Convolutional Networks for Object Category and 3D Pose Estimation from 2D Images

Current CNN-based algorithms for recovering the 3D pose of an object in an image assume knowledge about both the object category and its 2D localization in the image. In this paper, we relax one of these constraints and propose to solve the task of joint object category and 3D pose estimation from an image assuming known 2D localization. We design a new architecture for this task composed of a feature network that is shared between subtasks, an object categorization network built on top of the feature network, and a collection of category dependent pose regression networks. We also introduce suitable loss functions and a training method for the new architecture. Experiments on the challenging PASCAL3D+ dataset show state-of-the-art performance in the joint categorization and pose estimation task. Moreover, our performance on the joint task is comparable to the performance of state-of-the-art methods on the simpler 3D pose estimation with known object category task

FSMJ: Feature Selection with Maximum Jensen-Shannon Divergence for Text Categorization

In this paper, we present a new wrapper feature selection approach based on Jensen-Shannon (JS) divergence, termed feature selection with maximum JS-divergence (FSMJ), for text categorization. Unlike most existing feature selection approaches, the proposed FSMJ approach is based on real-valued features which provide more information for discrimination than binary-valued features used in conventional approaches. We show that the FSMJ is a greedy approach and the JS-divergence monotonically increases when more features are selected. We conduct several experiments on real-life data sets, compared with the state-of-the-art feature selection approaches for text categorization. The superior performance of the proposed FSMJ approach demonstrates its effectiveness and further indicates its wide potential applications on data mining.Comment: 8 pages, 6 figures, World Congress on Intelligent Control and Automation, 201

Tweet2Vec: Learning Tweet Embeddings Using Character-level CNN-LSTM Encoder-Decoder

We present Tweet2Vec, a novel method for generating general-purpose vector representation of tweets. The model learns tweet embeddings using character-level CNN-LSTM encoder-decoder. We trained our model on 3 million, randomly selected English-language tweets. The model was evaluated using two methods: tweet semantic similarity and tweet sentiment categorization, outperforming the previous state-of-the-art in both tasks. The evaluations demonstrate the power of the tweet embeddings generated by our model for various tweet categorization tasks. The vector representations generated by our model are generic, and hence can be applied to a variety of tasks. Though the model presented in this paper is trained on English-language tweets, the method presented can be used to learn tweet embeddings for different languages.Comment: SIGIR 2016, July 17-21, 2016, Pisa. Proceedings of SIGIR 2016. Pisa, Italy (2016

Learning Structured Inference Neural Networks with Label Relations

Images of scenes have various objects as well as abundant attributes, and diverse levels of visual categorization are possible. A natural image could be assigned with fine-grained labels that describe major components, coarse-grained labels that depict high level abstraction or a set of labels that reveal attributes. Such categorization at different concept layers can be modeled with label graphs encoding label information. In this paper, we exploit this rich information with a state-of-art deep learning framework, and propose a generic structured model that leverages diverse label relations to improve image classification performance. Our approach employs a novel stacked label prediction neural network, capturing both inter-level and intra-level label semantics. We evaluate our method on benchmark image datasets, and empirical results illustrate the efficacy of our model.Comment: Conference on Computer Vision and Pattern Recognition(CVPR) 201

THE INTUITIVE CONCEPT OF ART

A great deal of work in analytic philosophy of art is related to defining what counts as art. So far, cognitive approaches to art have almost entirely ignored this literature. In this paper I discuss the role of intuition in analytic philosophy of art, to show how an empirical research program on art could take advantage of existing work in analytic philosophy. I suggest that the first step of this research program should be to understand how people intuitively categorize something as art. Drawing on results from cognitive science and analytic philosophy, I show that the intuitive categorization of an artifact as art rests on the intentions attributed (frequently implicitly) to the creator of the artifact based both on its appearance and on background knowledge. I discuss how the issue of categorization is related to other empirical issues concerning our relationship to works of art, such as perception, appreciation, interpretation and evaluation

Kernel codebooks for scene categorization

This paper introduces a method for scene categorization by modeling ambiguity in the popular codebook approach. The codebook approach describes an image as a bag of discrete visual codewords, where the frequency distributions of these words are used for image categorization. There are two drawbacks to the traditional codebook model: codeword uncertainty and codeword plausibility. Both of these drawbacks stem from the hard assignment of visual features to a single codeword. We show that allowing a degree of ambiguity in assigning codewords improves categorization performance for three state-of-the-art datasets