Volume 70 - Issue 2 - November, 1958

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Southeast Ohio Winter/Spring 2020

Table of Contents: Precious Cargo Hocking Hills AirBnB redefines cabin life ... 4 La Dolce Vita Molina Family Bakery brings a piece of Italy to Athens County ... 6 Food, Spirits and More Spirits Supernatural stories are on the Clay Haus menu ... 8 Frozen in Time Tom’s Ice Cream Bowl is a delicious Zanesville mainstay ... 9 Models of Health Calendar shows how twelve over-60s finds their perfect fit ... 10 Higher Education Hocking College is first class in a growing industry ... 11 Real Fun Chillicothe business plugs in to virtual reality entertainment ... 12 Fair Trades Blessing Boxes offer exchange of sustenance and support ... 13 Basket Case The business of Longaberger Baskets ... 14 Political Paralysis Southeast Ohio’s political representation in Columbus ... 16 Tattooing Away the Past Bill Joe White, tattoo artist ... 18 Feeding Vinton St. Francis Outreach ... 22 A Logging Legacy The Caudills, master loggers ... 24 Sonic Boom Allison DeWitt, sound engineer ... 28 Rollin’ Down the River Tie up with patrons of the Pomeroy Sternwheel Regatta ... 30 Charlie, Chillicothe’s School Therapy Dog Huntington High School students bond over a furry friend ... 38 Gigi’s Shelter for Dogs Gigi’s Shelter for Dogs offers an innovative solution to the dog adoption system ... 42 Brandon McMillan, ‘Lucky Dog’ This dog trainer and television host helps others connect dogs in need with people who need them ... 44 Meet Jeff Ditty Federal Hocking football coach ... 46https://ohioopen.library.ohio.edu/southeast-ohio/1001/thumbnail.jp

An Introspective Enquiry Mutually Emplacing Teacher and Non-literate Former Refugee Students in Pedagogical Landscapes

Searching to discover what it is that is in the self that is brought to the teaching role this study transports the teacher along a lived experience trajectory. Assuming an interface stance as teacher-learner, researcher-interpreter, narrator-writer, to find insightful meaning the inquiry glances back as it moves forward, emplacing the teacher with adult former refugee students in an empowering landscape that engenders self-learning and respect for diversity within a culture of education

Soundscapes for Social Change: Community and Consciousness through Sound Design Rhetorics

By applying a “sound-mapping” methodology that incorporates qualitative interviews and field research, I argue that theater sound design provides new means to connect sonic rhetorics with social change. I examine theater sound design as an ecological composing practice that lends itself to empathy, community, action, and pedagogy; and further argue that there is rhetorical potential in what I call “soundscapes for social change,” a concept that encourages sonic agency and sound as contemporary resistance. The theater setting introduces sound and vibration experiences carefully calculated and developed to impact a variety of audiences and stir their imaginations through sensory experiences, accessed not just through the ear but also through the body

The Translocal Event and the Polyrhythmic Diagram

This thesis identifies and analyses the key creative protocols in translocal performance practice, and ends with suggestions for new forms of transversal live and mediated performance practice, informed by theory. It argues that ontologies of emergence in dynamic systems nourish contemporary practice in the digital arts. Feedback in self-organised, recursive systems and organisms elicit change, and change transforms. The arguments trace concepts from chaos and complexity theory to virtual multiplicity, relationality, intuition and individuation (in the work of Bergson, Deleuze, Guattari, Simondon, Massumi, and other process theorists). It then examines the intersection of methodologies in philosophy, science and art and the radical contingencies implicit in the technicity of real-time, collaborative composition. Simultaneous forces or tendencies such as perception/memory, content/ expression and instinct/intellect produce composites (experience, meaning, and intuition- respectively) that affect the sensation of interplay. The translocal event is itself a diagram - an interstice between the forces of the local and the global, between the tendencies of the individual and the collective. The translocal is a point of reference for exploring the distribution of affect, parameters of control and emergent aesthetics. Translocal interplay, enabled by digital technologies and network protocols, is ontogenetic and autopoietic; diagrammatic and synaesthetic; intuitive and transductive. KeyWorx is a software application developed for realtime, distributed, multimodal media processing. As a technological tool created by artists, KeyWorx supports this intuitive type of creative experience: a real-time, translocal “jamming” that transduces the lived experience of a “biogram,” a synaesthetic hinge-dimension. The emerging aesthetics are processual – intuitive, diagrammatic and transversal