34,652 research outputs found
New Ideas for Brain Modelling
This paper describes some biologically-inspired processes that could be used
to build the sort of networks that we associate with the human brain. New to
this paper, a 'refined' neuron will be proposed. This is a group of neurons
that by joining together can produce a more analogue system, but with the same
level of control and reliability that a binary neuron would have. With this new
structure, it will be possible to think of an essentially binary system in
terms of a more variable set of values. The paper also shows how recent
research associated with the new model, can be combined with established
theories, to produce a more complete picture. The propositions are largely in
line with conventional thinking, but possibly with one or two more radical
suggestions. An earlier cognitive model can be filled in with more specific
details, based on the new research results, where the components appear to fit
together almost seamlessly. The intention of the research has been to describe
plausible 'mechanical' processes that can produce the appropriate brain
structures and mechanisms, but that could be used without the magical
'intelligence' part that is still not fully understood. There are also some
important updates from an earlier version of this paper
Information Compression, Intelligence, Computing, and Mathematics
This paper presents evidence for the idea that much of artificial
intelligence, human perception and cognition, mainstream computing, and
mathematics, may be understood as compression of information via the matching
and unification of patterns. This is the basis for the "SP theory of
intelligence", outlined in the paper and fully described elsewhere. Relevant
evidence may be seen: in empirical support for the SP theory; in some
advantages of information compression (IC) in terms of biology and engineering;
in our use of shorthands and ordinary words in language; in how we merge
successive views of any one thing; in visual recognition; in binocular vision;
in visual adaptation; in how we learn lexical and grammatical structures in
language; and in perceptual constancies. IC via the matching and unification of
patterns may be seen in both computing and mathematics: in IC via equations; in
the matching and unification of names; in the reduction or removal of
redundancy from unary numbers; in the workings of Post's Canonical System and
the transition function in the Universal Turing Machine; in the way computers
retrieve information from memory; in systems like Prolog; and in the
query-by-example technique for information retrieval. The chunking-with-codes
technique for IC may be seen in the use of named functions to avoid repetition
of computer code. The schema-plus-correction technique may be seen in functions
with parameters and in the use of classes in object-oriented programming. And
the run-length coding technique may be seen in multiplication, in division, and
in several other devices in mathematics and computing. The SP theory resolves
the apparent paradox of "decompression by compression". And computing and
cognition as IC is compatible with the uses of redundancy in such things as
backup copies to safeguard data and understanding speech in a noisy
environment
Kolmogorov Complexity in perspective. Part II: Classification, Information Processing and Duality
We survey diverse approaches to the notion of information: from Shannon
entropy to Kolmogorov complexity. Two of the main applications of Kolmogorov
complexity are presented: randomness and classification. The survey is divided
in two parts published in a same volume. Part II is dedicated to the relation
between logic and information system, within the scope of Kolmogorov
algorithmic information theory. We present a recent application of Kolmogorov
complexity: classification using compression, an idea with provocative
implementation by authors such as Bennett, Vitanyi and Cilibrasi. This stresses
how Kolmogorov complexity, besides being a foundation to randomness, is also
related to classification. Another approach to classification is also
considered: the so-called "Google classification". It uses another original and
attractive idea which is connected to the classification using compression and
to Kolmogorov complexity from a conceptual point of view. We present and unify
these different approaches to classification in terms of Bottom-Up versus
Top-Down operational modes, of which we point the fundamental principles and
the underlying duality. We look at the way these two dual modes are used in
different approaches to information system, particularly the relational model
for database introduced by Codd in the 70's. This allows to point out diverse
forms of a fundamental duality. These operational modes are also reinterpreted
in the context of the comprehension schema of axiomatic set theory ZF. This
leads us to develop how Kolmogorov's complexity is linked to intensionality,
abstraction, classification and information system.Comment: 43 page
The Machine Starts: Computers as Collaborators in Writing
The penetration of digital technologies into the process of creating and disseminating narratives is no longer a new phenomenon, but perhaps what does still seem strange and far-fetched is the suggestion that machines are collaborators and authors in their own right. This paper examines an example of a computer-mediated narrative and suggests that not only does the machine exert its own agency in the process of writing, but this process has a long provenance from the ancient world, through the 20th century avant garde, and into contemporary technological futurism
The Eroding Artificial/Natural Distinction: Some Consequences for Ecology and Economics
Since Thomas Kuhnâs The Structure of Scientific Revolutions (1962), historians and philosophers of science have paid increasing attention to the implications of disciplinarity. In this chapter we consider restrictions posed to interdisciplinary exchange between ecology and economics that result from a particular kind of commitment to the ideal of disciplinary purity, that is, that each discipline is defined by an appropriate, unique set of objects, methods, theories, and aims. We argue that, when it comes to the objects of study in ecology and economics, ideas of disciplinary purity have been underwritten by the artificial-natural distinction. We then problematize this distinction, and thus disciplinary purity, both conceptually and empirically. Conceptually, the distinction is no longer tenable. Empirically, recent interdisciplinary research has shown the epistemological and policy-oriented benefits of dealing with models which explicitly link anthropogenic (i.e., âartificialâ) and non-anthropogenic factors (i.e., ânaturalâ). We conclude that, in the current age of the Anthropocene, it is to be expected that without interdisciplinary exchange, ecology and economics may relinquish global relevance because the distinct and separate systems to which each âpureâ science was originally made to apply will only diminish over time
Agential realism meets feminist art. A diffractive dialogue between writers, theories and art
This article invites readers to follow our diffractive dialogue, which reflects on our interdisciplinary collaboration in thinking and writing with Karen Barad. Working with Baradâs diffractive methodology, we bring her agential realism, insights from quantum physics and feminist theories to contemporary feminist art. The aesthetic practices of three art works are discussed, and we argue that these call for an understanding of eco-, capitalist-, colonialist- and feminist critique as interrelated phenomena in the sense of agential realism. This is because it is not only the art works themselves that create encounter-moments of being-entangled with the bodies and discourses that surround them. From a methodological perspective, we are also interested in marking diffractive moments of encounter with the art works and between us, given our different disciplinary backgrounds. So, we intend to open up a space of encounters between Baradâs work, the work of the three artists and the work of ourselves as writers
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