176,885 research outputs found

    Behind Valencia: A Contemporary Play

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    SYNOPSIS The purpose of this play is to highlight the length that modern females go to in order to maintain a desired appearance, especially across social media. These desired appearances are influenced by the glamorous and unrealistic looks and physiques that are prevalent in the media. Essentially, the primary goal of these characters is to attract the attention of their male counterparts because of the gender roles society promotes. This shallow lifestyle can be completely consuming for impressionable, young females

    It's Cool Inside: Advertising Air Conditioning to Postwar Suburbia

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    Open Source Architecture: Redefining Residential Architecture in Islamabad

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    Islamabad, a planned city, has grown rapidly since its conception in the 1960’s but it has not followed its predetermined fate but rather grown haphazardly due to the lack of infrastructure available to implement Doxiadis’s master plan. The city was unable to meet the housing requirements of the people causing them to build gated communities on the outskirts of Islamabad and its sister city, Rawalpindi. The market demands caused city prices to rise exponentially, increasing the economic divide between the social classes. The city which was once supposed to reflect diversity of social classes became home to the elite and the privileged. To heal these woes, the government needs to rethink the by-laws to echo the changes in the economy and society of Islamabad. Today, the city is facing multiple issues politically, economically and socially. The energy crisis is opening up the need for people to find alternative energy solutions. By defining a set of principles which reflect the teachings of vernacular architecture and employing renewable energy techniques, this thesis envisions a matrix of solutions tackling these issues. An open source platform would provide a data base of options for the 4 different types of dwellings defined by the housing authority. This would engage the city in an architectural discourse that does not currently exist, it would invite the layperson to understand and build awareness in the general population from architect to owner to builder

    Out of China: Monumental Porcelain

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    Working collaboratively with teams of local craftsmen in a Chinese manufactory in Jingdezhen, Aylieff has explored how technologies can be adapted to produce appropriate, original and unique contemporary sculptural expressions. Her research has resulted in artworks using an extreme scale not typically associated with porcelain. During a series of residencies in Jingdezhen, Aylieff investigated local traditional ‘blue and white’ ceramic techniques, including glaze application, decorative brushwork and firing methods. This body of research was primarily presented through four exhibitions, two with associated texts. ‘Out of China: Monumental Porcelain’ was an Arts Council-funded solo exhibition of work by Aylieff. During 2008–9, the exhibition toured to three venues: Barn Gallery, West Dean; Gallery Oldham, Manchester; and Lightbox Gallery, Woking. An associated book was published with text by Aylieff and an essay by Professor Emmanuel Cooper. ‘Contemporary Craft Comes to No.10’ was a joint exhibition of work shown at No.10 Downing Street in 2011. Aylieff was one of eight leading makers whose work was selected to be shown. Porcelain City Jingdezhen, a joint exhibition by Felicity Aylieff, Roger Law, Ah Xian, and Takeshi Yasuda was shown at the V&A Museum (2011-12). The exhibition focused on the rich language and history of Chinese porcelain and present-day life in Jingdezhen through contemporary ceramic production. The publication Porcelain City Jingdezhen, which accompanied the exhibition, included an essay by Aylieff: ‘Scooters, Buddhas and water lilies’. ‘China’s White Gold’, an exhibition held at the Fitzwilliam Museum, Cambridge (2012-13), featured eight of Aylieff’s pieces, including four monumental works. Pieces from the exhibitions were acquired by public institutions and for major international collections including the V&A; Shipley Art Gallery; York Museum, and Chatsworth House. During her residency at Jingdezhen, Aylieff was interviewed for the BBC4 television documentary Treasures of Chinese Porcelain (2011)

    City Designed for Subtropical Living - Carrying forward the momentum from Subtropical Cities 2006

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    At a time when cities around the world are increasingly looking and feeling the same, and similarly adding to mounting environmental crises, the Subtropical Cities conference hosted by the Centre for Subtropical Design in Brisbane a few months ago generated keen enthusiasm for ways subtropical environments can produce new models for urbanism and address the problems of the contemporary city. Subtropical Cities was characterised by a genuine sense of excitement about how, in the subtropics, we can plan and design urbanism that is enriched by commitment to local distinctiveness through attention to climate, cultural values and landscape. The conference confirmed that if we are to face the challenges of today and the future, we need a framework that accommodates complexity and diversity. Invaluable micro-tactics and subtle incremental changes which dwell on amenity and liveability are necessary; not the tallest, not the biggest, not the most spectacular! Such excesses are easily achieved

    Food on Wheels: Mobile Vending Goes Mainstream

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    Mobile food vending generates approximately 650millioninrevenueannually.Theindustryisprojectedtoaccountforapproximately650 million in revenue annually. The industry is projected to account for approximately 2.7 billion in food revenue over the next five years, but unfortunately, most cities are legally ill-equipped to harness this expansion. Many city ordinances were written decades ago, with a different type of mobile food supplier in mind, like ice cream trucks, hot dog carts, sidewalk peddlers, and similar operators. Modern mobile vending is a substantial departure from the vending typically assumed in outdated local regulations. Vendors utilize large vehicles packed with high-tech cooking equipment and sanitation devices to provide sophisticated, safe food usually prepared to order. Increasingly, city leaders are recognizing that food trucks are here to stay. They also recognize that there is no "one size fits all" prescription for how to most effectively incorporate food trucks into the fabric of a community. With the intent of helping city leaders with this task, this guide examines the following questions: What policy options do local governments have to regulate food trucks? What is the best way to incorporate food trucks into the fabric of a city, taking into account the preferences of all stakeholders?Thirteen cities of varying size and geographic location were analyzed for this study. Information on vending regulations within each of these cities was collected and analyzed, and supplemented with semi-structured interviews with city staff and food truck vendors

    Characterising Draught in Mediterranean Multifamily Housing

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    Social housing dating from the postwar years through the end of the twentieth century is one of the major stores of European cities’ residential stock. As it is generally characterised by a poor thermal performance and an ine cient control of energy consumption, it constitutes one of the main targets for residential heritage renewal. This study aimed to locate and quantify air leaks across building envelopes in Mediterranean multifamily housing with a view to curbing the uncontrolled inflow of outdoor air that has a direct impact on occupant comfort and housing energy demand. Airtightness tests conducted in a series of protocols to quantify draught across envelope elements were supplemented with qualitative infrared thermographic and smoke tests to locate leakage pathways. Air was found to flow mainly across façade enclosures, primarily around openings, as well as through service penetrations in walls between flats and communal areas accommodating electrical and telecommunication wires and water supply, domestic hot water (DHW), and drainage pipes. The general absence of evidence of draught across structural floors or inter-flat partitions was consistent with the construction systems in place

    Postmodernism: Style and Subversion 1970-1990

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    ‘Postmodernism’ was the final instalment of a 12-year series of V&A exhibitions exploring 20th-century design. It examined a diverse collection of creative practices in art, architecture, design, fashion, graphics, film, performance and pop music/video, which the curators, Pavitt and Adamson (V&A/RCA), identified under the common theme of ‘postmodernism’. The exhibition assessed the rise and decline of postmodern strategies in art and style cultures of the period, exploring their radical impact as well as their inextricable links with the economics and effects of late-capitalist culture. The exhibition comprised over 250 objects, including large-scale reconstructions and archive film/video footage, drawn from across Europe, Japan and the USA. It was the first exhibition to bring together this range of material and to foreground the significance of pop music and performance in the development of postmodernism. Pavitt originated and co-curated the exhibition with Adamson. They shared intellectual ownership of the project and equal responsibility for writing and editing the accompanying 320-page book (including a 40,000-word jointly written introduction), but divided research responsibilities according to geography and subject. The research was conducted over four years, with Pavitt leading on European and British material. This involved interviewing artists, designers and architects active in the period and working with collections and archives across Europe. The research led to the acquisition of c.80 objects for the V&A’s permanent collections, making it one of the most significant public collections of late-20th-century design in the world. The exhibition was critically reviewed worldwide. For the Independent, ‘bright ideas abound at the V&A’s lucid show’ (2011). It attracted 115,000 visitors at the V&A (15% over the Museum’s target) and travelled in 2012 to MART Rovereto, Italy (50,000 visitors) and Landesmuseum ZĂŒrich, Switzerland (70,000 visitors). Pavitt was invited to speak about the exhibition in the UK, USA, Poland, Portugal, Ireland and Italy (2010-12)

    Secure and Prepared Newsletter, February 11, 2011, Vol. 7, no. 3

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    A bi-weekly newsletter for those involved in the fields of homeland security and/or emergency managemen
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