Motion in place: a case study of archaeological reconstruction using motion capture

Human movement constitutes a fundamental part of the archaeological process, and of any interpretationof a site’s usage; yet there has to date been little or no consideration of how movement observed (incontemporary situations) and inferred (in archaeological reconstruction) can be documented. This paper reports on the Motion in Place Platform project, which seeks to use motion capture hardware and data totest human responses to Virtual Reality (VR) environments and their real-world equivalents using round houses of the Southern British Iron Age which have been both modelled in 3D and reconstructed in the present day as a case study. This allows us to frame questions about the assumptions which are implicitlyhardwired into VR presentations of archaeology and cultural heritage in new ways. In the future, this will lead to new insights into how VR models can be constructed, used and transmitted

Re use: archaeology and storytelling

Attempts to describe and characterise the re use of existing buildings in recent interior architectural theory have often centred on the language and syntax associated with literary arts. Remodelling and interior interventions are often described in terms of translation, interpretation, poetry, essay and narrative. This is not without substance and indeed it is not only the act that is described in such terms but the very thing itself. The intervention or remodelled architectural form is an essay on and narration of the existing building. It translates and interoperates a previous history and story manifest within the fabric of the existing building and act as its biographer. This act of storytelling is predetermined by the excavation of the story. As a precursor to the narration, the designer translates and adopts the behaviour of the archaeologist. It is a process of careful and predetermined removal and discovery that allows the depiction of previous lives, events and culture to become part of the present. The intervention as a mechanism for re use is a biographic interpretation of the previous and an auto biographic narration of the present. It is this ability to be both representational of the past and the present that establishes the significance of the intervention as a key contributor to place within this persistent context. This paper aims to contribution to current discourse in relation to the validity and authenticity of the built interior and the re use of the existing

We All Live in a Virtual Submarine

Our seas and oceans hide a plethora of archaeological sites such as ancient shipwrecks that, over time, are being destroyed through activities such as deepwater trawling and treasure hunting. In 2006, a multidisciplinary team of 11 European institutions established the Venus (Virtual Exploration of Underwater Sites) consortium to make underwater sites more accessible by generating thorough, exhaustive 3D records for virtual exploration

Franz Cumont’s Syrian tour: a Belgian archaeologist in the Ottoman empire

This paper highlights the Western scientific traveller as an intermediary between Orient and Occident around the turn of the nineteenth century by presenting a case study on the Belgian archaeologist and historian of religions, Franz Cumont (1868-1947), and the dossier of the journey he undertook in Northern Syria, May 1907. After a discussion of this classicist's relation to the Orient, I give an account of Cumont's Syrian tour, based on three different writing contexts: the academic output of the expedition in Northern Syria, Cumont's private travel notes, and both his active and passive correspondence. Still focusing on the case of Franz Cumont and the dossier of his archaeological journey in 1907, in a third and fourth section I examine two ways in which the Orient was brought to the Occident by the scientific traveller. Firstly, by the acquisition and transfer of archaeological material from the Orient to the Occident, providing Western institutions with Eastern artefacts. Secondly, by the transfer of ideas and images: how did the Occidental scientific traveller, the archaeologist, convey his experiences with the "real" Orient to the European readership? I will disclose how Franz Cumont expressed his evaluation of the ancient Orient, which he studied, and the contemporary Orient, which he experienced during his travels

The Geoff Egan Memorial Lecture 2011. Artefacts, art and artifice: reconsidering iconographic sources for archaeological objects in early modern Europe

A first systematic analysis of historic domestic material culture depicted in contemporaneous Western painting and prints, c.1400-1800. Drawing on an extensive data set, the paper proposes to methodologies and hermeneutics for historical analysis and archaeological correspondence