264 research outputs found

    A study on the Lombard Effect in telepresence robotics

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    In this study, we present a new experiment in order to study the Lombard effect in telepresence robotics. In this experiment, one person talks with a robot controled remotely by someone in a different room. The remote pilot (R) is immersed in both environments, while the local interlocutor (L) interacts directly with the robot. In this context, the position of the noise source, in the remote or in the local room, may modify the subjects' voice adaptations. In order to study in details this phenomenon, we propose four particular conditions: no added noise, noise in room R heard only by R, virtual noise in room L heard only by R, and noise in room L heard by both R and L. We measured the variations of maximum intensity in order to quantify the Lombard effect. Our results show that there is indeed a modification of voice intensity in all noisy conditions. However, the amplitude of this modification varies depending on the condition

    Individual and environment-related acoustic-phonetic strategies for communicating in adverse conditions

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    In many situations it is necessary to produce speech in ‘adverse conditions’: that is, conditions that make speech communication difficult. Research has demonstrated that speaker strategies, as described by a range of acoustic-phonetic measures, can vary both at the individual level and according to the environment, and are argued to facilitate communication. There has been debate as to the environmental specificity of these adaptations, and their effectiveness in overcoming communication difficulty. Furthermore, the manner and extent to which adaptation strategies differ between individuals is not yet well understood. This thesis presents three studies that explore the acoustic-phonetic adaptations of speakers in noisy and degraded communication conditions and their relationship with intelligibility. Study 1 investigated the effects of temporally fluctuating maskers on global acoustic-phonetic measures associated with speech in noise (Lombard speech). The results replicated findings of increased power in the modulation spectrum in Lombard speech, but showed little evidence of adaptation to masker fluctuations via the temporal envelope. Study 2 collected a larger corpus of semi-spontaneous communicative speech in noise and other degradations perturbing specific acoustic dimensions. Speakers showed different adaptations across the environments that were likely suited to overcome noise (steady and temporally fluctuating), restricted spectral and pitch information by a noise-excited vocoder, and a sensorineural hearing loss simulation. Analyses of inter-speaker variation in both studies 1 and 2 showed behaviour was highly variable and some strategy combinations were identified. Study 3 investigated the intelligibility of strategies ‘tailored’ to specific environments and the relationship between intelligibility and speaker acoustics, finding a benefit of tailored speech adaptations and discussing the potential roles of speaker flexibility, adaptation level, and intrinsic intelligibility. The overall results are discussed in relation to models of communication in adverse conditions and a model accounting for individual variability in these conditions is proposed

    Models and Analysis of Vocal Emissions for Biomedical Applications

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    The International Workshop on Models and Analysis of Vocal Emissions for Biomedical Applications (MAVEBA) came into being in 1999 from the particularly felt need of sharing know-how, objectives and results between areas that until then seemed quite distinct such as bioengineering, medicine and singing. MAVEBA deals with all aspects concerning the study of the human voice with applications ranging from the newborn to the adult and elderly. Over the years the initial issues have grown and spread also in other fields of research such as occupational voice disorders, neurology, rehabilitation, image and video analysis. MAVEBA takes place every two years in Firenze, Italy. This edition celebrates twenty-two years of uninterrupted and successful research in the field of voice analysis

    The analysis of breathing and rhythm in speech

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    Speech rhythm can be described as the temporal patterning by which speech events, such as vocalic onsets, occur. Despite efforts to quantify and model speech rhythm across languages, it remains a scientifically enigmatic aspect of prosody. For instance, one challenge lies in determining how to best quantify and analyse speech rhythm. Techniques range from manual phonetic annotation to the automatic extraction of acoustic features. It is currently unclear how closely these differing approaches correspond to one another. Moreover, the primary means of speech rhythm research has been the analysis of the acoustic signal only. Investigations of speech rhythm may instead benefit from a range of complementary measures, including physiological recordings, such as of respiratory effort. This thesis therefore combines acoustic recording with inductive plethysmography (breath belts) to capture temporal characteristics of speech and speech breathing rhythms. The first part examines the performance of existing phonetic and algorithmic techniques for acoustic prosodic analysis in a new corpus of rhythmically diverse English and Mandarin speech. The second part addresses the need for an automatic speech breathing annotation technique by developing a novel function that is robust to the noisy plethysmography typical of spontaneous, naturalistic speech production. These methods are then applied in the following section to the analysis of English speech and speech breathing in a second, larger corpus. Finally, behavioural experiments were conducted to investigate listeners' perception of speech breathing using a novel gap detection task. The thesis establishes the feasibility, as well as limits, of automatic methods in comparison to manual annotation. In the speech breathing corpus analysis, they help show that speakers maintain a normative, yet contextually adaptive breathing style during speech. The perception experiments in turn demonstrate that listeners are sensitive to the violation of these speech breathing norms, even if unconsciously so. The thesis concludes by underscoring breathing as a necessary, yet often overlooked, component in speech rhythm planning and production

    Advances in the neurocognition of music and language

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    Multi-Level Audio-Visual Interactions in Speech and Language Perception

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    That we perceive our environment as a unified scene rather than individual streams of auditory, visual, and other sensory information has recently provided motivation to move past the long-held tradition of studying these systems separately. Although they are each unique in their transduction organs, neural pathways, and cortical primary areas, the senses are ultimately merged in a meaningful way which allows us to navigate the multisensory world. Investigating how the senses are merged has become an increasingly wide field of research in recent decades, with the introduction and increased availability of neuroimaging techniques. Areas of study range from multisensory object perception to cross-modal attention, multisensory interactions, and integration. This thesis focuses on audio-visual speech perception, with special focus on facilitatory effects of visual information on auditory processing. When visual information is concordant with auditory information, it provides an advantage that is measurable in behavioral response times and evoked auditory fields (Chapter 3) and in increased entrainment to multisensory periodic stimuli reflected by steady-state responses (Chapter 4). When the audio-visual information is incongruent, the combination can often, but not always, combine to form a third, non-physically present percept (known as the McGurk effect). This effect is investigated (Chapter 5) using real word stimuli. McGurk percepts were not robustly elicited for a majority of stimulus types, but patterns of responses suggest that the physical and lexical properties of the auditory and visual stimulus may affect the likelihood of obtaining the illusion. Together, these experiments add to the growing body of knowledge that suggests that audio-visual interactions occur at multiple stages of processing

    Scattering by two spheres: Theory and experiment

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