The multimedia blockchain: a distributed and tamper-proof media transaction framework

A distributed and tamper proof media transaction framework is proposed based on the blockchain model. Current multimedia distribution does not preserve self-retrievable information of transaction trails or content modification histories. For example, digital copies of valuable artworks, creative media and entertainment contents are distributed for various purposes including exhibitions, gallery collections or in media production workflow. Original media is often edited for creative content preparation or tampered with to fabricate false propaganda over social media. However there is no existing trusted mechanism that can easily retrieve either the transaction trails or the modification histories. We propose a novel watermarking based Multimedia Blockchain framework that can address such issues. The unique watermark information contains two pieces of information: a) a cryptographic hash that contains transaction histories (blockchain transactions log) and b) an image hash that preserves retrievable original media content. Once the watermark is extracted, first part of the watermark is passed to a distributed ledger to retrieve the historical transaction trail and the latter part is used to identify the edited / tampered regions. The paper outlines the requirements, the challenges and demonstrates the proof of this concept

MediaSync: Handbook on Multimedia Synchronization

This book provides an approachable overview of the most recent advances in the fascinating field of media synchronization (mediasync), gathering contributions from the most representative and influential experts. Understanding the challenges of this field in the current multi-sensory, multi-device, and multi-protocol world is not an easy task. The book revisits the foundations of mediasync, including theoretical frameworks and models, highlights ongoing research efforts, like hybrid broadband broadcast (HBB) delivery and users' perception modeling (i.e., Quality of Experience or QoE), and paves the way for the future (e.g., towards the deployment of multi-sensory and ultra-realistic experiences). Although many advances around mediasync have been devised and deployed, this area of research is getting renewed attention to overcome remaining challenges in the next-generation (heterogeneous and ubiquitous) media ecosystem. Given the significant advances in this research area, its current relevance and the multiple disciplines it involves, the availability of a reference book on mediasync becomes necessary. This book fills the gap in this context. In particular, it addresses key aspects and reviews the most relevant contributions within the mediasync research space, from different perspectives. Mediasync: Handbook on Multimedia Synchronization is the perfect companion for scholars and practitioners that want to acquire strong knowledge about this research area, and also approach the challenges behind ensuring the best mediated experiences, by providing the adequate synchronization between the media elements that constitute these experiences

Persistent Protection in Multicast Content Delivery

Computer networks make it easy to distribute digital media at low cost. Digital rights management (DRM) systems are designed to limit the access that paying subscribers (and non-paying intruders) have to these digital media. However, current DRM systems are tied to unicast delivery mechanisms, which do not scale well to very large groups. In addition, the protection provided by DRM systems is in most cases not persistent, i.e., it does not prevent the legitimate subscriber from re-distributing the digital media after reception. We have collected the requirements for digital rights management from various sources, and presented them as a set of eleven requirements, associated with five categories. Several examples of commercial DRM systems are briefly explained and the requirements that they meet are presented in tabular format. None of the example systems meet all the requirements that we have listed. The security threats that are faced by DRM systems are briefly discussed. We have discussed approaches for adapting DRM systems to multicast data transmission. We have explored and evaluated the security protocols of a unicast distribution model, published by Grimen, et al.\, that provides ``persistent protection''. We have found two security attacks and have provided the solution to overcome the discovered attacks. Then we have proposed a more scalable architecture based on the modified model. We call the resulting architecture persistent protection in multicast content delivery. We present and formally validate the protocol for control and data exchange among the interacting parties of our proposal

The New Aesthetic and Art: Constellations of the Postdigital

The case for the new aesthetic -- Manifestations of the new aesthetic -- Glitch ontology and the new aesthetic -- Setting the stage : the new precursorsand boundaries for a new aesthetic art -- Letting go : new aesthetic artists and the new aesthetic art that works -- Teleology and the new aesthetic -- Conclusion -- References -- Biographies. The new aesthetic and art: constellations of the postdigital is an interdisciplinary analysis focusing on new digital phenomena at the intersections of theory andcontemporary art. Asserting the unique character of New Aesthetic objects, Contreras-Koterbay and Mirocha trace the origins of the New Aesthetic in visual arts, design, and software, find its presence resonating in various kinds of digital imagery, and track its agency in everyday effects of the intertwined physical world and the digital realm. Contreras-Koterbay and Mirocha bring to light an original perspective that identifies an autonomous quality in common digital objects and examples ofart that are increasingly an important influence for today\u27s culture and society.https://dc.etsu.edu/etsu_books/1118/thumbnail.jp