Striking Chords II: Music in Ukiyo-e Prints (2022)

The theme of music in ukiyo-e prints has been explored by the RISD art history students for two semesters (fall 2021 and spring 2022) in a hands-on curatorial format. The resulting exhibition Striking Chords: Music in Ukiyo-e Prints, is on view at the RISD Museum from February through July 2022. The spring semester project is virtual. However, the approach is similar – to comprehensively study music-related prints in the collection of the RISD Museum and to share the findings with interested audiences, albeit in digital format. Nineteen prints have been selected. In the exhibition’s virtual space, they are displayed according to thematic areas. Those display areas include prints illustrating music played for leisure – sometimes solely for pleasure but occasionally for celebratory occurrences or for moral instruction. Another area shows prints associated with professional performers – actors of the kabuki theater, chanters of the puppet theater, or street entertainers. There are also sections dedicated to prints that depict music performed within mythical lore, or ceremonial music as well as martial music. ... By close visual exploration of this selection of prints, by investigating circumstances of the scenes represented and peculiarities of the objects depicted, by striving to uncover cultural references imbedded in these images, by listening to music played on the instruments depicted students who curated this exhibition sought to come closer to the beautiful and intriguing world of ukiyo-e prints. The sound continues for but a moment, ukiyo-e prints were designed as ephemera, but their resonance appears timeless. We hope that this exhibition’s virtual visitors will echo these sentiments. -- Foreword, Striking Chords II: Music in Ukiyo-e Prints Contributing Authors Leslie Berumen Flores, Alisa Boardman, Junyi Cao, Yuhi Chang, Connie Cheng, Meicheng Chi, Cyra Cupid, Monet Fukawa, Nina Hong, Ryan Hsiao, Rose Kim, Timothy Li, Jessica Lin, Baidurjya Madhav, Jae Nam, Maxton O\u27Connor, Jiyeon Park, Zhiying Shi, Hanna Suros, Milo Tomizawa, Kevin Wu, Jingjing Yang, Yisheng Yuan, Jiayun Carina Zhang, Zizheng Roye Zhang, Alex Jihao Zhu.https://digitalcommons.risd.edu/thad_studentwork_ukiyo-e_prints_exhibitioncatalogs/1009/thumbnail.jp

UZUME実験サイト群における溶岩洞窟

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旧日本海軍遺構「野島掩体壕」におけるUZUME計測探査の模擬実験

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佐世保の特殊地下壕跡「無窮洞」を活用したUGVのUZUME探査予備実験

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Ukiyoe shunga: Stampe erotiche giapponesi di epoca Edo

The term ukiyoe shunga (浮世絵春画, literally “erotic paintings of the floating world”) indicates all those woodblock prints and paintings with erotic allusions realized in Japan during the Edo period (1603-1868). Most of the ukiyoe artists of that time involved themselves in this genre, even great artists such Utamaro and Hiroshige. The history of shunga travels through the history of Japan itself, since its origins as a genre imported from China, to its apogee as genre appreciated by all classes, until its decline, due to strong censorship during the Meiji Restoration (1868).The article consists of a short introduction and of the translation from Japanese into Italian of an article by Hayakawa Monta, professor of “Modern Japanese Art” at the International Research Center for Japanese Studies of Kyōto

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