Trusted execution: applications and verification

Useful security properties arise from sealing data to specific units of code. Modern processors featuring Intel’s TXT and AMD’s SVM achieve this by a process of measured and trusted execution. Only code which has the correct measurement can access the data, and this code runs in an environment trusted from observation and interference. We discuss the history of attempts to provide security for hardware platforms, and review the literature in the field. We propose some applications which would benefit from use of trusted execution, and discuss functionality enabled by trusted execution. We present in more detail a novel variation on Diffie-Hellman key exchange which removes some reliance on random number generation. We present a modelling language with primitives for trusted execution, along with its semantics. We characterise an attacker who has access to all the capabilities of the hardware. In order to achieve automatic analysis of systems using trusted execution without attempting to search a potentially infinite state space, we define transformations that reduce the number of times the attacker needs to use trusted execution to a pre-determined bound. Given reasonable assumptions we prove the soundness of the transformation: no secrecy attacks are lost by applying it. We then describe using the StatVerif extensions to ProVerif to model the bounded invocations of trusted execution. We show the analysis of realistic systems, for which we provide case studies

FinBook: literary content as digital commodity

This short essay explains the significance of the FinBook intervention, and invites the reader to participate. We have associated each chapter within this book with a financial robot (FinBot), and created a market whereby book content will be traded with financial securities. As human labour increasingly consists of unstable and uncertain work practices and as algorithms replace people on the virtual trading floors of the worlds markets, we see members of society taking advantage of FinBots to invest and make extra funds. Bots of all kinds are making financial decisions for us, searching online on our behalf to help us invest, to consume products and services. Our contribution to this compilation is to turn the collection of chapters in this book into a dynamic investment portfolio, and thereby play out what might happen to the process of buying and consuming literature in the not-so-distant future. By attaching identities (through QR codes) to each chapter, we create a market in which the chapter can ‘perform’. Our FinBots will trade based on features extracted from the authors’ words in this book: the political, ethical and cultural values embedded in the work, and the extent to which the FinBots share authors’ concerns; and the performance of chapters amongst those human and non-human actors that make up the market, and readership. In short, the FinBook model turns our work and the work of our co-authors into an investment portfolio, mediated by the market and the attention of readers. By creating a digital economy specifically around the content of online texts, our chapter and the FinBook platform aims to challenge the reader to consider how their personal values align them with individual articles, and how these become contested as they perform different value judgements about the financial performance of each chapter and the book as a whole. At the same time, by introducing ‘autonomous’ trading bots, we also explore the different ‘network’ affordances that differ between paper based books that’s scarcity is developed through analogue form, and digital forms of books whose uniqueness is reached through encryption. We thereby speak to wider questions about the conditions of an aggressive market in which algorithms subject cultural and intellectual items – books – to economic parameters, and the increasing ubiquity of data bots as actors in our social, political, economic and cultural lives. We understand that our marketization of literature may be an uncomfortable juxtaposition against the conventionally-imagined way a book is created, enjoyed and shared: it is intended to be