88,509 research outputs found

    Authorship and Agency

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    Uncertainties in the Algorithmic Image

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    The incorporation of algorithmic procedures into the automation of image production has been gradual, but has reached critical mass over the past century, especially with the advent of photography, the introduction of digital computers and the use of artificial intelligence (AI) and machine learning (ML). Due to the increasingly significant influence algorithmic processes have on visual media, there has been an expansion of the possibilities as to how images may behave, and a consequent struggle to define them. This algorithmic turnhighlights inner tensions within existing notions of the image, namely raising questions regarding the autonomy of machines, author- and viewer- ship, and the veracity of representations. In this sense, algorithmic images hover uncertainly between human and machine as producers and interpreters of visual information, between representational and non-representational, and between visible surface and the processes behind it. This paper gives an introduction to fundamental internal discrepancies which arise within algorithmically produced images, examined through a selection of relevant artistic examples. Focusing on the theme of uncertainty, this investigation considers how algorithmic images contain aspects which conflict with the certitude of computation, and how this contributes to a difficulty in defining images

    Visual Representation of Text in Web Documents and Its Interpretation

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    This paper examines the uses of text and its representation on Web documents in terms of the challenges in its interpretation. Particular attention is paid to the significant problem of non-uniform representation of text. This non-uniformity is mainly due to the presence of semantically important text in image form as opposed to the standard encoded text. The issues surrounding text representation in Web documents are discussed in the context of colour perception and spatial representation. The characteristics of the representation of text in image form are examined and research towards interpreting these images of text is briefly described

    Visual Representation of Text in Web Documents and Its Interpretation

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    This paper examines the uses of text and its representation on Web documents in terms of the challenges in its interpretation. Particular attention is paid to the significant problem of non-uniform representation of text. This non-uniformity is mainly due to the presence of semantically important text in image form as opposed to the standard encoded text. The issues surrounding text representation in Web documents are discussed in the context of colour perception and spatial representation. The characteristics of the representation of text in image form are examined and research towards interpreting these images of text is briefly described

    The hunt for submarines in classical art: mappings between scientific invention and artistic interpretation

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    This is a report to the AHRC's ICT in Arts and Humanities Research Programme. This report stems from a project which aimed to produce a series of mappings between advanced imaging information and communications technologies (ICT) and needs within visual arts research. A secondary aim was to demonstrate the feasibility of a structured approach to establishing such mappings. The project was carried out over 2006, from January to December, by the visual arts centre of the Arts and Humanities Data Service (AHDS Visual Arts).1 It was funded by the Arts and Humanities Research Council (AHRC) as one of the Strategy Projects run under the aegis of its ICT in Arts and Humanities Research programme. The programme, which runs from October 2003 until September 2008, aims ‘to develop, promote and monitor the AHRC’s ICT strategy, and to build capacity nation-wide in the use of ICT for arts and humanities research’.2 As part of this, the Strategy Projects were intended to contribute to the programme in two ways: knowledge-gathering projects would inform the programme’s Fundamental Strategic Review of ICT, conducted for the AHRC in the second half of 2006, focusing ‘on critical strategic issues such as e-science and peer-review of digital resources’. Resource-development projects would ‘build tools and resources of broad relevance across the range of the AHRC’s academic subject disciplines’.3 This project fell into the knowledge-gathering strand. The project ran under the leadership of Dr Mike Pringle, Director, AHDS Visual Arts, and the day-to-day management of Polly Christie, Projects Manager, AHDS Visual Arts. The research was carried out by Dr Rupert Shepherd

    Fine-scale mapping of vector habitats using very high resolution satellite imagery : a liver fluke case-study

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    The visualization of vector occurrence in space and time is an important aspect of studying vector-borne diseases. Detailed maps of possible vector habitats provide valuable information for the prediction of infection risk zones but are currently lacking for most parts of the world. Nonetheless, monitoring vector habitats from the finest scales up to farm level is of key importance to refine currently existing broad-scale infection risk models. Using Fasciola hepatica, a parasite liver fluke as a case in point, this study illustrates the potential of very high resolution (VHR) optical satellite imagery to efficiently and semi-automatically detect detailed vector habitats. A WorldView2 satellite image capable of <5m resolution was acquired in the spring of 2013 for the area around Bruges, Belgium, a region where dairy farms suffer from liver fluke infections transmitted by freshwater snails. The vector thrives in small water bodies (SWBs), such as ponds, ditches and other humid areas consisting of open water, aquatic vegetation and/or inundated grass. These water bodies can be as small as a few m(2) and are most often not present on existing land cover maps because of their small size. We present a classification procedure based on object-based image analysis (OBIA) that proved valuable to detect SWBs at a fine scale in an operational and semi-automated way. The classification results were compared to field and other reference data such as existing broad-scale maps and expert knowledge. Overall, the SWB detection accuracy reached up to 87%. The resulting fine-scale SWB map can be used as input for spatial distribution modelling of the liver fluke snail vector to enable development of improved infection risk mapping and management advice adapted to specific, local farm situations

    Invest to Save: Report and Recommendations of the NSF-DELOS Working Group on Digital Archiving and Preservation

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    Digital archiving and preservation are important areas for research and development, but there is no agreed upon set of priorities or coherent plan for research in this area. Research projects in this area tend to be small and driven by particular institutional problems or concerns. As a consequence, proposed solutions from experimental projects and prototypes tend not to scale to millions of digital objects, nor do the results from disparate projects readily build on each other. It is also unclear whether it is worthwhile to seek general solutions or whether different strategies are needed for different types of digital objects and collections. The lack of coordination in both research and development means that there are some areas where researchers are reinventing the wheel while other areas are neglected. Digital archiving and preservation is an area that will benefit from an exercise in analysis, priority setting, and planning for future research. The WG aims to survey current research activities, identify gaps, and develop a white paper proposing future research directions in the area of digital preservation. Some of the potential areas for research include repository architectures and inter-operability among digital archives; automated tools for capture, ingest, and normalization of digital objects; and harmonization of preservation formats and metadata. There can also be opportunities for development of commercial products in the areas of mass storage systems, repositories and repository management systems, and data management software and tools.

    On Importance of Acoustic Backscatter Corrections for Texture-based Seafloor Characterization

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    Seafloor segmentation and characterization based on local textural properties of acoustic backscatter has been a subject of research since 1980s due to the highly textured appearance of sonar images. The approach consists of subdivision of sonar image in a set of patches of certain size and calculation of a vector of features reflecting the patch texture. Advance of multibeam echosounders (MBES) allowed application of texture-based techniques to real geographical space, and predicted boundaries between acoustic facies became experimentally verifiable. However, acoustic return from uncalibrated MBES produces artifacts in backscatter mosaics, which in turn affects accuracy of delineation. Development of Geocoder allowed creation of more visually consistent images, and reduced the number of factors influencing mosaic creation. It is intuitively clear that more accurate backscatter mosaics lead to more reliable classification results. However, this statement has never been thoroughly verified. It has not been investigated which corrections are important for texture-based characterization and which are not essential. In this paper the authors are investigating the Stanton Banks common dataset. Raw data files from the dataset have been processed by the Geocoder at different levels of corrections. Each processing resulted in a backscatter mosaic demonstrating artifacts of different levels of severity. Mosaics then underwent textural analysis and unsupervised classification using Matlab package SonarClass. Results of seafloor characterization corresponding to varying levels of corrections were finally compared to the one generated by the best possible mosaic (the one embodying all the available corrections), providing an indicator of classification accuracy and giving guidance about which mosaic corrections are crucial for acoustic classification and which could be safely ignored
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