Development and validation of a highly dynamic and reusable picture-based scale: A new affective measurement tool

Emotion measurement is crucial to conducting emotion research. Numerous studies have extensively employed textual scales for psychological and organizational behavior research. However, emotions are transient states of organisms with relatively short duration, some insurmountable limitations of textual scales have been reported, including low reliability for single measurement or susceptibility to learning effects for multiple repeated use. In the present article, we introduce the Highly Dynamic and Reusable Picture-based Scale (HDRPS), which was randomly generated based on 3,386 realistic, high-quality photographs that are divided into five categories (people, animals, plants, objects, and scenes). Affective ratings of the photographs were gathered from 14 experts and 209 professional judges. The HDRPS was validated using the Self-Assessment Manikin and the PANAS by 751 participants. With an accuracy of 89.73%, this new tool allows researchers to measure individual emotions continuously for their research. The non-commercial use of the HDRPS system can be freely accessible by request at http://syy.imagesoft.cc:8989/Pictures.7z. HDRPS is used for non-commercial academic research only. As some of the images are collected through the open network, it is difficult to trace the source, so please contact the author if there are any copyright issues

FinBook: literary content as digital commodity

This short essay explains the significance of the FinBook intervention, and invites the reader to participate. We have associated each chapter within this book with a financial robot (FinBot), and created a market whereby book content will be traded with financial securities. As human labour increasingly consists of unstable and uncertain work practices and as algorithms replace people on the virtual trading floors of the worlds markets, we see members of society taking advantage of FinBots to invest and make extra funds. Bots of all kinds are making financial decisions for us, searching online on our behalf to help us invest, to consume products and services. Our contribution to this compilation is to turn the collection of chapters in this book into a dynamic investment portfolio, and thereby play out what might happen to the process of buying and consuming literature in the not-so-distant future. By attaching identities (through QR codes) to each chapter, we create a market in which the chapter can ‘perform’. Our FinBots will trade based on features extracted from the authors’ words in this book: the political, ethical and cultural values embedded in the work, and the extent to which the FinBots share authors’ concerns; and the performance of chapters amongst those human and non-human actors that make up the market, and readership. In short, the FinBook model turns our work and the work of our co-authors into an investment portfolio, mediated by the market and the attention of readers. By creating a digital economy specifically around the content of online texts, our chapter and the FinBook platform aims to challenge the reader to consider how their personal values align them with individual articles, and how these become contested as they perform different value judgements about the financial performance of each chapter and the book as a whole. At the same time, by introducing ‘autonomous’ trading bots, we also explore the different ‘network’ affordances that differ between paper based books that’s scarcity is developed through analogue form, and digital forms of books whose uniqueness is reached through encryption. We thereby speak to wider questions about the conditions of an aggressive market in which algorithms subject cultural and intellectual items – books – to economic parameters, and the increasing ubiquity of data bots as actors in our social, political, economic and cultural lives. We understand that our marketization of literature may be an uncomfortable juxtaposition against the conventionally-imagined way a book is created, enjoyed and shared: it is intended to be

Introductory Computer Forensics

INTERPOL (International Police) built cybercrime programs to keep up with emerging cyber threats, and aims to coordinate and assist international operations for ?ghting crimes involving computers. Although signi?cant international efforts are being made in dealing with cybercrime and cyber-terrorism, ?nding effective, cooperative, and collaborative ways to deal with complicated cases that span multiple jurisdictions has proven dif?cult in practic