35,561 research outputs found
Theatre Noise Conference
Three days of Performances, Installations, Residencies, Round Table Discussions, Presentations and Workshops
More than an academic conference, Theatre Noise is a diverse collection of events exploring the sound of theatre from performance to the spaces inbetween.
Featuring keynote presentations, artists in residence, electroacoustic, percussive and digital performances, industry workshops and installations, Theatre Noise is an immersive journey into sound
Speaker Identification for Swiss German with Spectral and Rhythm Features
We present results of speech rhythm analysis for automatic speaker identification. We expand previous experiments using similar methods for language identification. Features describing the rhythmic properties of salient changes in signal components are extracted and used in an speaker identification task to determine to which extent they are descriptive of speaker variability. We also test the performance of state-of-the-art but simple-to-extract frame-based features. The paper focus is the evaluation on one corpus (swiss german, TEVOID) using support vector machines. Results suggest that the general spectral features can provide very good performance on this dataset, whereas the rhythm features are not as successful in the task, indicating either the lack of suitability for this task or the dataset specificity
Spartan Daily, December 8, 1995
Volume 105, Issue 68https://scholarworks.sjsu.edu/spartandaily/8783/thumbnail.jp
The Cowl - v.61 - n.3 - Sep 26, 1996
The Cowl - student newspaper of Providence College. Volume 61, Number 3 - September 26, 1996. 24 pages
Recommended from our members
The Swiss army knife of time series data mining: ten useful things you can do with the matrix profile and ten lines of code
Vibrotactile sensitivity in active touch: effect of pressing force
An experiment was conducted to study the effects of force produced by active touch on vibrotactile perceptual thresholds. The task consisted in pressing the fingertip against a flat rigid surface that provided either sinusoidal or broadband vibration. Three force levels were considered, ranging from light touch to hard press. Finger contact areas were measured during the experiment, showing positive correlation with the respective applied forces. Significant effects on thresholds were found for vibration type and force level. Moreover, possibly due to the concurrent effect of large (unconstrained) finger contact areas, active pressing forces, and long duration stimuli, the measured perceptual thresholds are considerably lower than what previously reported in the literature
Rethinking authenticity in digital art preservation
In this paper I am discussing the repositioning of traditional
conservation concepts of historicity, authenticity and versioning
in relation to born digital artworks, upon findings from my
research on preservation of computer-based artifacts. Challenges
for digital art preservation and previous work in this area are
described, followed by an analysis of digital art as a process of
components interaction, as performance and in terms of
instantiations. The concept of dynamic authenticity is proposed,
and it is argued that our approach to digital artworks preservation
should be variable and digital object responsive, with a level of
variability tolerance to match digital art intrinsic variability and
dynamic authenticity
Spartan Daily, November 12, 1999
Volume 113, Issue 53https://scholarworks.sjsu.edu/spartandaily/9482/thumbnail.jp
Spartan Daily, November 12, 1999
Volume 113, Issue 53https://scholarworks.sjsu.edu/spartandaily/9482/thumbnail.jp
- …