Novel Video Completion Approaches and Their Applications

Video completion refers to automatically restoring damaged or removed objects in a video sequence, with applications ranging from sophisticated video removal of undesired static or dynamic objects to correction of missing or corrupted video frames in old movies and synthesis of new video frames to add, modify, or generate a new visual story. The video completion problem can be solved using texture synthesis and/or data interpolation to fill-in the holes of the sequence inward. This thesis makes a distinction between still image completion and video completion. The latter requires visually pleasing consistency by taking into account the temporal information. Based on their applied concepts, video completion techniques are categorized as inpainting and texture synthesis. We present a bandlet transform-based technique for each of these categories of video completion techniques. The proposed inpainting-based technique is a 3D volume regularization scheme that takes advantage of bandlet bases for exploiting the anisotropic regularities to reconstruct a damaged video. The proposed exemplar-based approach, on the other hand, performs video completion using a precise patch fusion in the bandlet domain instead of patch replacement. The video completion task is extended to two important applications in video restoration. First, we develop an automatic video text detection and removal that benefits from the proposed inpainting scheme and a novel video text detector. Second, we propose a novel video super-resolution technique that employs the inpainting algorithm spatially in conjunction with an effective structure tensor, generated using bandlet geometry. The experimental results show a good performance of the proposed video inpainting method and demonstrate the effectiveness of bandlets in video completion tasks. The proposed video text detector and the video super resolution scheme also show a high performance in comparison with existing methods

DIGITAL INPAINTING ALGORITHMS AND EVALUATION

Digital inpainting is the technique of filling in the missing regions of an image or a video using information from surrounding area. This technique has found widespread use in applications such as restoration, error recovery, multimedia editing, and video privacy protection. This dissertation addresses three significant challenges associated with the existing and emerging inpainting algorithms and applications. The three key areas of impact are 1) Structure completion for image inpainting algorithms, 2) Fast and efficient object based video inpainting framework and 3) Perceptual evaluation of large area image inpainting algorithms. One of the main approach of existing image inpainting algorithms in completing the missing information is to follow a two stage process. A structure completion step, to complete the boundaries of regions in the hole area, followed by texture completion process using advanced texture synthesis methods. While the texture synthesis stage is important, it can be argued that structure completion aspect is a vital component in improving the perceptual image inpainting quality. To this end, we introduce a global structure completion algorithm for completion of missing boundaries using symmetry as the key feature. While existing methods for symmetry completion require a-priori information, our method takes a non-parametric approach by utilizing the invariant nature of curvature to complete missing boundaries. Turning our attention from image to video inpainting, we readily observe that existing video inpainting techniques have evolved as an extension of image inpainting techniques. As a result, they suffer from various shortcoming including, among others, inability to handle large missing spatio-temporal regions, significantly slow execution time making it impractical for interactive use and presence of temporal and spatial artifacts. To address these major challenges, we propose a fundamentally different method based on object based framework for improving the performance of video inpainting algorithms. We introduce a modular inpainting scheme in which we first segment the video into constituent objects by using acquired background models followed by inpainting of static background regions and dynamic foreground regions. For static background region inpainting, we use a simple background replacement and occasional image inpainting. To inpaint dynamic moving foreground regions, we introduce a novel sliding-window based dissimilarity measure in a dynamic programming framework. This technique can effectively inpaint large regions of occlusions, inpaint objects that are completely missing for several frames, change in size and pose and has minimal blurring and motion artifacts. Finally we direct our focus on experimental studies related to perceptual quality evaluation of large area image inpainting algorithms. The perceptual quality of large area inpainting technique is inherently a subjective process and yet no previous research has been carried out by taking the subjective nature of the Human Visual System (HVS). We perform subjective experiments using eye-tracking device involving 24 subjects to analyze the effect of inpainting on human gaze. We experimentally show that the presence of inpainting artifacts directly impacts the gaze of an unbiased observer and this in effect has a direct bearing on the subjective rating of the observer. Specifically, we show that the gaze energy in the hole regions of an inpainted image show marked deviations from normal behavior when the inpainting artifacts are readily apparent

Deep Video Generation, Prediction and Completion of Human Action Sequences

Current deep learning results on video generation are limited while there are only a few first results on video prediction and no relevant significant results on video completion. This is due to the severe ill-posedness inherent in these three problems. In this paper, we focus on human action videos, and propose a general, two-stage deep framework to generate human action videos with no constraints or arbitrary number of constraints, which uniformly address the three problems: video generation given no input frames, video prediction given the first few frames, and video completion given the first and last frames. To make the problem tractable, in the first stage we train a deep generative model that generates a human pose sequence from random noise. In the second stage, a skeleton-to-image network is trained, which is used to generate a human action video given the complete human pose sequence generated in the first stage. By introducing the two-stage strategy, we sidestep the original ill-posed problems while producing for the first time high-quality video generation/prediction/completion results of much longer duration. We present quantitative and qualitative evaluation to show that our two-stage approach outperforms state-of-the-art methods in video generation, prediction and video completion. Our video result demonstration can be viewed at https://iamacewhite.github.io/supp/index.htmlComment: Under review for CVPR 2018. Haoye and Chunyan have equal contributio

Image Completion for View Synthesis Using Markov Random Fields and Efficient Belief Propagation

View synthesis is a process for generating novel views from a scene which has been recorded with a 3-D camera setup. It has important applications in 3-D post-production and 2-D to 3-D conversion. However, a central problem in the generation of novel views lies in the handling of disocclusions. Background content, which was occluded in the original view, may become unveiled in the synthesized view. This leads to missing information in the generated view which has to be filled in a visually plausible manner. We present an inpainting algorithm for disocclusion filling in synthesized views based on Markov random fields and efficient belief propagation. We compare the result to two state-of-the-art algorithms and demonstrate a significant improvement in image quality.Comment: Published version: http://ieeexplore.ieee.org/xpl/articleDetails.jsp?tp=&arnumber=673843