21,447 research outputs found
Interacting Unities: An Agent-Based System
Recently architects have been inspired by Thompsonis Cartesian deformations and Waddingtonis flexible topological surface to work within a dynamic field characterized by forces. In this more active space of interactions, movement is the medium through which form evolves. This paper explores the interaction between pedestrians and their environment by regarding it as a process occurring between the two. It is hypothesized that the recurrent interaction between pedestrians and environment can lead to a structural coupling between those elements. Every time a change occurs in each one of them, as an expression of its own structural dynamics, it triggers changes to the other one. An agent-based system has been developed in order to explore that interaction, where the two interacting elements, agents (pedestrians) and environment, are autonomous units with a set of internal rules. The result is a landscape where each agent locally modifies its environment that in turn affects its movement, while the other agents respond to the new environment at a later time, indicating that the phenomenon of stigmergy is possible to take place among interactions with human analogy. It is found that it is the environmentis internal rules that determine the nature and extent of change
Towards virtual communities on the Web: Actors and audience
We report about ongoing research in a virtual
reality environment where visitors can interact with
agents that help them to obtain information, to perform
certain transactions and to collaborate with them in order
to get some tasks done. Our environment models a
theatre in our hometown. We discuss attempts to let this
environment evolve into a theatre community where we
do not only have goal-directed visitors, but also visitors
that that are not sure whether they want to buy or just
want information or visitors who just want to look
around. It is shown that we need a multi-user and multiagent
environment to realize our goals. Since our environment
models a theatre it is also interesting to investigate
the roles of performers and audience in this environment.
For that reason we discuss capabilities and personalities of agents. Some notes on the historical development of networked communities are included
Speech-driven Animation with Meaningful Behaviors
Conversational agents (CAs) play an important role in human computer
interaction. Creating believable movements for CAs is challenging, since the
movements have to be meaningful and natural, reflecting the coupling between
gestures and speech. Studies in the past have mainly relied on rule-based or
data-driven approaches. Rule-based methods focus on creating meaningful
behaviors conveying the underlying message, but the gestures cannot be easily
synchronized with speech. Data-driven approaches, especially speech-driven
models, can capture the relationship between speech and gestures. However, they
create behaviors disregarding the meaning of the message. This study proposes
to bridge the gap between these two approaches overcoming their limitations.
The approach builds a dynamic Bayesian network (DBN), where a discrete variable
is added to constrain the behaviors on the underlying constraint. The study
implements and evaluates the approach with two constraints: discourse functions
and prototypical behaviors. By constraining on the discourse functions (e.g.,
questions), the model learns the characteristic behaviors associated with a
given discourse class learning the rules from the data. By constraining on
prototypical behaviors (e.g., head nods), the approach can be embedded in a
rule-based system as a behavior realizer creating trajectories that are timely
synchronized with speech. The study proposes a DBN structure and a training
approach that (1) models the cause-effect relationship between the constraint
and the gestures, (2) initializes the state configuration models increasing the
range of the generated behaviors, and (3) captures the differences in the
behaviors across constraints by enforcing sparse transitions between shared and
exclusive states per constraint. Objective and subjective evaluations
demonstrate the benefits of the proposed approach over an unconstrained model.Comment: 13 pages, 12 figures, 5 table
Real Time Animation of Virtual Humans: A Trade-off Between Naturalness and Control
Virtual humans are employed in many interactive applications using 3D virtual environments, including (serious) games. The motion of such virtual humans should look realistic (or ânaturalâ) and allow interaction with the surroundings and other (virtual) humans. Current animation techniques differ in the trade-off they offer between motion naturalness and the control that can be exerted over the motion. We show mechanisms to parametrize, combine (on different body parts) and concatenate motions generated by different animation techniques. We discuss several aspects of motion naturalness and show how it can be evaluated. We conclude by showing the promise of combinations of different animation paradigms to enhance both naturalness and control
'Don't box me in': Blurred lines in 'Waking Life' and 'A Scanner Darkly'
This is the author's accepted manuscript. The final published article is available from the link below.This article seeks to evaluate the visual style of Waking Life and A Scanner Darkly, predominantly through an analysis of the filmsâ aesthetics. The use of Rotoshop as an expressive means to illustrate character and theme, where identity becomes sketched and multi-faceted rather than fixed or stable is explored here. Yet this aesthetic play with borders has a greater resonance than simply a means by which to delineate thematic preoccupations with troubled identity. While such representations are indeed key to these two films, the darkly outlined contours of character borders, which move and slide incessantly, also comment on the blurred divide between live action and animation. Central to the argument is the use of the animated line in understanding these two films; the line provides impetus for exploring several issues raised by the films and the use of Rotoshop. This article explores the following key ideas: the animated line and aesthetic analysis; Rotoshop technology; the representation of fragmentary identity; and the relationship between photo-real cinema and animation, with a particular focus on narrative and spectacle. The author addresses Rotoshop within the context of technology and spectacle; taking industry practices into account allows for an appreciation of how a technological innovation such as Rotoshop can change the shape of live-action cinema
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