Campus News September 23, 1994

https://digitalcommons.lasalle.edu/campus_news/2125/thumbnail.jp

CEDIM Risk Explorer ? a map server solution in the project "Risk Map Germany"

International audienceThe project "Risk Map Germany" at the Center for Disaster Management and Risk Reduction Technology (CEDIM) aims at visualizing hazards, vulnerabilities and risks associated with natural and man made hazards. CEDIM as an interdisciplinary project unified various expertise like earthquake, storm and flood disaster research. Our aim was to visualize the manifold data exploration in thematic maps. The implemented Web-GIS solution "CEDIM Risk Explorer" represents the map visualizations of the different risk research. This Web-GIS integrates results from interdisciplinary work as maps of hazard, vulnerability and risk in one application and offers therefore new cognitions to the user by enabling visual comparisons. The present paper starts with a project introduction and a literature review of distributed GIS environments. Further the methods of map realization and visualization in the selected technical solution is worked out. Finally, the conclusions give the perspectives for future developments to the "CEDIM Risk Explorer"

A Performance Guide to Glenn Kotche\u27s Monkey Chant

Solo percussionist and composer Glenn Kotche has achieved international fame with his experimental percussion-based music, collaborating with and composing for renowned contemporary music ensembles such as the Kronos Quartet, Band on a Can All-Stars, So Percussion, and Eighth Blackbird. One of his most celebrated compositions in recent years is Monkey Chant, which combines acoustic and electronic elements in a solo multiple percussion setting. Written and premiered in 2006, Kotche was inspired to compose Monkey Chant after listening to original field recordings in Bali from the Nonesuch Explorer Series. Found in these recordings is the popular Balinese music and dance drama known as Kecak. Monkey Chant showcases, through percussion, the intricate vocal patterns and recounting of the Ramayana Epic featured in Balinese Kecak. This monograph serves as an informational performance guide for Monkey Chant that simplifies and resolves performance questions and issues. It provides a contextual setting for the work with a brief biography of Glenn Kotche, including his musical influences and inspiration for the composition. Balinese Kecak is examined as well as the Hindu Ramayana tale as it relates to Kotche’s composition, revealing the function for its compositional form. This document also clarifies and details preparatory procedures for collecting and building the unique instruments required, also detailing schematics for electronic audio equipment and setup. Lastly, there is an analysis of compositional style and form, offering optional solutions to performance obstacles

Towards A Paperless Choral Classroom

Our group recommended the best ways to integrate new technologies into the annual Eastern American Choral Directors Association Conference. We worked with Robert Duff, President of the EACDA, to create these recommendations based on his vision and direction for the conference. We researched video conferencing tools, live streaming methods, music cataloging, and tech booth designs for our proposal. We presented our comparisons of these different tools to be used in future Choral Director Conferences

Patterns of Musical Interaction with Computing Devices

In line with the efforts from the Ubiquitous Music Group, our research identified recurring patterns of interaction between humans and computing devices in existing music software and hardware. These four kinds of repeatedly implemented musical interactions are being documented in the form of interaction design patterns, providing an alternative taxonomy of interaction types, suitable for musical and computational developments in ubiquitous music research. In this paper we briefly describe the meaning of patterns in design fields. We also defend the use of interaction patterns in the design of ubiquitous music systems, and present the four proto-patterns proposed in our research. We intend with this paper to foster discussions at this 3rd Ubimus workshop, which can lead to refinement and improvement of the proposed interaction design patterns

The Intersection of Art and Technology

As art influences science and technology, science and technology can in turn inspire art. Recognizing this mutually beneficial relationship, researchers at the Casa Paganini-InfoMus Research Centre work to combine scientific research in information and communications technology (ICT) with artistic and humanistic research. Here, the authors discuss some of their work, showing how their collaboration with artists informed work on analyzing nonverbal expressive and social behavior and contributed to tools, such as the EyesWeb XMI hardware and software platform, that support both artistic and scientific developments. They also sketch out how art-informed multimedia and multimodal technologies find application beyond the arts, in areas including education, cultural heritage, social inclusion, therapy, rehabilitation, and wellness

Faze 1, 1981-04-17

Weekly newsletter published by Governors State University between 1971-1981

LIVE Biennial of Performance Art 2005: Event Schedule and Brief Descriptions - Weeks 5 and 6: November 10-25

Schedule and descriptions for weeks 5 and 6 of the 2005 LIVE Biennial of Performance Art. Collected material for LIVE Biennial of Performance Art