The experiment of Community involvement in a project planning within the historical context of Rome city

The PhD student proposes a method of community involvement in the planning and in the regeneration of historical centers, in support of the city’s accessibility and people’s well-being. The outcomes of the research are the analysis and the studies conducted over three years with people with sensory, physical and cognitive impairments on the sustainable mobility of historical spaces of Rome, thanks to an agreement between the Phd Student Start up Research Project financed by Sapienza, Università di Roma and the Municipality of Rome. Citizens are involved in the analysis process: they communicate their opinions, impressions, perceptions and needs related to the city experience through a dedicated help-desk, in return, they receive an advice service and a design project for their apartment that suits their necessities. Thanks also to several tours and surveys conducted with people with special needs, the phd student studies the human senses, the perception of the space, the physical barriers, natural and urban elements, with the aim to elaborate an accessibility-map of the City Center Cultural Heritage and Archaeological Sites. Citizens can contribute by sharing information about the status of the public spaces, or by giving advice on adaptive-ergonomic urban furnishings. The research aims to elaborate an application for mobile systems that identifies an interactive cartography of the city available for all the citizens, especially people with reduced mobility. The map, developed on multiple layers, also contains the layer made up of people’s emotions and their perceptions

Dreamt Spaces

Beyond a mere interdisciplinary relationship, the symbiosis of cinema, body and architecture conveys an illusion: showing a dreamt architecture. The vision of architecture through a cinematographic filter facilitates infinite possibilities, from creating habitability conditions in impossible spaces to endowing architecture with unimaginable attributes. Aspects such as movement or dematerialization, in principle far from classic architectural values, have a familiar ring due to experiences gained in cinema. Likewise, in recent decades architecture has dared to carry out spatial experiments whose only objective is experimentation on the interrelation between body and space. Despite the importance of this question to the perception of certain architecture, during many years architects absented themselves from this field of experimentation. In the majority of the cases, as mere spectators, they limited themselves exclusively to observe the proposals of some artists and film-makers who transformed space just in another plastic material. Many of these proposals of "space alteration" were left in the dust, however, some of them established a basis for certain events to come which would change forever the traditional ways of understanding space. This new perception emerging from cinematic images poses new processes of connectivity between body and space, as we may observe in some of the works of the US Americans Diller & Scofidio, intimately related to new technologies. Others, like Philippe Rahm, focus on the fusion of biological and sensorial aspects of life forms in determinate spaces. Some like the Fabric team propose a deliberate alteration of perceiving the interior-exterior interaction of habitable spaces by means of addition and fusion. None of the above is science fiction, but we can elaborate a new architectural map with clear cinematographic references

In the Privacy of Our Streets

If one lives in a city and wants to be by oneself or have a private conversation with someone else, there are two ways to set about it: either one finds a place of solitude, such as one’s bedroom, or one finds a place crowded enough, public enough, that attention to each person dilutes so much so as to resemble a deserted refuge. Often, one can get more privacy in public places than in the most private of spaces. The home is not always the ideal place to find privacy. Neighbours snoop, children ask questions, and family members judge. When the home suffocates privacy, the only escape is to go out, to the coffee shop, the public square. For centuries, city streets have been the true refuges of the solitaries, the overwhelmed, and the underprivileged. Yet time and again we hear people arguing that we do not have any claim to privacy while on the streets because they are part of the so-called public sphere. The main objective of this chapter is to argue that privacy belongs as much in the streets as it does in the home

Smelly Maps: The Digital Life of Urban Smellscapes

Smell has a huge influence over how we perceive places. Despite its importance, smell has been crucially overlooked by urban planners and scientists alike, not least because it is difficult to record and analyze at scale. One of the authors of this paper has ventured out in the urban world and conducted smellwalks in a variety of cities: participants were exposed to a range of different smellscapes and asked to record their experiences. As a result, smell-related words have been collected and classified, creating the first dictionary for urban smell. Here we explore the possibility of using social media data to reliably map the smells of entire cities. To this end, for both Barcelona and London, we collect geo-referenced picture tags from Flickr and Instagram, and geo-referenced tweets from Twitter. We match those tags and tweets with the words in the smell dictionary. We find that smell-related words are best classified in ten categories. We also find that specific categories (e.g., industry, transport, cleaning) correlate with governmental air quality indicators, adding validity to our study.Comment: 11 pages, 7 figures, Proceedings of 9th International AAAI Conference on Web and Social Media (ICWSM2015

SenCity Workshop: Sensing Festivals as Cities

ACM allows authors to post the accepted, peer-reviewed version of their paper on the institutional repository. The published version is available at .In order to sense the mood of a city, we propose first looking at festivals. In festivals such as Glastonbury or Burning Man we see temporary cities where the inhabitants are engaged afresh with their environment and each other. Our position is that not only are there direct equivalences between larger festivals and cities, but in festivals the phenomena are often exaggerated, and the driving impulses often exploratory. These characteristics well suit research into sensing and intervening in the urban experience. To this end, we have built a corpus of sensor and social media data around a 18,000 attendee music festival and are developing ways of analysing and communicating it

Material Considerations in Architectural Design: A Study of the Aspects Identified by Architects for Selecting Materials

Material selection in architecture is not only about choosing the strongest, cheapest, or most obvious materials available. Architects also choose warm, formal, functional, or local materials for buildings. And the material options are not limited by only these considerations. The material selection process is a complex process that is influenced and determined by numerous preconditions, decisions and considerations. The current material selection tools, however, focus mainly on the technical aspects of materials. In order to make well-considered and justifiable material choices, architects have a need for information on the whole spectrum of aspects considered during the design and selection process. Earlier work presented a framework, based on a literature study and the analysis of in-depth interviews, in which the different attributes of materials that contribute to a design project were identified and organized. To refine this framework and make it available for architects during the material selection process, a group of architects was selected and assembled into a focus group. This study presents how the focus group identified, classified and commented on the considerations that are made by architects while selecting materials for a project. The evaluation of the collected data, and the discussion within the group, permitted the formulation of comments and resulted in a revised framework of material considerations, useful during the design and selection process of a material. Material properties (1), Experience (2), Manufacturing process (3), and Context (4) were identified as the different elements that are related to the material selection process. The four groups are presented here in detail. Keywords: Material Selection; Design Aspects; Architectural Experience; Material Attributes; Focus Group; Design Process</p

Participatory mass observation and citizen science.

The authors outline and reflect upon a new research agenda on participatory mass observation and citizen science as an introduction to the 3 project outlines in this special section of Transactions