning can address the root causes of vulnerabilities, hence facilitating justice-oriented transformative adaptation. Accordingly, the research developed a multi-criteria model including indicators and variables for measuring the spatial distribution of social vulnerabilities, exposure, and the adaptive capacity of urban form, whereby it proposes pathways for justice-oriented transformative adaptation of high-risk priority areas through GBI planning. The dissertation focuses on Toronto in Ontario, Canada, to test the theoretical framework, which can be applied in any city. The study in Toronto asks: “who” is unequally at-risk of flooding events, “where” are they located, “why” they are unequally vulnerable, and “how” we can engage the high-risk community in adaptive GBI planning to promote justice-oriented transformative adaptation. The methodology started with operationalizing the spatial multi-criteria model through weighted overlay analysis using ArcGIS and an online survey of 120 Toronto-based flooding experts, which yielded the identification of four priority neighborhoods at a disproportionate risk of floods. Focusing on one of the high-risk priority neighborhoods, Thorncliffe Park, I conducted 20 semi-structured interviews with flooding experts and local leaders and an online survey of residents to investigate whether the local experiential knowledge of residents has been recognized in adaptive GBI planning decisions. I furthermore performed an online participatory-mapping activity in this neighborhood during which participants marked, on the neighborhood map, locations that require GBI for socio-cultural benefits. I overlaid the resulting participatory maps with land uses’ run-off coefficients to propose sites for allocating GBI for both socio-cultural benefits and run-off management. The findings show the effectiveness of the theoretical framework in identifying priority neighborhoods and developing place-based adaptation solutions inside and outside Canada. All four high-risk neighborhoods are inner-city tower communities with old infrastructure and dense low-income, racialized, and migrant populations, typical tower blocks built after the second World War in several cities across North America and Europe. The findings in Thorncliffe Park, as the priority neighborhood, unveil the exclusion of residents from flood-adaptive GBI planning despite their vulnerabilities and exposure. This exclusion, as results indicate, is rooted in technocratic processes based on technical knowledge and cost-benefit rationales. The findings show four epistemic barriers that need to be addressed to facilitate climate justice in adaptation interventions within Thorncliffe Park: lack of social networks, citizenship rights, climate awareness opportunities, and communicational tools. The results also show that the industrial uses around the railway and residential-commercial sites around Overlea Boulevard in this neighborhood are in dire need of GBI for managing run-offs and socio-cultural benefits. I propose adopting inclusive processes to allocate small-scale adaptive GBI in these locations. Building on the findings, the dissertation proposes future theoretical and empirical studies to complement this study by proposing how to design GBI and other urban form adaptive interventions by changing the layout patterns, orientation, and geometry of streets, buildings, and blocks in the high-risk disenfranchised communities to advance climate justice. At the center of this proposition are developing new theories to expand the climate justice triad and devising new forms of inclusive and collaborative design

    Reinterpreting English Chinoiserie From A Postcolonial And Personal/Taiwanese Perspective: Creating New Narratives Through Art Practice

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    This PhD investigates how to reinterpret English chinoiserie from a postcolonial and personal/Taiwanese perspective through art practice. I explore aspects of history to scrutinise British/European receptions of China and Chineseness as a visual language in eighteenth-century English chinoiserie. This leads me to investigate eighteenth-century Sino-British/East-Europe historiographies to interrogate how to review relevant pre-colonial Sino-British contact. I also review Chineseness as an identity in relation to Taiwanese history, diaspora and my art practice. My findings reject a uniform insider Chineseness and instead point to plurality and subjectivity. That is multiple and personal perspectives from which to revisit history – which informs my approach in which to respond to chinoiserie. I create notional interlocution, a new postcolonial strategy of fictional (auto)ethnography, through contextualising concepts of constructivism, poststructualism, art-based research, and aspects of postcolonial theory. Via this new methodological framework, I make three artist films regarding the chinoiserie collections at the three chosen cultural heritage sites: This is China… explores the chinoiserie interior at the Royal Pavilion Brighton; Another beautiful dream investigates the Chinese wallpaper at Harewood House; and A note on Delftware interrogates the Delftware vases at Chatsworth House. My films are open-ended, yet critical and philosophical, and create new spaces in which to revisit chinoiserie. The films form a trilogy for their shared exploration of English chinoiserie but can be considered independently and seen as independent works

    The Palaces of Comfort, Consolation and Distraction - The Pie and Mash shop as a performative space of a contested London working class memory

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    This thesis seeks to interrogate and clarify the history and culture of London’s traditional but fading and largely forgotten eel, pie and mash shops. In doing so the work examines their cultural conduit, the adjacent and evolving identity of the cockney whose contested memoryscapes have, I suggest, great contemporary political and cultural relevance in an age of populism and Brexit. The work excavates a tracing around the shops’ absences in historical literature. It situates their establishment within the dying breath of an older, popular street culture and the birth of a new London working class, centred around unofficial street markets and in a synchronous dance with the ideological accession of the bourgeoisie. The thesis employs the biological notion of a taxon to illustrate the shops’ evolution largely defined by the class-demotion of their clientele that mirrored the changing cartography of the city. By the late nineteenth century, this work argues, the eel and pie shops had become a pillar of a respectable London working class culture whose hyper-local solidarities revolved around micro-class divisions of work and negotiated bourgeois codes of propriety as part of a ‘culture of consolation’ that has remained largely impenetrable to outsiders. The study explores this concomitant cockney identity which became, partly through bourgeois theatrical ventriloquising, a figure of imperial incorporation. This eventually came to represent a particular type of ‘ordinariness’, subsequently reconfigured around the gains of a Welfare State and a national economy that continues to be periodically valorised according its usefulness to capital at times of political stress. Utilising sensory ethnography and memory studies the work explores the landscape and territoriality of the contemporary eel, pie and mash shop. It interrogates the rituals and complex, often competing and polyphonic memory inscriptions which memorialise a largely post-colonial nostalgic melancholia around the loss of fantasy of a British omnipotence. The thesis argues that the shops and their simulacra-like reincarnations amongst the cockney diaspora in the Essex new towns offer an insight into the changing notions of taste and class within the convivialities of a unique but broadly closed heritage of proletarian culture as a zone of resistance in the neoliberal city

    Dialogical arts through sustainable communities: acting on the margins, redefining empowerment

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