Resiliency Assessment and Enhancement of Intrinsic Fingerprinting

Intrinsic fingerprinting is a class of digital forensic technology that can detect traces left in digital multimedia data in order to reveal data processing history and determine data integrity. Many existing intrinsic fingerprinting schemes have implicitly assumed favorable operating conditions whose validity may become uncertain in reality. In order to establish intrinsic fingerprinting as a credible approach to digital multimedia authentication, it is important to understand and enhance its resiliency under unfavorable scenarios. This dissertation addresses various resiliency aspects that can appear in a broad range of intrinsic fingerprints. The first aspect concerns intrinsic fingerprints that are designed to identify a particular component in the processing chain. Such fingerprints are potentially subject to changes due to input content variations and/or post-processing, and it is desirable to ensure their identifiability in such situations. Taking an image-based intrinsic fingerprinting technique for source camera model identification as a representative example, our investigations reveal that the fingerprints have a substantial dependency on image content. Such dependency limits the achievable identification accuracy, which is penalized by a mismatch between training and testing image content. To mitigate such a mismatch, we propose schemes to incorporate image content into training image selection and significantly improve the identification performance. We also consider the effect of post-processing against intrinsic fingerprinting, and study source camera identification based on imaging noise extracted from low-bit-rate compressed videos. While such compression reduces the fingerprint quality, we exploit different compression levels within the same video to achieve more efficient and accurate identification. The second aspect of resiliency addresses anti-forensics, namely, adversarial actions that intentionally manipulate intrinsic fingerprints. We investigate the cost-effectiveness of anti-forensic operations that counteract color interpolation identification. Our analysis pinpoints the inherent vulnerabilities of color interpolation identification, and motivates countermeasures and refined anti-forensic strategies. We also study the anti-forensics of an emerging space-time localization technique for digital recordings based on electrical network frequency analysis. Detection schemes against anti-forensic operations are devised under a mathematical framework. For both problems, game-theoretic approaches are employed to characterize the interplay between forensic analysts and adversaries and to derive optimal strategies. The third aspect regards the resilient and robust representation of intrinsic fingerprints for multiple forensic identification tasks. We propose to use the empirical frequency response as a generic type of intrinsic fingerprint that can facilitate the identification of various linear and shift-invariant (LSI) and non-LSI operations

An Overview on Image Forensics

The aim of this survey is to provide a comprehensive overview of the state of the art in the area of image forensics. These techniques have been designed to identify the source of a digital image or to determine whether the content is authentic or modified, without the knowledge of any prior information about the image under analysis (and thus are defined as passive). All these tools work by detecting the presence, the absence, or the incongruence of some traces intrinsically tied to the digital image by the acquisition device and by any other operation after its creation. The paper has been organized by classifying the tools according to the position in the history of the digital image in which the relative footprint is left: acquisition-based methods, coding-based methods, and editing-based schemes

Digital Multimedia Forensics and Anti-Forensics

As the use of digital multimedia content such as images and video has increased, so has the means and the incentive to create digital forgeries. Presently, powerful editing software allows forgers to create perceptually convincing digital forgeries. Accordingly, there is a great need for techniques capable of authenticating digital multimedia content. In response to this, researchers have begun developing digital forensic techniques capable of identifying digital forgeries. These forensic techniques operate by detecting imperceptible traces left by editing operations in digital multimedia content. In this dissertation, we propose several new digital forensic techniques to detect evidence of editing in digital multimedia content. We begin by identifying the fingerprints left by pixel value mappings and show how these can be used to detect the use of contrast enhancement in images. We use these fingerprints to perform a number of additional forensic tasks such as identifying cut-and-paste forgeries, detecting the addition of noise to previously JPEG compressed images, and estimating the contrast enhancement mapping used to alter an image. Additionally, we consider the problem of multimedia security from the forger's point of view. We demonstrate that an intelligent forger can design anti-forensic operations to hide editing fingerprints and fool forensic techniques. We propose an anti-forensic technique to remove compression fingerprints from digital images and show that this technique can be used to fool several state-of-the-art forensic algorithms. We examine the problem of detecting frame deletion in digital video and develop both a technique to detect frame deletion and an anti-forensic technique to hide frame deletion fingerprints. We show that this anti-forensic operation leaves behind fingerprints of its own and propose a technique to detect the use of frame deletion anti-forensics. The ability of a forensic investigator to detect both editing and the use of anti-forensics results in a dynamic interplay between the forger and forensic investigator. We use develop a game theoretic framework to analyze this interplay and identify the set of actions that each party will rationally choose. Additionally, we show that anti-forensics can be used protect against reverse engineering. To demonstrate this, we propose an anti-forensic module that can be integrated into digital cameras to protect color interpolation methods

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Fundamental Limits in Multimedia Forensics and Anti-forensics

As the use of multimedia editing tools increases, people become questioning the authenticity of multimedia content. This is specially a big concern for authorities, such as law enforcement, news reporter and government, who constantly use multimedia evidence to make critical decisions. To verify the authenticity of multimedia content, many forensic techniques have been proposed to identify the processing history of multimedia content under question. However, as new technologies emerge and more complicated scenarios are considered, the limitation of multimedia forensics has been gradually realized by forensic researchers. It is the inevitable trend in multimedia forensics to explore the fundamental limits. In this dissertation, we propose several theoretical frameworks to study the fundamental limits in various forensic problems. Specifically, we begin by developing empirical forensic techniques to deal with the limitation of existing techniques due to the emergence of new technology, compressive sensing. Then, we go one step further to explore the fundamental limit of forensic performance. Two types of forensic problems have been examined. In operation forensics, we propose an information theoretical framework and define forensicability as the maximum information features contain about hypotheses of processing histories. Based on this framework, we have found the maximum number of JPEG compressions one can detect. In order forensics, an information theoretical criterion is proposed to determine when we can and cannot detect the order of manipulation operations that have been applied on multimedia content. Additionally, we have examined the fundamental tradeoffs in multimedia antiforensics, where attacking techniques are developed by forgers to conceal manipulation fingerprints and confuse forensic investigations. In this field, we have defined concealability as the effectiveness of anti-forensics concealing manipulation fingerprints. Then, a tradeoff between concealability, rate and distortion is proposed and characterized for compression anti-forensics, which provides us valuable insights of how forgers may behave under their best strategy

Source identification in image forensics

Source identification is one of the most important tasks in digital image forensics. In fact, the ability to reliably associate an image with its acquisition device may be crucial both during investigations and before a court of law. For example, one may be interested in proving that a certain photo was taken by his/her camera, in order to claim intellectual property. On the contrary, it may be law enforcement agencies that are interested to trace back the origin of some images, because they violate the law themselves (e.g. do not respect privacy laws), or maybe they point to subjects involved in unlawful and dangerous activities (like terrorism, pedo-pornography, etc). More in general, proving, beyond reasonable doubts, that a photo was taken by a given camera, may be an important element for decisions in court. The key assumption of forensic source identification is that acquisition devices leave traces in the acquired content, and that instances of these traces are specific to the respective (class of) device(s). This kind of traces is present in the so-called device fingerprint. The name stems from the forensic value of human fingerprints. Motivated by the importance of the source identification in digital image forensics community and the need of reliable techniques using device fingerprint, the work developed in the Ph.D. thesis concerns different source identification level, using both feature-based and PRNU-based approach for model and device identification. In addition, it is also shown that counter-forensics methods can easily attack machine learning techniques for image forgery detection. In model identification, an analysis of hand-crafted local features and deep learning ones has been considered for the basic two-class classification problem. In addition, a comparison with the limited knowledge and the blind scenario are presented. Finally, an application of camera model identification on various iris sensor models is conducted. A blind scenario technique that faces the problem of device source identification using the PRNU-based approach is also proposed. With the use of the correlation between single-image sensor noise, a blind two-step source clustering is proposed. In the first step correlation clustering together with ensemble method is used to obtain an initial partition, which is then refined in the second step by means of a Bayesian approach. Experimental results show that this proposal outperforms the state-of-the-art techniques and still give an acceptable performance when considering images downloaded from Facebook

Image and Video Forensics

Nowadays, images and videos have become the main modalities of information being exchanged in everyday life, and their pervasiveness has led the image forensics community to question their reliability, integrity, confidentiality, and security. Multimedia contents are generated in many different ways through the use of consumer electronics and high-quality digital imaging devices, such as smartphones, digital cameras, tablets, and wearable and IoT devices. The ever-increasing convenience of image acquisition has facilitated instant distribution and sharing of digital images on digital social platforms, determining a great amount of exchange data. Moreover, the pervasiveness of powerful image editing tools has allowed the manipulation of digital images for malicious or criminal ends, up to the creation of synthesized images and videos with the use of deep learning techniques. In response to these threats, the multimedia forensics community has produced major research efforts regarding the identification of the source and the detection of manipulation. In all cases (e.g., forensic investigations, fake news debunking, information warfare, and cyberattacks) where images and videos serve as critical evidence, forensic technologies that help to determine the origin, authenticity, and integrity of multimedia content can become essential tools. This book aims to collect a diverse and complementary set of articles that demonstrate new developments and applications in image and video forensics to tackle new and serious challenges to ensure media authenticity

Security of Forensic Techniques for Digital Images

Digital images are used everywhere in modern life and mostly replace traditional photographs. At the same time, due to the popularity of image editing tools, digital images can be altered, often leaving no obvious evidence. Thus, evaluating image authenticity is indispensable. Image forensic techniques are used to detect forgeries in digital images in the absence of embedded watermarks or signatures. Nevertheless, some legitimate or illegitimate image post-processing operations can affect the quality of the forensic results. Therefore, the reliability of forensic techniques needs to be investigated. The reliability is understood in this case as the robustness against image post-processing operations or the security against deliberated attacks. In this work, we first develop a general test framework, which is used to assess the effectiveness and security of image forensic techniques under common conditions. We design different evaluation metrics, image datasets, and several different image post-processing operations as a part of the framework. Secondly, we build several image forensic tools based on selected algorithms for detecting copy-move forgeries, re-sampling artifacts, and manipulations in JPEG images. The effectiveness and robustness of the tools are evaluated by using the developed test framework. Thirdly, for each selected technique, we develop several targeted attacks. The aim of targeted attacks against a forensic technique is to remove forensic evidence present in forged images. Subsequently, by using the test framework and the targeted attacks, we can thoroughly evaluate the security of the forensic technique. We show that image forensic techniques are often sensitive and can be defeated when their algorithms are publicly known. Finally, we develop new forensic techniques which achieve higher security in comparison with state-of-the-art forensic techniques

Data Hiding and Its Applications

Data hiding techniques have been widely used to provide copyright protection, data integrity, covert communication, non-repudiation, and authentication, among other applications. In the context of the increased dissemination and distribution of multimedia content over the internet, data hiding methods, such as digital watermarking and steganography, are becoming increasingly relevant in providing multimedia security. The goal of this book is to focus on the improvement of data hiding algorithms and their different applications (both traditional and emerging), bringing together researchers and practitioners from different research fields, including data hiding, signal processing, cryptography, and information theory, among others