Color logic: Interactively defining color in the context of computer graphics

An attempt was made to build a bridge between the art and science of color, utilizing computer graphics as a medium. This interactive tutorial presents both technical and non-technical information in virtually complete graphic form, allowing the undergraduate college student to readily understand and apply its content. The program concentrates on relevant topics within each of the following aspects of color science: Color Vision, Light and Objects, Color Perception, Aesthetics and Design, Color Order, and Computer Color Models. Upon preliminary completion, user-testing was conducted in order to ensure that the program is intuitive, intriguing, and valuable to a wide range of users. COLOR LOGIC represents effective integration of color science, graphic design, user-interface design, and computer graphics design. Several practical applications for the program are discussed

The Dynamics of Students' Behaviors and Reasoning during Collaborative Physics Tutorial Sessions

We investigate the dynamics of student behaviors (posture, gesture, vocal register, visual focus) and the substance of their reasoning during collaborative work on inquiry-based physics tutorials. Scherr has characterized student activity during tutorials as observable clusters of behaviors separated by sharp transitions, and has argued that these behavioral modes reflect students' epistemological framing of what they are doing, i.e., their sense of what is taking place with respect to knowledge. We analyze students' verbal reasoning during several tutorial sessions using the framework of Russ, and find a strong correlation between certain behavioral modes and the scientific quality of students' explanations. We suggest that this is due to a dynamic coupling of how students behave, how they frame an activity, and how they reason during that activity. This analysis supports the earlier claims of a dynamic between behavior and epistemology. We discuss implications for research and instruction.Comment: 4 pages, PERC 200

Nonlinear time-warping made simple: a step-by-step tutorial on underwater acoustic modal separation with a single hydrophone

© The Author(s), 2020. This article is distributed under the terms of the Creative Commons Attribution License. The definitive version was published in Bonnel, J., Thode, A., Wright, D., & Chapman, R. Nonlinear time-warping made simple: a step-by-step tutorial on underwater acoustic modal separation with a single hydrophone. The Journal of the Acoustical Society of America, 147(3), (2020): 1897, doi:10.1121/10.0000937.Classical ocean acoustic experiments involve the use of synchronized arrays of sensors. However, the need to cover large areas and/or the use of small robotic platforms has evoked interest in single-hydrophone processing methods for localizing a source or characterizing the propagation environment. One such processing method is “warping,” a non-linear, physics-based signal processing tool dedicated to decomposing multipath features of low-frequency transient signals (frequency f  1 km). Since its introduction to the underwater acoustics community in 2010, warping has been adopted in the ocean acoustics literature, mostly as a pre-processing method for single receiver geoacoustic inversion. Warping also has potential applications in other specialties, including bioacoustics; however, the technique can be daunting to many potential users unfamiliar with its intricacies. Consequently, this tutorial article covers basic warping theory, presents simulation examples, and provides practical experimental strategies. Accompanying supplementary material provides matlab code and simulated and experimental datasets for easy implementation of warping on both impulsive and frequency-modulated signals from both biotic and man-made sources. This combined material should provide interested readers with user-friendly resources for implementing warping methods into their own research.This work was supported by the Office of Naval Research (Task Force Ocean, project N00014-19-1-2627) and by the North Pacific Research Board (project 1810). Original warping developments were supported by the French Delegation Generale de l'Armement

Reflectance Transformation Imaging (RTI) System for Ancient Documentary Artefacts

This tutorial summarises our uses of reflectance transformation imaging in archaeological contexts. It introduces the UK AHRC funded project reflectance Transformation Imaging for Anciant Documentary Artefacts and demonstrates imaging methodologies

Manual Land Cover Mapping Protocol

The purpose of the resource is to produce a land cover type map from hard copies of Landsat satellite images. Educational levels: Middle school, High school

Безопасность и качество пищевых продуктов = Practical Food Safety and Food Quality : практикум

Даны описания практических и лабораторных работ, проводимых в рамках курсов «Международные стандарты и безопасность продуктов питания» и «Контроль качества биотехнологических продуктов». Задания сопровождаются подробными комментариями. Используются активные формы обучения, такие как работа в команде, игровые технологии и пр. Для иностранных и российских студентов, обучающихся на английском языке, изучающих пищевую биотехнологию, контроль качества и безопасность пищевых продуктов

The Application of the Montage Image Mosaic Engine To The Visualization Of Astronomical Images

The Montage Image Mosaic Engine was designed as a scalable toolkit, written in C for performance and portability across *nix platforms, that assembles FITS images into mosaics. The code is freely available and has been widely used in the astronomy and IT communities for research, product generation and for developing next-generation cyber-infrastructure. Recently, it has begun to finding applicability in the field of visualization. This has come about because the toolkit design allows easy integration into scalable systems that process data for subsequent visualization in a browser or client. And it includes a visualization tool suitable for automation and for integration into Python: mViewer creates, with a single command, complex multi-color images overlaid with coordinate displays, labels, and observation footprints, and includes an adaptive image histogram equalization method that preserves the structure of a stretched image over its dynamic range. The Montage toolkit contains functionality originally developed to support the creation and management of mosaics but which also offers value to visualization: a background rectification algorithm that reveals the faint structure in an image; and tools for creating cutout and down-sampled versions of large images. Version 5 of Montage offers support for visualizing data written in HEALPix sky-tessellation scheme, and functionality for processing and organizing images to comply with the TOAST sky-tessellation scheme required for consumption by the World Wide Telescope (WWT). Four online tutorials enable readers to reproduce and extend all the visualizations presented in this paper.Comment: 16 pages, 9 figures; accepted for publication in the PASP Special Focus Issue: Techniques and Methods for Astrophysical Data Visualizatio