Volume 19, Number 04 (April 1901)

Piano Orchestra Brief Rules on Child-Teaching in Music Something to Know Old Pieces Music the Language of Expression Unity of Purpose Memorizing Artistic Purpose Place of Ridicule in Teaching Personal Relation of Teacher and Pupil Selection of a Teaching Field Feel What You Play Perserverance as Taught by the Lives of the Masters Different Ways of Knowing a Piece by Heart Pianists and Composers Who Have Made History Piano-Cases Height of the Piano-Chair Tonality Formation of Habits of Study Make a Companion of a Book Sticking at It Old Industries For the Older Student University Education for a Musicianhttps://digitalcommons.gardner-webb.edu/etude/1457/thumbnail.jp

Discussion and analysis of a graduate recital: an examination of Gary Burton's "Chega De Saudade," Steve Reich's "Marimba Phase," Michael Gordon's "XY," John Cage's "In a Landscape," Minoru Miki's "Time for Marimba," and Milton Babbitt's "Homily"

Master's Project (M.Mu.) University of Alaska Fairbanks, 2017This paper discusses some of the many facets of percussion music through the examination and analysis of the following works: Gary Burton's Chega De Saudade for solo vibraphone; Steve Reich's Marimba Phase for two marimbas; Michael Gordon's XY for five drums; the author's own arrangement for multiple-percussion setup of John Cage's In a Landscape; Minoru Miki's Time for Marimba for solo marimba; and Milton Babbitt's Homily for solo snare drum. As the repertoire and performance practices of percussion continue to develop, there are many issues of note to the studying percussionist. These range from technical concerns, to issues of interpretation. Each work exemplifies certain of these issues, and this paper seeks to glean better understanding of those through analysis and study of the works

Discussion and analysis of a graduate recital: an examination of Gary Burton's "Chega De Saudade," Steve Reich's "Marimba Phase," Michael Gordon's "XY," John Cage's "In a Landscape," Minoru Miki's "Time for Marimba," and Milton Babbitt's "Homily"

Master's Project (M.Mu.) University of Alaska Fairbanks, 2017This paper discusses some of the many facets of percussion music through the examination and analysis of the following works: Gary Burton's Chega De Saudade for solo vibraphone; Steve Reich's Marimba Phase for two marimbas; Michael Gordon's XY for five drums; the author's own arrangement for multiple-percussion setup of John Cage's In a Landscape; Minoru Miki's Time for Marimba for solo marimba; and Milton Babbitt's Homily for solo snare drum. As the repertoire and performance practices of percussion continue to develop, there are many issues of note to the studying percussionist. These range from technical concerns, to issues of interpretation. Each work exemplifies certain of these issues, and this paper seeks to glean better understanding of those through analysis and study of the works

Faculty concert: Bayla Keyes and Lois Shapiro, January 24, 1999

This is the concert program of the Faculty Concert of Bayla Keyes and Lois Shapiro performance on Sunday, January 24, 1999 at 3:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Suite for Violin and Piano by William Grant Still, Companion Piece by Marjorie Merryman, Sonata for Violin and Piano by Aaron Copland, Second Sonata for Violin and Piano by Charles Ives, and Who Let the Cat out Last Night? by Paul Schoenfield. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Program notes of graduate recital

Master's Project (M.Mu.) University of Alaska Fairbanks, 2017This paper discusses the four pieces of the graduate recital of student Evanthia Maniatopoulou; Johann Sebastian Bach's Prelude and Fugue in F minor, Well-Tempered Clavier Book II, BWV 881; Ludwig van Beethoven's Piano Sonata No. 30, Op. 109; Frederic Chopin's Scherzo No. 3, Op. 39; and Sergei Prokofiev's Piano Sonata No. 7, Op. 83. It is divided into four chapters, with one chapter dedicated to each piece. In each chapter there is a discussion about the composer's background, then some comments about his compositional style in general, then some information about the genre in which every piece falls into, and finally a brief analysis and discussion about the specific piece that was in the graduate recital.Chapter 1. Johann Sebastian Bach (1685-1750) -- Chapter 2. Ludwig van Beethoven (1770-1827) -- Chapter 3. Frederic Chopin (1810-1849) -- Chapter 4. Sergei Prokofiev (1891-1953) -- Bibliography

Performance Practice Bibliography (1995-1996)

Bibliography of articles published in the field of Historical Performance Practices during 1995-1996

John Daverio, violin, Marti Epstein, piano, April 5, 1993

This is the concert program of the John Daverio, violin, Marti Epstein, piano performance on Monday, April 5, 1993 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Companion Pieces by Marjorie Merryman, "Flashes" for Violin Solo by István Láng, Sonata by Hans Werner Henze, Four Nocturnes-Night Music II by George Crumb, and Quasi una Sonata by Alfred Schnittke. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Faculty Recital Series: An Evening of Recorder Concertos, January 30, 2012

This is the concert program of the Faculty Recital Series: An Evening of Recorder Concertos performance on Monday, January 30, 2012 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Concerto in D minor BWV 35/156 by Johann Sebastian Bach, Sonata in G minor by Jacques Paisible, Fantasia No. 1 in C Major by Georg Philipp Telemann, Brandenburg Concerto No. 4 BWV 1049 in G Major by J.S. Bach, and Concerto in C Major RV 444 for sopranino recorder and strings by Antonio Vivaldi. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

An analysis of the keyboard works of three sons of Bach: Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach, Johann Christian Bach.

Thesis (B.M.)--Boston Universit

A Guest Artists Concert: James Winn, flute Martin Amlin, piano

This is the concert program of the A Guest Artists Concert: James Winn, flute Martin Amlin, piano performance on Tuesday, April 4, 2000 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Sonatina for Flute and Piano, Op. 76 by Darius Milhaud, Sonata for Flute and Piano by Cesar Franck, Sonata for Flute and Piano by Paul Hindemith, and Sonata for Flute and Piano by Martin Amlin. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund