Adaptive smoothness constraint image multilevel fuzzy enhancement algorithm

For the problems of poor enhancement effect and long time consuming of the traditional algorithm, an adaptive smoothness constraint image multilevel fuzzy enhancement algorithm based on secondary color-to-grayscale conversion is proposed. By using fuzzy set theory and generalized fuzzy set theory, a new linear generalized fuzzy operator transformation is carried out to obtain a new linear generalized fuzzy operator. By using linear generalized membership transformation and inverse transformation, secondary color-to-grayscale conversion of adaptive smoothness constraint image is performed. Combined with generalized fuzzy operator, the region contrast fuzzy enhancement of adaptive smoothness constraint image is realized, and image multilevel fuzzy enhancement is realized. Experimental results show that the fuzzy degree of the image is reduced by the improved algorithm, and the clarity of the adaptive smoothness constraint image is improved effectively. The time consuming is short, and it has some advantages

Põhjalik uuring ülisuure dünaamilise ulatusega piltide toonivastendamisest koos subjektiivsete testidega

A high dynamic range (HDR) image has a very wide range of luminance levels that traditional low dynamic range (LDR) displays cannot visualize. For this reason, HDR images are usually transformed to 8-bit representations, so that the alpha channel for each pixel is used as an exponent value, sometimes referred to as exponential notation [43]. Tone mapping operators (TMOs) are used to transform high dynamic range to low dynamic range domain by compressing pixels so that traditional LDR display can visualize them. The purpose of this thesis is to identify and analyse differences and similarities between the wide range of tone mapping operators that are available in the literature. Each TMO has been analyzed using subjective studies considering different conditions, which include environment, luminance, and colour. Also, several inverse tone mapping operators, HDR mappings with exposure fusion, histogram adjustment, and retinex have been analysed in this study. 19 different TMOs have been examined using a variety of HDR images. Mean opinion score (MOS) is calculated on those selected TMOs by asking the opinion of 25 independent people considering candidates’ age, vision, and colour blindness

A simplified HDR image processing pipeline for digital photography

High Dynamic Range (HDR) imaging has revolutionized the digital imaging. It allows capture, storage, manipulation, and display of full dynamic range of the captured scene. As a result, it has spawned whole new possibilities for digital photography, from photorealistic to hyper-real. With all these advantages, the technique is expected to replace the conventional 8-bit Low Dynamic Range (LDR) imaging in the future. However, HDR results in an even more complex imaging pipeline including new techniques for capturing, encoding, and displaying images. The goal of this thesis is to bridge the gap between conventional imaging pipeline to the HDR’s in as simple a way as possible. We make three contributions. First we show that a simple extension of gamma encoding suffices as a representation to store HDR images. Second, gamma as a control for image contrast can be ‘optimally’ tuned on a per image basis. Lastly, we show a general tone curve, with detail preservation, suffices to tone map an image (there is only a limited need for the expensive spatially varying tone mappers). All three of our contributions are evaluated psychophysically. Together they support our general thesis that an HDR workflow, similar to that already used in photography, might be used. This said, we believe the adoption of HDR into photography is, perhaps, less difficult than it is sometimes posed to be

Non-Iterative Tone Mapping With High Efficiency and Robustness

This paper proposes an efficient approach for tone mapping, which provides a high perceptual image quality for diverse scenes. Most existing methods, optimizing images for the perceptual model, use an iterative process and this process is time consuming. To solve this problem, we proposed a new layer-based non-iterative approach to finding an optimal detail layer for generating a tone-mapped image. The proposed method consists of the following three steps. First, an image is decomposed into a base layer and a detail layer to separate the illumination and detail components. Next, the base layer is globally compressed by applying the statistical naturalness model based on the statistics of the luminance and contrast in the natural scenes. The detail layer is locally optimized based on the structure fidelity measure, representing the degree of local structural detail preservation. Finally, the proposed method constructs the final tone-mapped image by combining the resultant layers. The performance evaluation reveals that the proposed method outperforms the benchmarking methods for almost all the benchmarking test images. Specifically, the proposed method improves an average tone mapping quality index-II (TMQI-II), a feature similarity index for tone-mapped images (FSITM), and a high-dynamic range-visible difference predictor (HDR-VDP)-2.2 by up to 0.651 (223.4%), 0.088 (11.5%), and 10.371 (25.2%), respectively, compared with the benchmarking methods, whereas it improves the processing speed by over 2611 times. Furthermore, the proposed method decreases the standard deviations of TMQI-II, FSITM, and HDR-VDP-2.2, and processing time by up to 81.4%, 18.9%, 12.6%, and 99.9%, respectively, when compared with the benchmarking methods.11Ysciescopu

Evaluation of the color image and video processing chain and visual quality management for consumer systems

With the advent of novel digital display technologies, color processing is increasingly becoming a key aspect in consumer video applications. Today’s state-of-the-art displays require sophisticated color and image reproduction techniques in order to achieve larger screen size, higher luminance and higher resolution than ever before. However, from color science perspective, there are clearly opportunities for improvement in the color reproduction capabilities of various emerging and conventional display technologies. This research seeks to identify potential areas for improvement in color processing in a video processing chain. As part of this research, various processes involved in a typical video processing chain in consumer video applications were reviewed. Several published color and contrast enhancement algorithms were evaluated, and a novel algorithm was developed to enhance color and contrast in images and videos in an effective and coordinated manner. Further, a psychophysical technique was developed and implemented for performing visual evaluation of color image and consumer video quality. Based on the performance analysis and visual experiments involving various algorithms, guidelines were proposed for the development of an effective color and contrast enhancement method for images and video applications. It is hoped that the knowledge gained from this research will help build a better understanding of color processing and color quality management methods in consumer video

Photographic tone reproduction for digital images

technical reportA classic photographic task is the mapping of the potentially high dynamic range of real world luminances to the low dynamic range of the photographic print. This tone reproduction problem is also faced by computer graphics practitioners who must map digital images to a low dynamic range print or screen. The work presented in this paper leverages the time-tested techniques of photographic practice to develop a new tone reproduction operator. In particular, we use and extend the techniques developed by Ansel Adams to deal with digital images. The resulting algorithm is simple and is shown to produce good results for the wide variety of images that we have tested

Perceiving Unknown in Dark from Perspective of Cell Vibration

Low light very likely leads to the degradation of image quality and even causes visual tasks' failure. Existing image enhancement technologies are prone to over-enhancement or color distortion, and their adaptability is fairly limited. In order to deal with these problems, we utilise the mechanism of biological cell vibration to interpret the formation of color images. In particular, we here propose a simple yet effective cell vibration energy (CVE) mapping method for image enhancement. Based on a hypothetical color-formation mechanism, our proposed method first uses cell vibration and photoreceptor correction to determine the photon flow energy for each color channel, and then reconstructs the color image with the maximum energy constraint of the visual system. Photoreceptor cells can adaptively adjust the feedback from the light intensity of the perceived environment. Based on this understanding, we here propose a new Gamma auto-adjustment method to modify Gamma values according to individual images. Finally, a fusion method, combining CVE and Gamma auto-adjustment (CVE-G), is proposed to reconstruct the color image under the constraint of lightness. Experimental results show that the proposed algorithm is superior to six state of the art methods in avoiding over-enhancement and color distortion, restoring the textures of dark areas and reproducing natural colors. The source code will be released at https://github.com/leixiaozhou/CVE-G-Resource-Base.Comment: 13 pages, 17 figure