1,868 research outputs found
A Deep Representation for Invariance And Music Classification
Representations in the auditory cortex might be based on mechanisms similar
to the visual ventral stream; modules for building invariance to
transformations and multiple layers for compositionality and selectivity. In
this paper we propose the use of such computational modules for extracting
invariant and discriminative audio representations. Building on a theory of
invariance in hierarchical architectures, we propose a novel, mid-level
representation for acoustical signals, using the empirical distributions of
projections on a set of templates and their transformations. Under the
assumption that, by construction, this dictionary of templates is composed from
similar classes, and samples the orbit of variance-inducing signal
transformations (such as shift and scale), the resulting signature is
theoretically guaranteed to be unique, invariant to transformations and stable
to deformations. Modules of projection and pooling can then constitute layers
of deep networks, for learning composite representations. We present the main
theoretical and computational aspects of a framework for unsupervised learning
of invariant audio representations, empirically evaluated on music genre
classification.Comment: 5 pages, CBMM Memo No. 002, (to appear) IEEE 2014 International
Conference on Acoustics, Speech, and Signal Processing (ICASSP 2014
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An approach to melodic segmentation and classification based on filtering with the Haar wavelet
We present a novel method of classification and segmentation of melodies in symbolic representation. The method is based on filtering pitch as a signal over time with the Haar-wavelet, and we evaluate it on two tasks. The filtered signal corresponds to a single-scale signal ws from the continuous Haar wavelet transform. The melodies are first segmented using local maxima or zero-crossings of ws. The
segments of ws are then classified using the k–nearest neighbour algorithm with Euclidian and city-block distances. The method proves more effective than using unfiltered pitch signals and Gestalt-based segmentation when used to recognize the parent works of segments from Bach’s Two-Part Inventions (BWV 772–786). When used to classify 360 Dutch folk tunes into 26 tune families, the performance of the
method is comparable to the use of pitch signals, but not as good as that of string-matching methods based on multiple features
Wavelet-filtering of symbolic music representations for folk tune segmentation and classification
The aim of this study is to evaluate a machine-learning method in which symbolic representations of folk songs are segmented and classified into tune families with Haar-wavelet filtering. The method is compared with previously proposed Gestaltbased method. Melodies are represented as discrete symbolic pitch-time signals. We apply the continuous wavelet transform (CWT) with the Haar wavelet at specific scales, obtaining filtered versions of melodies emphasizing their information at particular time-scales. We use the filtered signal for representation and segmentation, using the wavelet coefficients ’ local maxima to indicate local boundaries and classify segments by means of k-nearest neighbours based on standard vector-metrics (Euclidean, cityblock), and compare the results to a Gestalt-based segmentation method and metrics applied directly to the pitch signal. We found that the wavelet based segmentation and waveletfiltering of the pitch signal lead to better classification accuracy in cross-validated evaluation when the time-scale and other parameters are optimized. 1
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