The role of youth in solving problems of the country

Before the Kyrgyz Republic faces the diffi cult task of modernization and development. One of the main resources of these tasks would be to involve young people in the solution of these problems. At the heart of democracy in the West, largely support the modernization and development — the priority of individualism and personal freedom. Even then — appearing parties, NGOs as a way of strengthening the capacity of individual wills. How do things stand with the priority of individualism and individual freedom among young people in Kyrgyzstan? In Kyrgyzstan, the average life expectancy is low — only 58 years old. The birth rate is quite high by world standards. This leads to the fact that in Kyrgyzstan the population is quite young. Potentially — it is a signifi cant resource for development: young mobile workforce. However, the role of young people in public life is quite low. With what it is connected? In our opinion, the positive and negative factors aff ecting the role of youth in the development of the Kyrgyz Republic are mainly in historical and geopolitical features of the country. So fi rst look at these characteristics, then how they aff ect the role of youth in the development of the country, and fi nally — what conclusions and recommendations from this follow

Analysis of Architectural Structure (Mosque - Shrine) of Khwaja Abu Nasr Parsa in Timurid Period of Iran in Balkh, Afghanistan

The shrines are monuments of the deceased person which are constructed for respecting and honoring the memory of the deceased person and rely on spiritual concepts such as eternality, death, etc. In this paper, an attempt has been made to analyze architectural structure  of Khwaja Abu Nasr Parsa in Balkh, Afghanistan which was part of Iran in the Timurids period and Khorasan (one of the provinces in Iran) region. This period is one of the most important periods for application of the shrine monuments. This shrine is one of the most important shrines in the Timurids period and probably is one of the known historical monuments of Balkh and also plays a role of mosque which is called a kind of shrine mosque. Research method of this paper is historical – documentary and its analysis method is descriptive –analytical.  So, all types of decorations and architectural physical elements of this monument are studied and results from magnificence are given

Analysis of Architectural Structure (Mosque - Shrine) of Khwaja Abu Nasr Parsa in Timurid Period of Iran in Balkh, Afghanistan

The shrines are monuments of the deceased person which are constructed for respecting and honoring the memory of the deceased person and rely on spiritual concepts such as eternality, death, etc. In this paper, an attempt has been made to analyze architectural structure  of Khwaja Abu Nasr Parsa in Balkh, Afghanistan which was part of Iran in the Timurids period and Khorasan (one of the provinces in Iran) region. This period is one of the most important periods for application of the shrine monuments. This shrine is one of the most important shrines in the Timurids period and probably is one of the known historical monuments of Balkh and also plays a role of mosque which is called a kind of shrine mosque. Research method of this paper is historical – documentary and its analysis method is descriptive –analytical.  So, all types of decorations and architectural physical elements of this monument are studied and results from magnificence are given

Analysis of Architectural Structure (Mosque - Shrine) of Khwaja Abu Nasr Parsa in Timurid Period of Iran in Balkh, Afghanistan

The shrines are monuments of the deceased person which are constructed for respecting and honoring the memory of the deceased person and rely on spiritual concepts such as eternality, death, etc. In this paper, an attempt has been made to analyze architectural structure  of Khwaja Abu Nasr Parsa in Balkh, Afghanistan which was part of Iran in the Timurids period and Khorasan (one of the provinces in Iran) region. This period is one of the most important periods for application of the shrine monuments. This shrine is one of the most important shrines in the Timurids period and probably is one of the known historical monuments of Balkh and also plays a role of mosque which is called a kind of shrine mosque. Research method of this paper is historical – documentary and its analysis method is descriptive –analytical.  So, all types of decorations and architectural physical elements of this monument are studied and results from magnificence are given

Timurid Tile Style in Anatolia and Footprints of Masters of Tabriz

Due to the political situation after the Ankara Battle, impact of Timurid style appears in Ottoman art lasting about a century. After reorganizing process from the concussion of defeat in Ankara, Ottomans import the artistic style of Timurids, which is their new politic model and rival, with a traumatic apprehension. The signs of this import style can be seen in several structures in Ottoman state and several principalities around. A survey of these structures gives information on the journey of the first group of artists that came from the Timurid state to Anatolia. The first, who came to Anatolia, were a group of Tabrizian artists, with NakkaĢ Ali, who was taken away from Bursa to Semerkand and set free to return after the death of Timur. Masters of Tabriz, who were thought to work in Timurid structures in Samarkand , undertook the tile decoration of YeĢil Complex (1419- 1424), which was the first significant architectural activity after the Ankara Battle. Masters of Tabriz implemented the cuerda seca technique and some other Timurid tile tradition, as an innovation for Anatolia in YeĢil Complex. Just after completing their work in YeĢil Complex, they continued to work in Muradiye Complex (1424-1426). Then, they moved to Edirne with the order of sultan, to decorate Muradiye Mevlevihanesi (1427). After Edirne, they appear in Kütahya, capital of the Germiyanoğlu Principality, decorating the tomb of Yakup Beg II (1429), who had political and relative connections with the Ottoman dynasty. Tomb of Yakup Beg II had been the last work of Masters of Tabriz in Bursa-Edirne-Kütahya triangle. Probably, they left this region to return their homeland, Tabriz, afterwards. However, the cuerda seca tiles in Ġbrahim Beg II Ġmaret in Karaman (1432) suggests that, Masters of Tabriz should work there as well. The journey of a fifteenth century artist group will be traced with historical and architectural references based on a chronologic survey on the tiles of the buildings

Musical Culture of Timur and Timurid Times

This article presents reviews of the musical art of the period of Timur and the Timurids

Some remarks on the Turkicisation of the Mongols in post-Mongol Central Asia and the Qipchaq Steppe

The Turkic nomads of the Mongol successor states in Central Asia and the Qipchaq Steppe arose from the merging of various Turkic groups and the Mongols. The former had consisted of heterogeneous elements that did not coalesce into a single entity sharing a common identity and historical consciousness. They thus did not constitute a uniform majority in relation to the more cohesive Mongols. In terms of tribal and genetic compositions, the Turkic nomads of the Mongol successor states were closer to the Mongols than to the pre-Mongol Turkic groups. Naturally, they held on to a predominantly Mongol orientation rather than reverting to pre-Mongol identities

STUDYING HISTORY OF UZBEK ANTHROPONYMS AND ANTHROPONYMS IN THE WORK “TEMUR-NAME”

This article examines the history of the study of Uzbek anthroponyms and some anthroponyms in the work "Temur-name", the concepts of anthroponyms, anthroponymics, anthroponymy, historical anthroponymy, historical anthroponym, the role of such anthroponyms in the historical anthroponymy of the Uzbek language and their lexical-semantic, methodological features are analyzed. It is known that anthroponymy is a branch of anthropology that studies the origin, development, motives of naming, their functional properties. i.e. a person's horse) i.e. a set of well-known noun, a fund of which exists in a language. Anthroponymy (from Greek avdpwnog – anthropos + onoma – famous noun) - one of the most popular noun names, ie name, surname, nickname, pseudonym). The role of anthroponyms in the lexical system, the study of their semantic and methodological features from the point of view of linguistics is important in the work "Temur-name, dedicated to the history of the Timurids. From this point of view, the onomastics of Temur-name is relevant to the study of anthroponyms, and nicknames. Every name or other onomastic unit used in the text of "Temur-name" harmonizes with the artistic layer of the work and becomes an integral part of it. The onomastic scale in “Temur-name” consists of a number of historical names, tissue names, ie anthroponyms, toponyms, hydronyms, ethnonyms, oikonyms, oronyms and so on. The names used in the play come in different ideological and artistic tasks, creating a unique "panorama" of onomastic units. The history of the study of anthroponymy of the Uzbek language is analyzed on the basis of scientific sources, and at the end of the article there is a brief account of the name of Sahibkiran (Tamerlan) used in historical and artistic sources.Keywords: Uzbek anthroponyms, Uzbek historical anthroponymy, onomastics, anthroponymics, anthroponymy, anthroponym, historical anthroponymy, historical anthroponym, Amir Temur, Temurbek, “Temur-name”, name, Temurid names, humanity, name