Experimental analysis of the socio-economic phenomena in the BitTorrent ecosystem

BitTorrent is the most successful Peer-to-Peer (P2P) application and is responsible for a major portion of Internet traffic. It has been largely studied using simulations, models and real measurements. Although simulations and modelling are easier to perform, they typically simplify analysed problems and in case of BitTorrent they are likely to miss some of the effects which occur in real swarms. Thus, in this thesis we rely on real measurements. In the first part of the thesis we present the summary of measurement techniques used so far and we use it as a base to design our tools that allow us to perform different types of analysis at different resolution level. Using these tools we collect several large-scale datasets to study different aspects of BitTorrent with a special focus on socio-economic aspects. Using our datasets, we first investigate the topology of real BitTorrent swarms and how the traffic is actually exchanged among peers. Our analysis shows that the resilience of BitTorrent swarms is lower than corresponding random graphs. We also observe that ISP policies, locality-aware clients and network events (e.g., network congestion) lead to locality-biased composition of neighbourhood in the swarms. This means that the peer contains more neighbours from local provider than expected from purely random neighbours selection process. Those results are of interest to the companies which use BitTorrent for daily operations as well as for ISPs which carry BitTorrent traffic. In the next part of the thesis we look at the BitTorrent from the perspective of the content and content publishers in a major BitTorrent portals. We focus on the factors that seem to drive the popularity of the BitTorrent and, as a result, could affect its associated traffic in the Internet. We show that a small fraction of publishers (around 100 users) is responsible for more than two-thirds of the published content. Those publishers can be divided into two groups: (i) profit driven and (ii)fake publishers. The former group leverages the published copyrighted content (typically very popular) on BitTorrent portals to attract content consumers to their web sites for financial gain. Removing this group may have a significant impact on the popularity of BitTorrent portals and, as a result, may affect a big portion of the Internet traffic associated to BitTorrent. The latter group is responsible for fake content, which is mostly linked to malicious activity and creates a serious threat for the Bit- Torrent ecosystem and for the Internet in general. To mitigate this threat, in the last part of the thesis we present a new tool named TorrentGuard for the early detection of fake content that could help to significantly reduce the number of computer infections and scams suffered by BitTorrent users. This tool is available through web portal and as a plugin to Vuze, a popular BitTorrent client. Finally, we present MYPROBE, the web portal that allows to query our database and to gather different pieces of information regarding BitTorrent content publishers. ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------BitTorrent es la aplicación peer-to-peer para compartición de ficheros de mayor éxito y responsable de una fracción importante del tráfico de Internet. Trabajos previos han estudiado BitTorrent usando técnicas de simulación, modelos analíticos y medidas reales. Aunque las técnicas analíticas y de simulación son más sencillas de aplicar, típicamente presentan versiones simplificadas de los problemas analizados y en el caso concreto de BitTorrent pueden obviar aspectos o interacciones fundamentales que ocurren en los enjambres de BitTorrent. Por lo tanto, en esta tesis utilizaremos como pilar de nuestra investigación técnicas de medidas reales. En primer lugar presentaremos un resumen de las técnicas de medidas usadas hasta el momento en el ámbito de BitTorrent que suponen la base teórica para el diseño de nuestras propias herramientas de medida que nos permitirán analizar enjambres reales de BitTorrent. Usando los datos obtenidos con estas herramientas estudiaremos aspectos diferentes de BitTorrent con un enfoque especial de los aspectos socioeconómicos. En la primera parte de la tesis, realizaremos un estudio detallado de la topología de los enjambres reales de BitTorrent así como de detalles acerca de las interacciones entre peers. Nuestro análisis demuestra que la resistencia de la topología de los enjambres reales de BitTorrent es menor que la ofrecida por grafos aleatorios equivalentes. Además, los resultados revelan que las políticas de los Provedores de Internet junto con la incipiente utilización de clientes de BitTorrent modificados y otros efectos en la red (p.ej. congestión) hacen que los enjambres reales de BitTorrent presentan una composicin de localidad. Es decir, un nodo tiene un número de vecinos dentro de su mismo Proveedor de Internet mayor del que obtendría en una topología puramente aleatoria. Estos resultados son de interés para las empresas que utilizan BitTorrent en sus operaciones, así como para los Provedores de Internet responsables de transportar el tráfico de BitTorrent. En la segunda parte de la tesis, analizamos los aspectos de publicación de contenido en los mayores portales de BitTorrent. En concreto, los resultados presentados muestran que sólo un pequeño grupo de publicadores (alrededor de 100) es responsable de hacer disponible más de dos tercios del contenido publicado. Además estos publicadores se pueden dividir en dos grupos: (i) aquellos con incentivos económicos y (ii) publicadores de contenido falso. El primer grupo hace disponible contenido protegido por derechos de autor (que es típicamente muy popular) en los principales portales de BitTorrent con el objetivo de atraer a los consumidores de dicho contenido a sus propios sitios web y obtener un beneficio económico. La eliminación de este grupo puede tener un impacto importante en la popularidad de los principales portales de BitTorrent así como en el tráfico generado por BitTorrent en Internet. El segundo grupo es responsable de la publicación de contenidos falsos. La mayor parte de dichos contenidos están asociados a una actividad maliciosa (p.ej. la distribución de software malicioso) y por tanto suponen una seria amenaza para el ecosistema de BitTorrent, en particular, y para Internet en general. Para minimizar los efectos de la amenaza que presentan estos publicadores, en la última parte de la tesis presentaremos una nueva herramienta denominada TorrentGuard para la pronta detección de contenidos falsos. Esta herramienta puede accederse a través de un portal web y a través de un plugin del cliente de BitTorrent Vuze. Finalmente, presentamos MYPROBE, un portal web que permite consultar una base de datos con información actualizada sobre los publicadores de contenidos en BitTorrent

Understanding the Detection of View Fraud in Video Content Portals

While substantial effort has been devoted to understand fraudulent activity in traditional online advertising (search and banner), more recent forms such as video ads have received little attention. The understanding and identification of fraudulent activity (i.e., fake views) in video ads for advertisers, is complicated as they rely exclusively on the detection mechanisms deployed by video hosting portals. In this context, the development of independent tools able to monitor and audit the fidelity of these systems are missing today and needed by both industry and regulators. In this paper we present a first set of tools to serve this purpose. Using our tools, we evaluate the performance of the audit systems of five major online video portals. Our results reveal that YouTube's detection system significantly outperforms all the others. Despite this, a systematic evaluation indicates that it may still be susceptible to simple attacks. Furthermore, we find that YouTube penalizes its videos' public and monetized view counters differently, the former being more aggressive. This means that views identified as fake and discounted from the public view counter are still monetized. We speculate that even though YouTube's policy puts in lots of effort to compensate users after an attack is discovered, this practice places the burden of the risk on the advertisers, who pay to get their ads displayed.Comment: To appear in WWW 2016, Montr\'eal, Qu\'ebec, Canada. Please cite the conference version of this pape

Who Watches the Watchmen: Exploring Complaints on the Web

The Web Conference 2019Under increasing scrutiny, many web companies now offer bespoke mechanisms allowing any third party to file complaints (e.g., requesting the de-listing of a URL from a search engine). While this self-regulation might be a valuable web governance tool, it places huge responsibility within the hands of these organisations that demands close examination. We present the first large-scale study of web complaints (over 1 billion URLs). We find a range of complainants, largely focused on copyright enforcement. Whereas the majority of organisations are occasional users of the complaint system, we find a number of bulk senders specialised in targeting specific types of domain. We identify a series of trends and patterns amongst both the domains and complainants. By inspecting the availability of the domains, we also observe that a sizeable portion go offline shortly after complaints are generated. This paper sheds critical light on how complaints are issued, who they pertain to and which domains go offline after complaints are issued

The Digital Economy Act 2010: subscriber monitoring and the right to privacy under Article 8 of the ECHR

This is the accepted manuscript of an article published by Taylor & Francis in International Review of Law on 26 April 2016, available online at doi: http://dx.doi.org/10.1080/13600869.2016.1176320. Under embargo. Embargo end date: 26 October 2018.This paper critically assesses the compatibility of s3 Digital Economy Act 2010 (DEA) with Article 8 of the European Convention on Human Rights (1950) (ECHR). The analysis draws on Ofcom’s Initial Obligations and two UK cases, namely: British Telecommunications Plc & Anor, R (on the application of) v The Secretary of State for Business, Innovation and Skills,1 and R (British Telecommunications plc and TalkTalk Telecom Group plc) v Secretary of State for Culture, Olympics, Media and Sport and others.2 It argues that the implementation of this obligation allows directed surveillance of subscribers’ activities without legal authorisation under the Regulation of Investigatory Powers Act 2000 (RIPA). It also analyses compliance with the Strasbourg Court’s three-part, non-cumulative test, to determine whether s3 of the DEA is, firstly, ‘in accordance with the law’; secondly, pursues one or more legitimate aims contained within Article 8(2) of the Convention; and thirdly, is ‘necessary’ and ‘proportionate’. It concludes that unless the implementation of s3 of the DEA required the involvement of State authorities and was specifically targeted at serious, commercial scale online copyright infringement cases it could infringe part one and part three of the ECtHR’s test, thereby violating subscribers’ Article 8 ECHR rights.Peer reviewedFinal Accepted Versio

Social Learning Theory and Digital Piracy: Explaining Uploading Behaviors of Digital Pirates

Digital piracy has received significant attention in criminological research but almost no studies have explored illegal uploading and how it may differ from illegal downloading. It is important to examine what theories can explain illegal uploading behaviors and their related factors to develop more effective policies to address digital piracy. This dissertation examined whether Akers’ (1998) social learning theory could explain engagement in digital piracy, both illegal downloading and uploading behavior. Additionally, this research examined the relationship between reciprocity and digital piracy. Questionnaires were administered to 398 university students and 315 visitors to several online communities using a combination of random and nonrandom sampling techniques. Confirmatory factor analysis and a series of structural equation models were used for analysis. Social learning theory was modeled as a second-order latent factor with latent factors for reciprocity and both outcomes while controlling for multiple covariates. Social learning theory was positively related to self-reported illegal downloading behavior and self-reported illegal uploading behavior. Perceptions of reciprocity had a positive direct effect on illegal uploading behavior but did not have a significant direct effect on illegal downloading behavior. Perceptions of reciprocity partially mediated the relationship between social learning and illegal uploading behavior. Self-control was not related to illegal downloading and uploading behaviors, but did have significant indirect effects through social learning. The main contributions of this dissertation were the application of social learning theory to explain illegal uploading and the empirical evidence supporting reciprocity. Possible directions for future research and policy implications are discussed

Webfilm theory

Since its inception in 1989, the World Wide Web has grown as a medium for publishing first text, then images, audio, and finally, moving images including short films. While most new media forms, in particular, hypertext, have received scholarly attention, research into moving image on the Internet had been limited. The thesis therefore set out to investigate webfilms, a form of short film on the WWW and the Internet, over a period of 9 years (1997-2005). The thesis was theoretically embedded in questions regarding new media as new field of research, since the increasing visibility of new media had resulted in the emergence of the discipline of 'new media studies'. This context raised issues regarding the configuration of new media studies within the existing academic disciplines of media and cultural studies, which were explored in depth in the literature review. The case studies of the thesis explored and analysed webfilms from a vantage point of actor-network theory, since this was arguably the most appropriate methodology to a research object considerably influenced by technological factors. The focus was on the conditions of webfilm production, distribution, and exhibition, and the evolution of webfilm discourse and culture. The aim was to seek answers to the question 'How didwebfilm arise as (new) form of film?' In the process of research, a number of issues were raised including the changing definition and changing forms of webfilms, the convergence of media, and the complex interdependency of humans and their computers. The research re-evaluates the relationship between human and non-human factors in media production and presents a fresh approach by focusing on the network as unit of analysis. The thesis as a whole not only provides new information on the evolution of webfilm as a form of film, but also illustrates how the network interaction of humans and nonhumans lies at the heart of contemporary new media and convergence culture.sub_mcpaunpub79_ethesesunpu

Confidential Data-Outsourcing and Self-Optimizing P2P-Networks: Coping with the Challenges of Multi-Party Systems

This work addresses the inherent lack of control and trust in Multi-Party Systems at the examples of the Database-as-a-Service (DaaS) scenario and public Distributed Hash Tables (DHTs). In the DaaS field, it is shown how confidential information in a database can be protected while still allowing the external storage provider to process incoming queries. For public DHTs, it is shown how these highly dynamic systems can be managed by facilitating monitoring, simulation, and self-adaptation

Re-thinking crisis in the digital economy: a contemporary case study of the phonographic industries in Ireland.

Many commentators and reports popularly place the record industry in an increasing state of crisis since the advent of digital copying and distribution. This thesis addresses how the interplay of technological, economic, legal and policy factors, particularly the copyright strand of intellectual property law, shape the form and extent of the Internet’s disruptive potential in the music industry. It points to significant continuities regarding the music industry in an environment where it is often regarded as experiencing turbulence and change, and in doing so the thesis challenges the form and extent of the crisis the music industry currently claims to be battling. The thesis questions the impact the internet is having on the power or role of major music companies, their revenue streams, their relationships with other actors in the music industry chain and their final consumers. The thesis further questions the extent to which the internet has evolved to realise its disruptive potential on the organisation and structure of the record industry by democratising the channels of distribution. It also serves to illuminate the impact of the internet on the role of more traditional intermediaries, particularly radio, in the circulation and promotion of music in the contemporary era. For its primary research material, the thesis draws on a series of thirty-nine interviews conducted with record industry management and personnel as well as key informants from the fields of music publishing, artist management, music retailing, radio, the music press, related industry bodies and policy fields, and other key commentators

Music and Digital Media: A planetary anthropology

Anthropology has neglected the study of music. Music and Digital Media shows how and why this should be redressed. It does so by enabling music to expand the horizons of digital anthropology, demonstrating how the field can build interdisciplinary links to music and sound studies, digital/media studies, and science and technology studies. Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the digital assume clamouring audibility. The book contains ten chapters, eight of which present comprehensive original ethnographies; they are bookended by an authoritative introduction and a comparative postlude. Five chapters address popular, folk, art and crossover musics in the global South and North, including Kenya, Argentina, India, Canada and the UK. Three chapters bring the digital experimentally to the fore, presenting pioneering ethnographies of an extra-legal peer-to-peer site and the streaming platform Spotify, a series of prominent internet-mediated music genres, and the first ethnography of a global software package, the interactive music platform Max. The book is unique in bringing ethnographic research on popular, folk, art and crossover musics from the global North and South into a comparative framework on a large scale, and creates an innovative new paradigm for comparative anthropology. It shows how music enlarges anthropology while demanding to be understood with reference to classic themes of anthropological theory