50 research outputs found

    Control of the position of particles in open microfluidic systems

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    Law and Policy for the Quantum Age

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    Law and Policy for the Quantum Age is for readers interested in the political and business strategies underlying quantum sensing, computing, and communication. This work explains how these quantum technologies work, future national defense and legal landscapes for nations interested in strategic advantage, and paths to profit for companies

    Analog Front-End Circuits for Massive Parallel 3-D Neural Microsystems.

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    Understanding dynamics of the brain has tremendously improved due to the progress in neural recording techniques over the past five decades. The number of simultaneously recorded channels has actually doubled every 7 years, which implies that a recording system with a few thousand channels should be available in the next two decades. Nonetheless, a leap in the number of simultaneous channels has remained an unmet need due to many limitations, especially in the front-end recording integrated circuits (IC). This research has focused on increasing the number of simultaneously recorded channels and providing modular design approaches to improve the integration and expansion of 3-D recording microsystems. Three analog front-ends (AFE) have been developed using extremely low-power and small-area circuit techniques on both the circuit and system levels. The three prototypes have investigated some critical circuit challenges in power, area, interface, and modularity. The first AFE (16-channels) has optimized energy efficiency using techniques such as moderate inversion, minimized asynchronous interface for data acquisition, power-scalable sampling operation, and a wide configuration range of gain and bandwidth. Circuits in this part were designed in a 0.25μm CMOS process using a 0.9-V single supply and feature a power consumption of 4μW/channel and an energy-area efficiency of 7.51x10^15 in units of J^-1Vrms^-1mm^-2. The second AFE (128-channels) provides the next level of scaling using dc-coupled analog compression techniques to reject the electrode offset and reduce the implementation area further. Signal processing techniques were also explored to transfer some computational power outside the brain. Circuits in this part were designed in a 180nm CMOS process using a 0.5-V single supply and feature a power consumption of 2.5μW/channel, and energy-area efficiency of 30.2x10^15 J^-1Vrms^-1mm^-2. The last AFE (128-channels) shows another leap in neural recording using monolithic integration of recording circuits on the shanks of neural probes. Monolithic integration may be the most effective approach to allow simultaneous recording of more than 1,024 channels. The probe and circuits in this part were designed in a 150 nm SOI CMOS process using a 0.5-V single supply and feature a power consumption of only 1.4μW/channel and energy-area efficiency of 36.4x10^15 J^-1Vrms^-1mm^-2.PHDElectrical EngineeringUniversity of Michigan, Horace H. Rackham School of Graduate Studieshttp://deepblue.lib.umich.edu/bitstream/2027.42/98070/1/ashmouny_1.pd

    Heritage in the Clouds: Englishness in the Dolomites

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    Guided by the romantic compass of Byron, Ruskin and Turner, Victorian travellers to the Dolomites sketched through their wanderings in the mountainous backdrop of Venice a cultural ‘Petit Tour’ of global significance. As they zigzagged across a debatable land consumed by competing frontiers, Victorians discovered a unique geography characterized by untrodden peaks and unfrequented valleys. This landscape blended aesthetic, scientific and cultural values utterly different from those engendered by the bombastic conquests of the Western Alps achieved during the ‘Golden Age of Mountaineering’. Filtered through the cultivated lens of the Venetian Grand Tour, their encounter with the Dolomites is marked by a series of distinct cultural practices that paradigmatically define what I call the ‘Silver Age of Mountaineering’. These cultural practices, magnetized by symbols of Englishness, reveal a range of geographic concerns that are more ethnographic than imperialistic, more feminine than masculine, more artistic than sportive – rather than racing to summits, the Silver Age is about rambling, rather than conquering peaks, it is about sketching them in fully articulated interaction with the Dolomite landscape. Through these practices, the Dolomite Mountains came to be known in England as ‘Titian Country’, spurring among Victorian travellers the sentimental drive to ramble in the backgrounds of Titian’s paintings. Freed from their historical conditions and rehashed in different discursive patterns, these symbols of Englishness re-emerge through a history collapsed through geography: a heritage that is subtly, if controversially, exploited today in the wake of the recent inscription of the Dolomites onto the UNESCO World Heritage List
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