Furnariidae species recognition using speech-related features and machine learning

The automatic classification of calling bird species is important to achieve more exhaustive environmental monitoring and to manage natural resources. Bird vocalizations allow to recognise new species, their natural history and macro-systematic relations, while automatic systems can speed up and improve all the process. In this work, we use state-of-art features designed for speech and speaker state recognition to classify 25 species of Furnariidae family. Since Furnariidae species inhabit the Litoral Paranaense region of Argentina (South America), this work could promote further research on the topic and the implementation of in-situ monitoring systems. Our analysis includes two widely-known classification techniques: random forest an support vector machines. The results are promising, near 86%, and were validated in a cross-validation scheme.Sociedad Argentina de Informática e Investigación Operativa (SADIO

Furnariidae species recognition using speech-related features and machine learning

The automatic classification of calling bird species is important to achieve more exhaustive environmental monitoring and to manage natural resources. Bird vocalizations allow to recognise new species, their natural history and macro-systematic relations, while automatic systems can speed up and improve all the process. In this work, we use state-of-art features designed for speech and speaker state recognition to classify 25 species of Furnariidae family. Since Furnariidae species inhabit the Litoral Paranaense region of Argentina (South America), this work could promote further research on the topic and the implementation of in-situ monitoring systems. Our analysis includes two widely-known classification techniques: random forest an support vector machines. The results are promising, near 86%, and were validated in a cross-validation scheme.Sociedad Argentina de Informática e Investigación Operativa (SADIO

EVA London 2022: Electronic Visualisation and the Arts

The Electronic Visualisation and the Arts London 2022 Conference (EVA London 2022) is co-sponsored by the Computer Arts Society (CAS) and BCS, the Chartered Institute for IT, of which the CAS is a Specialist Group. Of course, this has been a difficult time for all conferences, with the Covid-19 pandemic. For the first time since 2019, the EVA London 2022 Conference is a physical conference. It is also an online conference, as it was in the previous two years. We continue with publishing the proceedings, both online, with open access via ScienceOpen, and also in our traditional printed form, for the second year in full colour. Over recent decades, the EVA London Conference on Electronic Visualisation and the Arts has established itself as one of the United Kingdom’s most innovative and interdisciplinary conferences. It brings together a wide range of research domains to celebrate a diverse set of interests, with a specialised focus on visualisation. The long and short papers in this volume cover varied topics concerning the arts, visualisations, and IT, including 3D graphics, animation, artificial intelligence, creativity, culture, design, digital art, ethics, heritage, literature, museums, music, philosophy, politics, publishing, social media, and virtual reality, as well as other related interdisciplinary areas. The EVA London 2022 proceedings presents a wide spectrum of papers, demonstrations, Research Workshop contributions, other workshops, and for the seventh year, the EVA London Symposium, in the form of an opening morning session, with three invited contributors. The conference includes a number of other associated evening events including ones organised by the Computer Arts Society, Art in Flux, and EVA International. As in previous years, there are Research Workshop contributions in this volume, aimed at encouraging participation by postgraduate students and early-career artists, accepted either through the peer-review process or directly by the Research Workshop chair. The Research Workshop contributors are offered bursaries to aid participation. In particular, EVA London liaises with Art in Flux, a London-based group of digital artists. The EVA London 2022 proceedings includes long papers and short “poster” papers from international researchers inside and outside academia, from graduate artists, PhD students, industry professionals, established scholars, and senior researchers, who value EVA London for its interdisciplinary community. The conference also features keynote talks. A special feature this year is support for Ukrainian culture after its invasion earlier in the year. This publication has resulted from a selective peer review process, fitting as many excellent submissions as possible into the proceedings. This year, submission numbers were lower than previous years, mostly likely due to the pandemic and a new requirement to submit drafts of long papers for review as well as abstracts. It is still pleasing to have so many good proposals from which to select the papers that have been included. EVA London is part of a larger network of EVA international conferences. EVA events have been held in Athens, Beijing, Berlin, Brussels, California, Cambridge (both UK and USA), Canberra, Copenhagen, Dallas, Delhi, Edinburgh, Florence, Gifu (Japan), Glasgow, Harvard, Jerusalem, Kiev, Laval, London, Madrid, Montreal, Moscow, New York, Paris, Prague, St Petersburg, Thessaloniki, and Warsaw. Further venues for EVA conferences are very much encouraged by the EVA community. As noted earlier, this volume is a record of accepted submissions to EVA London 2022. Associated online presentations are in general recorded and made available online after the conference