An investigation into glottal waveform based speech coding

Coding of voiced speech by extraction of the glottal waveform has shown promise in improving the efficiency of speech coding systems. This thesis describes an investigation into the performance of such a system. The effect of reverberation on the radiation impedance at the lips is shown to be negligible under normal conditions. Also, the accuracy of the Image Method for adding artificial reverberation to anechoic speech recordings is established. A new algorithm, Pre-emphasised Maximum Likelihood Epoch Detection (PMLED), for Glottal Closure Instant detection is proposed. The algorithm is tested on natural speech and is shown to be both accurate and robust. Two techniques for giottai waveform estimation, Closed Phase Inverse Filtering (CPIF) and Iterative Adaptive Inverse Filtering (IAIF), are compared. In tandem with an LF model fitting procedure, both techniques display a high degree of accuracy However, IAIF is found to be slightly more robust. Based on these results, a Glottal Excited Linear Predictive (GELP) coding system for voiced speech is proposed and tested. Using a differential LF parameter quantisation scheme, the system achieves speech quality similar to that of U S Federal Standard 1016 CELP at a lower mean bit rate while incurring no extra delay

Speech Recognition

Chapters in the first part of the book cover all the essential speech processing techniques for building robust, automatic speech recognition systems: the representation for speech signals and the methods for speech-features extraction, acoustic and language modeling, efficient algorithms for searching the hypothesis space, and multimodal approaches to speech recognition. The last part of the book is devoted to other speech processing applications that can use the information from automatic speech recognition for speaker identification and tracking, for prosody modeling in emotion-detection systems and in other speech processing applications that are able to operate in real-world environments, like mobile communication services and smart homes

Models and Analysis of Vocal Emissions for Biomedical Applications

The MAVEBA Workshop proceedings, held on a biannual basis, collect the scientific papers presented both as oral and poster contributions, during the conference. The main subjects are: development of theoretical and mechanical models as an aid to the study of main phonatory dysfunctions, as well as the biomedical engineering methods for the analysis of voice signals and images, as a support to clinical diagnosis and classification of vocal pathologies

Singing voice analysis/synthesis

Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2003.Includes bibliographical references (p. 109-115).The singing voice is the oldest and most variable of musical instruments. By combining music, lyrics, and expression, the voice is able to affect us in ways that no other instrument can. As listeners, we are innately drawn to the sound of the human voice, and when present it is almost always the focal point of a musical piece. But the acoustic flexibility of the voice in intimating words, shaping phrases, and conveying emotion also makes it the most difficult instrument to model computationally. Moreover, while all voices are capable of producing the common sounds necessary for language understanding and communication, each voice possesses distinctive features independent of phonemes and words. These unique acoustic qualities are the result of a combination of innate physical factors and expressive characteristics of performance, reflecting an individual's vocal identity. A great deal of prior research has focused on speech recognition and speaker identification, but relatively little work has been performed specifically on singing. There are significant differences between speech and singing in terms of both production and perception. Traditional computational models of speech have focused on the intelligibility of language, often sacrificing sound quality for model simplicity. Such models, however, are detrimental to the goal of singing, which relies on acoustic authenticity for the non-linguistic communication of expression and emotion. These differences between speech and singing dictate that a different and specialized representation is needed to capture the sound quality and musicality most valued in singing.(cont.) This dissertation proposes an analysis/synthesis framework specifically for the singing voice that models the time-varying physical and expressive characteristics unique to an individual voice. The system operates by jointly estimating source-filter voice model parameters, representing vocal physiology, and modeling the dynamic behavior of these features over time to represent aspects of expression. This framework is demonstrated to be useful for several applications, such as singing voice coding, automatic singer identification, and voice transformation.by Youngmoo Edmund Kim.Ph.D