Towards a Cross-article Narrative Comparison of News

In the world of public misinformation, there are many cases where the information is not false or fabricated, but rather has been manipulated using more subtle techniques such as word replacements, selection of details, omissions and argument distortion. These techniques can have the effect of influencing the reader’s frame of mind towards the events reported. We currently lack the necessary tools to uncover such manipulations automatically. In this position paper, we propose an integrated analysis framework and pipeline to identify various narrative signals in news articles; such as structural roles, framing, and subjectivity. By comparing these at the document level and sentence level, it will be possible to highlight differences of narrative techniques used to report the same news events

Can Euroscepticism Contribute to a European Public Sphere? The Europeanization of Media Discourses about Euroscepticism across Six Countries

This study compares the media discourses about Euroscepticism in 2014 across six countries (United Kingdom, Ireland, France, Spain, Sweden, and Denmark). We assess the extent to which the mass media's reporting of Euroscepticism indicates the Europeanization of public spheres. Using a mixed-methods approach combining LDA topic modeling and qualitative coding, we find that approximately 70 per cent of print articles mentioning "Euroscepticism" or "Eurosceptic" are framed in a non-domestic (i.e. European) context. In five of the six cases studied, articles exhibiting a European context are strikingly similar in content, with the British case as the exception. However, coverage of British Euroscepticism drives Europeanization in other Member States. Bivariate logistic regressions further reveal three macro-level structural variables that significantly correlate with a Europeanized media discourse: newspaper type (tabloid or broadsheet), presence of a strong Eurosceptic party, and relationship to the EU budget (net contributor or receiver of EU funds).Comment: 29 pages, 2 figures, 4 tables, 2 appendice

Evaluation in media texts: a cross-cultural linguistic investigation

A quantitative/interpretative approach to the comparative linguistic analysis of media texts is proposed and applied to a contrastive analysis of texts from the English-language China Daily and the UK Times to look for evidence of differences in what Labov calls “evaluation.” These differences are then correlated to differences in the roles played by the media in Britain and China in their respective societies. The aim is to demonstrate that, despite reservations related to the Chinese texts not being written in the journalists' native language, a direct linguistic comparison of British media texts with Chinese media texts written in English can yield valuable insights into the workings of the Chinese media that supplement nonlinguistic studies

Storying leaks for sharing: The case of leaking the “Moscovici draft” on Twitter

This article proposes a discourse-narrative approach to news making online as a networked practice of storying and sharing. This approach is illustrated in the examination of the release of a draft Eurogroup statement via journalist Paul Mason’s Facebook, Scribd and Twitter accounts on the 16th February 2015. The analysis draws on small story insights (Georgakopoulou, 2015) and the empirical framework of sharing (Androutsopoulos, 2014). It shows how the release of this leak event on Twitter is storied as a breaking news story unfolding moment-by-moment as it happens, at the same time as making up an incipient record of the event as it happened. It is argued that breaking news (micro)stories are shared as moments of narrative stancetaking, featuring a concise, portable storyline and cumulative evaluation(s) that foreground the relevance of the leak for the ongoing discussions on the Greek bailout negotiations as well as the continued importance of the journalist as the mediator of the leak. In this case of sharing a leaked document with networked participants, narrativity is drawn upon as a key resource for producing and circulating alternative stances on the Greek crisis, creating a range of networked participation positions. This article contributes to the study of news sharing online and digital storytelling based on the qualitative analysis of ‘small’ data

Media in Crisis: Journalistic Norms in Natural Disaster Coverage

Nearing the end of 2017, the United States and the Caribbean were struck with back-to-back natural disasters that left the country in shock and turmoil. Among the three hurricanes that struck sequentially, Hurricane Harvey landed in Texas approximately on August 25th, 2017 and Hurricane Maria hit the Caribbean and Puerto Rico around September 20th, 2017. These disasters were a test for the new presidential cabinet of how they would handle their first natural disaster. Hurricane Maria and Hurricane Harvey caused similar levels of destruction, with Maria being a category five storm and Harvey a category four. However, the media reacted differently to the crisis that unfolded in Puerto Rico in comparison to Texas. This study focuses on how journalists and the news industry covered both disasters and compares and contrasts the manner in which they were done. Pulling in media industry knowledge, rhetoric and cultural theory, the study uncovers how disaster communication was influenced by societal values involving culture and examines how the narrative journalists participated in affected the coverage, in turn shaping public knowledge

Beyond Afro-pessimism and -optimism? A critical discourse analysis of the representation of Africa by alternative news media

Regarding the representation of Africa in western media, academic criticism often refers to the presence of Afro-pessimistic discourses, and more recently to a seemingly emerging Afro-optimistic discourse. However, Scott (2015, 1) points out that a systematic study of Africa’s representation is still missing as most research only includes mainstream media, news genres and formats and thus forms ‘an insufficient basis for reaching any firm, generalisable conclusions’. To address this, we explore the representation of Africa in MO* Magazine, a Belgian alternative news magazine that focuses on the Global South, including an extensive coverage of Africa. Applying Critical Discourse Analysis, we examined all articles covering Africa in 2015 and 2016 in addition to in-depth interviews with editorial staff. The study investigates how MO* constructs its alternative identity in the context of African news coverage. We argue that a mere empirical focus on features and narratives generally attributed to mainstream media, such as the presence of Afro-pessimistic and -optimistic discourses, is not sufficient to reach conclusions about the alternative identity of a magazine. The alternative value of MO* is reflected in the overall focus on the Global South and its key issues, the geographic diversity, editorial approach, and context-richness of the articles

Performing Relevance/ Relevant Performances: Shakespeare, Jonson, Hitchcock

Engages with questions of historicism and presentism in the modern performance of early modern drama, and compares Ben Jonson with Alfred Hitchcock

Local flavors and regional markers : The Low Countries and their commercially driven and proximity-focused film remake practice

The practice of Dutch-Flemish film remaking that came into existence in the new millennium quickly appeared to be of great importance in the film industries of Flanders and The Netherlands – and consequently of Europe. Inspired by methods used in television (format) studies, this article conducts a systematic comparative film analysis of nine Dutch-Flemish remakes together with their nine source films. Considering the remake as a prism that aids in dissecting different formal, transtextual, and cultural codes, and subsequently embedding the practice in its specific socio-cultural and industrial context, we found several similarities and differences between the Dutch and Flemish film versions and showed how these can be made sense of. More generally, we distilled two encompassing principles that administer the remake practice: even though a great deal of the remake process can be explained through the concept of localization – or, more precisely, through the concepts of ‘manufacturing proximity’ and ‘banal aboutness’ – we found that it should certainly not be limited to these processes – as both (trans)textual, such as the mechanism of ‘filling in the gaps’, and contextual elements were found