96 research outputs found
Cross-linguistic Influences on Sentence Accent Detection in Background Noise.
This paper investigates whether sentence accent detection in a non-native language is dependent on (relative) similarity between prosodic cues to accent between the non-native and the native language, and whether cross-linguistic differences in the use of local and more widely distributed (i.e., non-local) cues to sentence accent detection lead to differential effects of the presence of background noise on sentence accent detection in a non-native language. We compared Dutch, Finnish, and French non-native listeners of English, whose cueing and use of prosodic prominence is gradually further removed from English, and compared their results on a phoneme monitoring task in different levels of noise and a quiet condition to those of native listeners. Overall phoneme detection performance was high for the native and the non-native listeners, but deteriorated to the same extent in the presence of background noise. Crucially, relative similarity between the prosodic cues to sentence accent of one's native language compared to that of a non-native language does not determine the ability to perceive and use sentence accent for speech perception in that non-native language. Moreover, proficiency in the non-native language is not a straightforward predictor of sentence accent perception performance, although high proficiency in a non-native language can seemingly overcome certain differences at the prosodic level between the native and non-native language. Instead, performance is determined by the extent to which listeners rely on local cues (English and Dutch) versus cues that are more distributed (Finnish and French), as more distributed cues survive the presence of background noise better
The perception of lexical stress in German: effects of segmental duration and vowel quality in different prosodic patterns
Several decades of research, focusing on English, Dutch and German, have set up a hierarchy of acoustic properties for cueing lexical stress. It attributes the strongest cue to criterial-level f0 change, followed by duration, but low weight to energy and to stressed-vowel spectra. This paper re-examines the established view with new data from German. In the natural productions of the German word pair Kaffee 'coffee' - Café 'locality' (with initial vs. final stress in a North German pronunciation), vowel duration was manipulated in a complementary fashion across the two syllables in five steps, spanning the continuum from initial to final stress on each word. The two base words provided different vowel qualities as the second variable, the intervocalic fricative was varied in two values, long and short, taken from Café and Kaffee, and the generated test words were inserted in a low f0 tail and in a high f0 hat-pattern plateau, which both eliminated f0 change as a cue to lexical stress. The sentence stimuli were judged in two listening experiments by 16 listeners in each as to whether the first or the second syllable of the test word was stressed. The results show highly significant effects of vowel duration, vowel quality and fricative duration. The combined vowel-quality and fricative variable can outweigh vowel duration as a cue to lexical stress. The effect of the prosodic frame is only marginal, especially related to a rhythmic factor. The paper concludes that there is no general hierarchy with a fixed ranking of the variables traditionally adduced to signal lexical stress. Every prosodic embedding of segmental sequences defines the hierarchy afresh
Acoustic correlates of lexical stress in Moroccan Arabic
Presently there is no consensus regarding the interpretation and analysis of the stress system of Moroccan Arabic. This paper tests whether the acoustic realisation of syllables support one widely adopted interpretation of lexical stress, according to which stress is either penultimate or final depending on syllable weight. The experiment reports on word-initial syllables that differ in presumed stress status. Target words were embedded in a carrier sentence within a scripted mock dialogue to ensure that the measurements reflect lexical stress rather than phrase-level prominence. Results from all four acoustic parameters tested (f0, duration, Centre of Gravity and vowel quality) showed that there were no differences as a function of presumed stress status, thus failing to support an interpretation according to which stressed syllables are acoustically differentiated. We consider the results in relation to previous claims and observations, and conclude that the absence of acoustic correlates of presumed stress is compatible with the view that Moroccan Arabic lacks lexical stress
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Speech rhythm: the language-specific integration of pitch and duration
Experimental phonetic research on speech rhythm seems to have reached an impasse. Recently, this research field has tended to investigate produced (rather than perceived) rhythm, focussing on timing, i.e. duration as an acoustic cue, and has not considered that rhythm perception might be influenced by native language. Yet evidence from other areas of phonetics, and other disciplines, suggests that an investigation of rhythm is needed which (i) focuses on listeners’ perception, (ii) acknowledges the role of several acoustic cues, and (iii) explores whether the relative significance of these cues differs between languages. This thesis, the originality of which derives from its adoption of these three perspectives combined, indicates new directions for progress. A series of perceptual experiments investigated the interaction of duration and f0 as perceptual cues to prosody in languages with different prosodic structures – Swiss German, Swiss French, and French (i.e. from France). The first experiment demonstrated that a dynamic f0 increases perceived syllable duration in contextually isolated pairs of monosyllables, for all three language groups. The second experiment found that dynamic f0 and increased duration interact as cues to rhythmic groups in series of monosyllabic digits and letters; the two cues were significantly more effective than one when heard simultaneously, but significantly less effective than one when heard in conflicting positions around the rhythmic-group boundary location, and native language influenced whether f0 or duration was the more effective cue.
These two experiments laid the basis for the third, which directly addressed rhythm. Listeners were asked to judge the rhythmicality of sentences with systematic duration and f0 manipulations; the results provide evidence that duration and f0 are interdependent cues in rhythm perception, and that the weighting of each cue varies in different languages. A fourth experiment applied the perceptual results to production data, to develop a rhythm metric which captures the multi-dimensional and language-specific nature of perceived rhythm in speech production. These findings have the important implication that if future phonetic research on rhythm follows these new perspectives, it may circumvent the impasse and advance our knowledge and model of speech rhythm.This work was funded by an AHRC doctoral award to the author
Prosodic detail in Neapolitan Italian
Recent findings on phonetic detail have been taken as supporting exemplar-based approaches to prosody. Through four experiments on both production and perception of both melodic and temporal detail in Neapolitan Italian, we show that prosodic detail is not incompatible with abstractionist approaches either. Specifically, we suggest that the exploration of prosodic detail leads to a refined understanding of the relationships between the richly specified and continuous varying phonetic information on one side, and coarse phonologically structured contrasts on the other, thus offering insights on how pragmatic information is conveyed by prosody
Prosodic detail in Neapolitan Italian
Recent findings on phonetic detail have been taken as supporting exemplar-based approaches to prosody. Through four experiments on both production and perception of both melodic and temporal detail in Neapolitan Italian, we show that prosodic detail is not incompatible with abstractionist approaches either. Specifically, we suggest that the exploration of prosodic detail leads to a refined understanding of the relationships between the richly specified and continuous varying phonetic information on one side, and coarse phonologically structured contrasts on the other, thus offering insights on how pragmatic information is conveyed by prosody
Prosodic detail in Neapolitan Italian
Recent findings on phonetic detail have been taken as supporting exemplar-based approaches to prosody. Through four experiments on both production and perception of both melodic and temporal detail in Neapolitan Italian, we show that prosodic detail is not incompatible with abstractionist approaches either. Specifically, we suggest that the exploration of prosodic detail leads to a refined understanding of the relationships between the richly specified and continuous varying phonetic information on one side, and coarse phonologically structured contrasts on the other, thus offering insights on how pragmatic information is conveyed by prosody
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